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开我的十级大号来吹一吹网飞三体 近日网飞三体在国外各大媒体上热议,北美热度终于登顶,时代广场宣传板展示,在全球多国都播放量登顶 我就来说一说我的结论: 网飞真的的是用心了,砸钱了,网飞三体一集成本比权游第八季一集都要高,而这才是第一季。 对于一个中国IP来说,这是我们文化出海的史无前例的待遇。但是同时网飞的困境就在于,这么高的预算,如果播放量讨论度没有引起现象级的反应,作为一个商业流媒体公司,他不会再拍第二季,到目前为止还没有宣布续订第二季 我就问你们,你们想看第二季么? 另外谈一谈我对这个剧的改编的理解 1,网飞这么大的预算,当然是要赚钱的。注意网飞没有进入国内,所以网飞为什么要顾及中国普通观众口味?你也不会去续订网飞,花月费,我能保留这么几个中国角色那是尊重大刘,尊重原著,已经够可以了。 2. 好莱坞的这个团队,编剧,导演包括权游主创D&D,真爱如xue(某先锋xie教吸血鬼美剧,非常赞)主创的团队,绝对是世界一流。选角色都是欧美主流观众眼熟的角色,人家不要流量?红脖子老美爱看才行,回到最开始,这么大预算谁来买单? 3。角色改编,就我对西方文化的理解,可以这么说:非常紧跟时代话题并有社会教育意义,我告诉你,他们是冲着要拍一个科幻版的 权游高度的剧去的。权游是什么类型?就是颠覆了这个科幻类型剧,引起整个电视工业及社会印象里的现象级别。 网飞三体的选角在国外也是有争议的: 比如性//x感美女汪淼,黑逻辑不是生活大爆炸那种刻板印象的科学家,被不少人骂不真实,不过这也正是他们的意图,就是在职业行业领域搞 DEI,就是多样化,平权,平等包含所有人种性别 4.这个剧的剧情拍的非常精致,可以说对话桥段细节都是很考究的,还有不少彩蛋,每段对话都有深意精心设计过的不是乱来的,怎么说呢,就是基本可以照着甄嬛传那个扣细节标准来,国内编剧真该好好学学,show do not tell。但是跟国内有文化隔阂,很多观众可能有点不太明白,当然了,他们看甄嬛传也一样看不懂。 5 演员。逻辑改黑人真的是改编一绝,切合时政,而且原著逻辑这个人物很颓废早期很容易招人反感,没有代入性,黑人一下子就解释了,奥巴马早年不就是说他怎么挣扎困境颓废过么。 国外已经有人说了,逻辑就是黑的,太真实了。演员是年轻的演技派,得过美国电视最高奖艾米奖提名,还跟布拉德皮特演过电影。你看到主创人员还有布拉德皮特了么?老伊文思演员老戏骨了,云天明演员得过tony奖,音乐戏剧最高奖。 叶文洁sha夫这段删了,因为这段在欧美人眼里有点太过分了,西方夫-09妻关系有神圣的一面,这段太冷血了怕老美反感。 然后吧,其实腾讯版王子文演的就是伊文思有点那个吸引在里头。网飞版叶那段跟伊文思在餐馆,那种吸引真的拍出来了,被老美称xing张力拉满,演员可以 6国外主流媒体对于这个电视剧的评论从高到低所有都有,非常有争议,被外媒说是乱纪元来了。为什么?因为这个原著和他的改编,跟传统科幻类型很不一样,宗sfs教,历史,科幻,大场面,被称为 genre bending,改写类型剧的标本,有文化上重大意义。 开篇的中国武//斗直接映射美国中学不让教进化论,被认为整个剧都针对西方乱象。 各位可以安息了
