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【新闻】英国NME音乐奖提名揭晓,法海入围最佳专辑与年度英雄 2013年NME音乐奖提名名单: 最佳英国乐队(Best British Band) Arctic Monkeys Kasabian The Vaccines Biffy Clyro The Maccabees The Cribs 最佳专辑(Best Album) Frank Ocean - Channel Orange Jake Bugg - Jake Bugg The Maccabees - Given To The Wild Alt-J - An Awesome Wave The Vaccines - Come Of Age Tame Impala - Lonerism 最佳国际乐队(Best International Band) The Killers Tame Impala The Black Keys Odd Future Crystal Castles Foo Fighters 最佳单曲(Best Track) Arctic Monkeys -《R U Mine?》 Haim -《Don't Save Me》 MIA -《Bad Girls》 Foals -《Inhaler》 Palma Violets -《Best Of Friends》 Tame Impala -《Elephant》 最佳再版专辑(Best Re-issue) Manic Street Preachers - Generation Terrorists Blur - 21 Prodigy - The Fat Of The Land Interpol - Turn On The Bright Lights Smashing Pumpkins - Mellon Collie And The Infinite Sadness Ian Brown - Collected 最佳独唱歌手(Best Solo Artist) Jake Bugg Noel Gallagher Florence Welch Miles Kane Grimes Paul Weller 最佳新晋乐队(Best New Band) Alt-J Peace Palma Violets Django Django Alabama Shakes Haim 最佳音乐录像带(Best Music Video) Grimes -《Oblivion》 MIA -《Bad Girls》 David Bowie -《Where Are We Now?》 Arctic Monkeys -《R U Mine?》 Haim -《Don》t Save Me》 Tame Impala -《Feels Like We Only Go Backwards》 最佳音乐节(Best Festival) Reading &Leeds T In The Park Bestival Primavera Latitude Isle Of Wight 最佳小型音乐节(Best Small Festival) Swn The Great Escape Field Day Festival No.6 End Of The Road Constellations 最佳现场组合(Best Live Band) The Maccabees The Cribs Blur Biffy Clyro Foals The Rolling Stones 最佳舞会会歌(Best Dancefloor Anthem) Mosca featuring Katy B -《What You Came For》 Calvin Harris and Florence Welch -《Sweet Nothing》 Psy -《Gangnam Style》 MIA -《Bad Girls》 Kanye West/Jay-Z -《Paris》 Solange -《Losing You》 年度音乐时刻(Music Moment Of The Year) David Bowie》s comeback The Stone Roses comeback shows at Heaton Park London 2012 Olympics Opening Ceremony The Rolling Stones 50th anniversary show at London》s O2Arena Green Day》s secret set at Reading Festival Pussy Riot》s punk prayer 年度英雄人物(Hero Of The Year) David Bowie Bradley Wiggins Pussy Riot Barack Obama Frank Ocean Dave Grohl 年度恶人(Villain Of The Year) David Cameron Harry Styles Skrillex Psy Fred Macpherson Azealia Banks 最差组合(Worst Band) One Direction Muse Mumford &Sons Alt-J Justin Bieber Ed Sheeran 最佳图书(Best Book) David Byrne - How Music Works Neil Young - Waging Heavy Peace Mike Skinner - The Story Of The Streets Tim Burgess - Telling Stories The Rolling Stones - 50 Peter Hook Unknown Pleasures: Inside Joy Division 最佳电影(Best Film) The Hobbit: An Unexpected Journey Ted iLL Manors The Dark Knight Rises Skyfall The Perks Of Being A Wallflower 最佳音乐电影(Best Music Film) Searching For Sugar Man LCD Soundsystem - Shut Up And Play The Hits Hit So Hard: The Life &Near Death Story of PattySchemel Marley The Rolling Stones - Crossfire Hurricane Led Zeppelin - Celebration Day 最佳电视节目(Best TV Show) Breaking Bad Noel Fielding》s Luxury Comedy Fresh Meat Sherlock The Thick Of It Doctor Who 最佳粉丝俱乐部(Best Fan Community) Muse Hurts 30 Seconds To Mars Manic Street Preachers The Killers Enter Shikari 最佳博客(Best Twitter) Muse (@muse) Fred Macpherson, Spector (@fredmacpherson) Theo Hutchcraft, Hurts (@theohurts) Alana Haim, Haim (@babyhaim) Wiley (@EskiDance) MIA (@MIAuniverse) 2
【访谈+图片】Miguel Is Living The Dream The first line of the album's first song sets the tone: "These lips can't wait to taste your skin." You have entered Miguel's Kaleidoscope Dream, a fantastical, steamy, colorful, gritty-but-polished, polished-but-gritty, dripping-with-sex-sweat bacchanal of Marvin Gayesmoothness. The song is "Adorn," and it hit the young Los Angeles–based Mexican/African-American singer like a flash of light, the chords coming to him on a cross-country flight, the lyrics following shortly after. He touched down, wrote the thing in a blur, and doesn't remember much of anything about the process. Because that's often how great art is made—a rush of unexplained and inexplicable inspiration, divine or otherwise, knocks the singer/writer/painter/poet flat over, a happy accident, and a song/book/picture/poem emerges from the fog. Like, say, Stephenie Meyer, who went to sleep one night dreaming of shiny vampires and hunky werewolves, and woke up to find the Twilight saga spill out of her, "Adorn" flashed and pulsed in Miguel's mind's eye from something or somewhereother. He couldn't write down the recipe, because there was no recipe. It justappeared, a dream while awake. A kaleidoscope dream. "There's got to be a better example than that," says Miguel, laughing, fresh from our photo shoot in L.A., en route to depart for Europe. "But, yeah, I guess you could make the comparison. It's the only song that's ever hit me like that. It was so different, so special. I knew instantly I wanted to start the album with it and that I had a single." "Adorn" has a strong "Sexual Healing" vibe, but you'd be deaf or dumb to dismiss it as a mere knockoff. The song is about love, of course, but it's also about longing, yearning, protecting: every aspect and promise of a relationship all rolled up in a tidy, sweet few minutes. It's the perfect amuse-bouche for the