流浪地球观影归来,感觉国外的口碑可以爆星际穿越 interstellar 首先,这个剧本有刘慈欣加持,绝对完爆各种最近20年的科幻片了。关键是对于科幻迷来说,新意新梗,创意,才是最重要的。为什么刘慈欣现在西方被说是名列最伟大的科幻作家 (活的死的都算上),甚至还有西方的刘慈欣吹说他是最伟大的作家之一(。。。),原因也就在这里 记得当年看过interstella,感觉就是有点玩老梗了,而且解引力公式救地球。。。完全没搞清楚基础学科和应用学科的鸿沟,纯粹为了戏剧性。剧情有点像三体(当时三体虽然没有出版完全,但是英文翻译版已经有不少出版界的人还有美国科幻作家看过了,肯定是有参考了)。这个流浪地球,是一个从来没有被人玩过的设定,再加上剧本基本发挥了三体那种现实主义的写法,力求真实,感觉就是“拍的跟真的一样”, 本人在西方生活多年,感觉从北美的角度看,这部科幻场面震撼 真实,剧情深得刘慈欣的新颖精髓,而且不乏幽默。绝对是可以口碑炸裂,拿个什么雨果 星云 各大电影奖的 剧本 特效奖了。 至于票房,就要看推广的怎么样了,好了的话感觉破个华语片记录也不成问题了。对了 在北美海外华语片记录好像还是卧虎藏龙。 我不是喷子 吹子,是真的 以后可以挖坟。流浪地球可以拿到国外主流电影奖
策划来,当下紧急挽留人数下滑,开放团本多刷机制! 人数下滑确实是不争的事实。。特别是困难团本开放前两周的时候, 其实只要开放单人团本多刷次数,就像困难本一样就可以解决老带新,困难过不了一团一团的A的问题。 具体就是装备掉落和其他材料掉落分开,根据团内本周第一次通关的人数掉落装备,比如就拿困难玄9来说,10人都是第一次通关一个boss掉三件,8 9 人也是掉三件,4到7人掉二件,1到三人掉一件,10个人都是第二次通关就只掉材料,然后一周上限高一点 比如20次。 这样子即可以防止装备毕业,有可以让本来挣扎过不去本的人留下来。最后,可以大幅度延长点卡时间!谁还没有几个亲友要带不是。肝帝也有的刷,都是材料钱,还可以掉落坐骑 幻化 外装之类无关紧要纯粹成就感的东西,让他们刷,概率低点都没关系。。。 策划可以具体参考,开困难5人本的时候是最繁荣的时候,每周都可以刷刷刷,相信大家都有过困难每周刷过很多次的情况吧。 另外其实以现在的难度,低保重复率,已经很难为上班党了,游戏还是要让更多的人能留下来,有活路,还要让肝帝有成就感 不是么?多少a的人是因为过不了困难玄九,本来不出装备没有什么,可是不出装就继续过不了,一点希望都没有,这样团本多刷,完全可以解决这个问题。毕竟玩家谁不想及时过本?
通关感言:剧情不错的,只是有点小众而已(长) 今天刚简单模式通关了, 基本NPC什么的都对话了,图也基本跑了,30个小时,不过我玩游戏基本都是追求快,所以这个游戏时间略短。 这个剧情怎么说呢,不错的真的不错,看得出野心,后半部分能铺开一些当然最好,当然现在的游戏流程也已经是跟仙剑45 古剑12 持平了。再往长做不是国产主流长度,第一部毕竟有风险。就算是现在这样长度限制 后期必须缩水,也能看出来不少细节还是不错的。比如很多配角的收尾,npc的对话变化。游戏剧情完成度不错,另外可以仔细数一数,配角数量比仙剑45 古剑12都要多的多,而且各自都有剧情线。 这个编剧还是有野心的。 剧情为什么说小众呢? 因为这个剧情人物不太是国产网文武侠那种升级打怪报仇的套路,而是有点日式最终幻想那种神叨叨的弑神的宗教气质。特别是玩游戏的时候有好几次让我想到了经典剧情神作最终幻想10,这样的剧情我是觉得很有深度的,但是不是国内市场的主流,也许需要时间才能充分意识到价值。另外天咏的词作者是方文山:周杰伦御用金牌作词人,有“词圣”的美誉。歌词虽然通俗,但是完美的契合了神人契合的宗教情怀,还让我读出了点基督教christianity的感觉。 当然,怎样在迎合主流市场的同时,把剧情做出深度来,是一个比较技术性的话题。做的比较好的仙剑4,就是主角是基本会受到大众喜爱有代入感的人物,然后配角,比如主角爸妈亲世代玄肖夙玉云天青什么的是比较有深度的人物,可能小众一点,这样会比较成功。比如这次的云倾基本上是玄霄一类的, 但是这种并不适合当主角,跟玄霄一样,会被人骂**,没代入感。日系游戏倒是喜欢这样的主角。。。古剑2也是一样的套路,把比较深度的角色比如流月城放到配角里面,主角几人还是主打要 “”likeable“”,不招人讨厌 我预测这游戏的剧情随着时间增长,口碑会慢慢变好。另外觉得不管剧情还是画面,卖到国外足够了,日本欧美可能会更欣赏这个剧情 世界观: 优秀 立意和世界观是好的。万国林立也能体会得出,什么周饶 犬封 君子 奇功之类的。虽然没有去那些国度真正访问一下,但是也可以理解,毕竟系列第一部。城镇数量7 8个也还可以, 过去的仙剑古剑也基本是这个游戏长度,城镇数量。比如仙剑四 5 古剑12,仔细数城镇数量都不超过10个,很多都是迷宫而已。 主要矛盾也还算清楚,除了最终boss阴谋之外,还有各个国对抗陶唐的战争,比如那个男二的寒慌,这条线埋得也不错,至少让主线不那么单调就仅仅是揭露boss阴谋。 人物塑造: 我觉得是合格的了,几个主角友情亲情人生经历师傅什么的都塑造到位了,各位想想古剑1那几个主角其实还不如这个塑造完整,襄铃在剧情上的重要性比得上夕羽?红玉比得上岚湘?大叔比得上自带剧情线的云倾?只是男一女二都是圣父圣母奉献型性格,INFJ那种,这样的人世界上当然存在,基督佛陀 冰火中的龙妈雪诺,但是就是在rpg里头不讨喜就是了,同样我想到了最终幻想10里头的yuna。同样最终幻想10虽然是世界认可的经典, 但在国内没有流行,国内玩家大多只是看到了游戏性而已。
预言立帖为证:剧情应该是神人大战! 我来一把预言帝,主要线索就是几个主角人物设定,和几版宣传动画。 按照国产仙侠剧的一惯尿性(经典套路如仙剑1 4 幽城幻剑 古剑奇谭12)和幻想三国基本风格,剧情预言基本如下: 1,主线,没得跑,神族人族大战,然后人族胜利,神隐时代开始。这个证据有比如男三设定,女二祭祀设定,男一神族屠村设定 2.男一或女一必然至少有一个是联系神族的关键人物,比如xx神被贬下凡,关键钥匙封印之类转世。男一或女一有可以一方是来自异域,不同与人族,是普通人族的概率非常小。 3。女2 祭祀女身份与主线的关系很明显,但是女二的感情线很有可能与主线或者背后黑手,反派势力有关。 4。男二有点酱油的可能,比较好的应该是自带感情线故事线,但是跟主线关系不大。 5 男三女三都非人,基本就是主线联系较紧密的角色。年龄缘故感情线应该不重,**除非恋童或者真的有人喜欢那个男二中二。但是这两人的主题应该是成长变化。 怎么越想越觉得老套,虽然故事讲的好的话,转折多人神大战还是值得一看的。 另外我注意到一个场景是水下的感觉,还有白雪封山的仙山剑侠门派,虽然这两个怎么都那么常见。希望不要跟市场上那么多仙侠太像,毕竟这个时代背景是上古,怎么才能体现出历史感,上古感? 我看了那些场景就想吐槽,三皇五帝时候有那么高的塔,那么金碧辉煌的宫殿 那么繁华的集市么?这跟放到唐宋有什么区别?
死神永生无缘今年星云奖提名 (nebla award) 以下是提名,来自tor。com 2/20. 元芳你怎么看? The nominees are as follows: Novel All the Birds in the Sky, Charlie Jane Anders (Tor; Titan) Borderline, Mishell Baker (Saga) The Obelisk Gate, N.K. Jemisin (Orbit US; Orbit UK) Ninefox Gambit, Yoon Ha Lee (Solaris US; Solaris UK) Everfair, Nisi Shawl (Tor) Novella Runtime, S.B. Divya (Tor.com Publishing) The Dream-Quest of Vellitt Boe, Kij Johnson (Tor.com Publishing) The Ballad of Black Tom, Victor LaValle (Tor.com Publishing) Every Heart a Doorway, Seanan McGuire (Tor.com Publishing) “The Liar”, John P. Murphy (F&SF 3-4/16) A Taste of Honey, Kai Ashante Wilson (Tor.com Publishing) Novelette ‘‘The Long Fall Up’’, William Ledbetter (F&SF 5-6/16) ‘‘Sooner or Later Everything Falls Into the Sea’’, Sarah Pinsker (Lightspeed 2/16) “The Orangery”, Bonnie Jo Stufflebeam (Beneath Ceaseless Skies) ‘‘Blood Grains Speak Through Memories’’, Jason Sanford (Beneath Ceaseless Skies 3/17/16) The Jewel and Her Lapidary, Fran Wilde (Tor.com Publishing) ‘‘You’ll Surely Drown Here If You Stay’’, Alyssa Wong (Uncanny 5-6/16) Short Story ‘‘Our Talons Can Crush Galaxies’’, Brooke Bolander (Uncanny 11-12/16) ‘‘Seasons of Glass and Iron’’, Amal El-Mohtar (The Starlit Wood) ‘‘Sabbath Wine’’, Barbara Krasnoff (Clockwork Phoenix 5) ‘‘Things With Beards’’, Sam J. Miller (Clarkesworld 6/16) ‘‘This Is Not a Wardrobe Door’’, A. Merc Rustad (Fireside Magazine 1/16) ‘‘A Fist of Permutations in Lightning and Wildflowers’’, Alyssa Wong (Tor.com 3/2/16) ‘‘Welcome to the Medical Clinic at the Interplanetary Relay Station│Hours Since the Last Patient Death: 0’’, Caroline M. Yoachim (Lightspeed 3/16) Ray Bradbury Award for Outstanding Dramatic Presentation Arrival, Directed by Denis Villeneuve, Screenplay by Eric Heisserer, 21 Laps Entertainment/FilmNation Entertainment/Lava Bear Films/Xenolinguistics Doctor Strange, Directed by Scott Derrickson, Screenplay by Scott Derrickson & C. Robert Cargill, Marvel Studios/Walt Disney Studio Motion Pictures Kubo and the Two Strings, Directed by Travis Knight, Screenplay by Mark Haimes & Chris Butler; Laika Entertainment Rogue One: A Star Wars Story, Directed by Gareth Edwards, Written by Chris Weitz & Tony Gilroy; Lucusfilm/ Walt Disney Studio Motion Pictures Westworld: ‘‘The Bicameral Mind’’, Directed by Jonathan Nolan, Written by Lisa Joy & Jonathan Nolan; HBO Zootopia, Directed by Byron Howard, Rich Moore, & Jared Bush, Screenplay by Jared Bush & Phil Johnston; Walt Disney Pictures/Walt Disney Animation Studios Andre Norton Award for Young Adult Science Fiction and Fantasy The Girl Who Drank the Moon, Kelly Barnhill (Algonquin Young Readers) The Star-Touched Queen, Roshani Chokshi (St. Martin’s) The Lie Tree, Frances Hardinge (Macmillan UK; Abrams) Arabella of Mars, David D. Levine (Tor) Railhead, Philip Reeve (Oxford University Press; Switch) Rocks Fall, Everyone Dies, Lindsay Ribar (Kathy Dawson Books) The Evil Wizard Smallbone, Delia Sherman (Candlewick)
ohyeah, 来看老外果仁破黑森啦!转自reddit [Dark Forest] [Spoilers] Holes in the Dark Forest Theory? Overall, I enjoyed the book. After thinking about it, however, I came up with some potential problems with the plot and with the dark forest theory in general, which is heavily reliant on a Hobbesian theory of the state of nature and “realist” international relations theory. Potential plot holes: There was no need for Lou Ji’s plan to be secret. He could have revealed his ideas about the dark forest at any time and the Trisolarans and the ETO could not have altered his plan to use it as threat up until the time that the first Trisolaran probe reached the Earth. Revealing the plan would have made Lou Ji’s life better; with the knowledge out, there would be no reason for the ETO to attempt to assassinate him. He did need secrecy in the final portion of the book after the Trisolaran probe blocked using the Sun as a communicator, but if he had just revealed his plan from the beginning, Earth’s government could have used the threat of mutually assured destruction at more opportune times. It’s possible that people might have reacted against Lou Ji’s plan the same way they did against Rey’s plan, but I doubt it. Rey’s plan was secret; that’s why it was dangerous. If Lou Ji revealed his strategy, I doubt there would be public backlash. It would have been just like the strategy of mutually assured destruction that played out during the Cold War, which the majority of the First World’s population did not heavily protest. For that matter, Rey’s plan did not need to be secret either. His threat to destroy the solar system only works if your intent is broadcast, not hidden. I also thought that Rey’s plan would probably have the same effect if he just exploded all the bombs on Earth and made the planet unlivable. The Trisolarans might be able to terraform the planet back to livable conditions, but at least there is some uncertainty there, whereas he knew he probably didn’t have enough bombs to change Mercury’s orbit. I also posted Rey’s plan on r/cosmology and it seemed like people there didn’t think his plan would have any effect on the sun. If sophons can interact with quantum particles, and if, as revealed in the book, the mind is dependent on quantum-level interactions, then theoretically Trisolarans should be able to mess with or manipulate the human mind. They had a much easier way to control humans. Lou Ji’s plan depended on aliens deciding to destroy his cursed star. But if the Dark Forest theory is correct, it is just as likely that those aliens would have decided to colonize that star system and take its resources, because that would leave them in a better position to survive the “state of nature” that is the dark forest. Conquest rather than destruction would then have provided Earth with no confirmation of the dark forest theory. This is not so much a plot hole, as it is an incredible reliance on luck on the part of Lou Ji. He should have at least thought of this possibility, and prepared contingency plans. Lou Ji’s plan was also dependent on there being super-fast travel. The star that Lou Ji “cursed” was eliminated very quickly after Lou Ji’s message of the star’s coordinates was received by nearby star systems. Again, he was lucky that there was a neighboring, sufficiently advanced civ that received the message and was able to deploy so quickly against that star. But that raises another question: Any civ that is so advanced that they have such speed and star-destroying technology could probably just monitor their more primitive neighbors with sophons, and only strike if that civ’s tech could possibly challenge the more advanced civ. Potential holes in the Dark Forest theory: This brings me to more general criticisms of the dark forest theory. If alien civs possess sophon tech, they don’t need to destroy other civilizations. They can just prevent those other civs from ever ascending the tech tree; the chain of suspicion gets stopped right there. Makes me think that perhaps in the third book, this option gets explored for creating intergalactic peace. If sophon tech is readily reachable on the technology tree, then the dark forest is no longer really “dark.” You can know a lot about your neighboring civilizations. You still won’t be able to read their minds. But you will still have a lot of near-instantaneous information about how warlike they are and whether they are peaceful, what their technology level is like, and how you might even try to negotiate with them to form an intergalactic alliance. They are not complete black boxes. Perhaps the Trisolarans were lucky in unlocking the secrets of sophons, and most civilizations won’t ascend this particular tech tree. That would eliminate some of these potential holes in the dark forest theory and its assumption that other civs have to be black boxes. However, if there were even just a few other alien civs that discovered this technology tree, there would be significant advantages in those civilizations trying to coordinate alliances with amenable neighbors against “rogue” alien civilizations intent only on destruction and conquest. For example, with cooperation, civilizations can ascend the tech tree even faster. This would be the seed for some type of intergalactic organization, rather than intergalactic anarchy. Over the long time frame of the existence of the universe, cosmic sociology should predict that supragalactic organization would emerge rather than anarchy. Most generally: cosmic sociology as Lou Ji envisions it is impossible without knowing the kind of tech available in the tech tree and the character of civilizations that ascend that tree. There were some Trisolarans who did not want to invade Earth. The decision to invade was made because the Trisolarans knew their system was unviable. But if their system was viable, how would the Trisolarans have acted after hearing knowledge of Earth? The peaceful faction might have won. Domestic politics matter and the assumption of international relations that states can be treated as black boxes doesn't hold. So, those are my thoughts. Looking forward to hearing what others thought of the book.
历史上南宋黑科技:仙剑6中的火枪火雷球 火器和冷兵器并用时代(10~19世纪中叶) 北宋初年火器的出现,标志着火器和冷兵器并用时代的开始,经南宋、元、明到清朝第一次鸦片战争(1840)以前,延续约9个世纪。在此期间,随着火药性能的提高和新技术的应用,新的威力更大的火器不断被发明创造出来,并在战争中起着越来越大的作用。但到清朝特别是18世纪中叶以后,由于火器发展的停滞,一直到第一次鸦片战争,中国古代火器始终未能完全取代冷兵器,而是火器和冷兵器并用。当然在不同的发展阶段,火器和冷兵器所占的比重是大不相同的。冷兵器虽也有一些发展和成就,但它在战争中的作用日益下降。从整体来说,冷兵器趋于衰落,而火器的不断发明和创新,成为这一时期兵器发展的主要标志。中国古代火器的发展,可分为3个阶段:早期的火器,火铳的发明和发展,枪炮在外来技术影响下的发展。   早期的火器 从北宋到南宋约3个世纪,是早期火器的创制阶段。这个时期火器已用于战争,并有一定规模,有些火器的储备已是数以万计,在战争中起了重要的作用。但就全局来说,当时大量装备军队起决定作用的兵器还是冷兵器。北宋发明的火药箭、火球类火器,主要是用以纵火的火攻器具,可起烧伤敌人和惊吓敌军人马的作用。南宋发明的铁火球、火枪类火器,已有较大的杀伤和破坏作用。但这两类火器除少数可以手投外,主要是用弓、弩、球等冷兵器来发射和投掷,飞火枪也是把喷火筒和矛枪结合起来使用,都离不开冷兵器。因此,这个时期虽然已经是火器和冷兵器并用,但还是一个以冷兵器为主的时期。突火枪 靖康元年(1126),宋军在丞相李纲指挥下,使用a火箭、霹雳球同其他冷兵器相结合,打退了金军对汴京(今河南省开封)的进攻。之后,金军也学会了制卝造和使用火器的技术,攻占了汴京卝城。北宋时期火器的制卝造已初具规模,在汴京设有广备攻城作,工匠5000余人,下辖10作,其中就有火卝药作和专门制卝造火器的火作。元丰七年(1084)二月,从汴京一次调发煦州、河州驻军的火器,就有神臂弓火箭10万支,火卝药弓箭2万支,火卝药火球箭2000支,火弹2000枚之多。 南宋时期,火药的性能已有显著的提高,金和南宋都使用了铁壳爆炸性火器“铁火球”。这种球是金人于13世纪初叶首先使用的。南宋嘉定十四年(1221),金军在进攻蕲州(今湖北蕲春)时,使用了用生铁铸成、壳厚2寸的铁火球。绍定五年(1232),蒙古军进攻金南京(今开封),士兵在大型活动掩体“牛皮洞子”遮挡下掘城,守城金军用铁索悬吊爆炸威力更大的铁火球“震天雷”,至掘城处爆炸,其声如雷,闻百里外,产生强烈的燃烧和四散飞击的铁壳碎片,毁坏了蒙古军的铁甲和牛皮洞子。景炎二年(1277),元军攻静江(今广西桂林),守城宋将在城陷粮绝的情况下,率部下250名点燃一具大铁火球集体殉国。历史上的这些记载,说明铁火球已具有很大的杀伤作用,火药性能已经有较大的提高,火器已从纵火器材发展为直接杀伤、破坏的兵器,这是火器发生飞跃的重要标志。
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