album it kicks off, priming the ears, opening them. Kaleidoscope Dream is Miguel's sophomore effort, and you know how that goes. They're usually stinkers, unable to live up to whatever wildly inventive, critically acclaimed debut that came before. But this isn't that. Because Miguel's debut, All I Want Is You, wasn't really. His name was attached, but it didn't say much about him. It showed he could sing—Gaye, Prince, and (his comparison) Van Morrison all linger in his voice. It showed he had chops, but it gave no sense of who he actually was. He was young in the music game. He did what was expected and, in some regards, what he was told. Kaleidoscope is the album All I Want was supposed to be, Miguel expressing himself, laid bare, taking chances, exposing his raw nerves to air. Thing is, there would be noKaleidoscope without All I Want. He couldn't know what he fully believed in until he got a chance to make something he fully didn't. "That was the purpose of this album, me saying, 'This is the music I love to make, but I want to make it on my own terms.' On [All I Want] I was at the brink of discovering what my terms were. I don't know that I would say it was on someone else's terms. I think I would just say I was learning myself."
【新闻】Nas希望和法海再次合作 Nas Ready To 'Reconnect' With Frank Ocean For New Album'I'm an open canvas, a clear canvas and an excited painter with a shaky hand,' Nas tells MTV News as he starts work on his 11th solo album. When Nas dropped his 2012 post-divorce masterpiece Life Is Good, he once again ignited fire to a red-hot career that has spanned almost 20 years and 10 solo LPs. God's Son is so pumped about last year's work that he's ready to get back into the studio to record its follow-up, and if he has his way, he'll time include Grammy-nominated singer/songwriter Frank Ocean this time around. "I would love to reconnect with Frank Ocean," Nas told MTV News last week when he was in New York celebrating his brand-new partnership with Hennessy's Wild Rabbit campaign. The two tried to knock out a collaboration for Life Is Good, but after the song's producer, Hit-Boy, lost the digital files, the song was gone. Ocean revealed to The New York Times that the track was titled "No Such Thing as White Jesus" last year. When we asked Nas about it a few weeks later, he wouldn't confirm. "I've talked about a song with Frank Ocean about a year and a half before anybody worked with him, and since then, it's been a heavily anticipated record, but I didn't talk about which song, actually," he said in July. Nas said there are a lot of people he's interested in working with for his next album, though he didn't specify who. Much of Life Is Good served as a sonic refresher to NYC's 1990s boom-bap sound, with songs like "The Don" and "Loco-Motive," but when describing the sound for his upcoming LP, Nas insisted it will be more current. "It's very now, it's very 2013, Nasir Jones. That's what it is," he said with a chuckle. "I feel great, I feel accomplished, I feel wiser and just really ready." The decorated rap veteran even admitted that he is a bit anxious on this next project, but in a good way. "I'm an open canvas, a clear canvas and an excited painter with a shaky hand," he described as poetically as you'd expect from an MC with Nas' depth. "Not because of bad nerves, but because of excitement."
【新闻】AK宣布联合Miguel的世界巡演"SET THE WORLD ON FIRE" Alicia Keys has announced her tour dates for her upcoming tour this spring. The Set The World on Fire tour begins March 7th until April 18th, stopping in 24 cities between the United States and Canada. Also set to join the fiery artist on the tour is R&B crooner Miguel, whom she previously worked with on the track "Where's The Fun In Forever" off his sophomore albumKaleidoscope Dream. "I can feel the energy of this upcoming year building and I couldn’t be more excited to go on tour with the new album and I’m thrilled to have the insanely talented Miguel join me," says Alicia. "Girl On Fire has been such an empowering and freeing experience for me as an artist. I can’t wait to discover how the new and familiar faces I see on tour embrace the music and the journey I’ve taken." Miguel also expressed his excitement to tour with the songstress. "This tour is definitely going to be on fire! I love Alicia because whether it’s 5 or 500,000 people she’s performing for, she exudes this hypnotic honesty and a transparent artistry. I think that’s what this tour will be remembered for the most." Get your tickets Jan. 18 on Ticketmaster. Check out the tour dates below: March 7 – Seattle, WA – WAMU Theatre March 8 – Vancouver, BC – Rogers Arena March 10 – Oakland, CA – Oracle Arena March 12 – Los Angeles, CA – Staples Center March 13 – San Diego, CA – Valley View Casino March 15 – Las Vegas, NV – Mandalay Bay Center March 17 – Dallas, TX – Verizon Theatre at Grand Prairie March 18 – Houston, TX – Toyota Center March 21 – New Orleans, LA – New Orleans Arena March 23 – Miami, FL – American Airlines Arena March 24 – Tampa, FL – Tampa Bay Time Forum March 27 – Southaven, MS – Landers Center March 29 – Atlanta, GA – Philips Arena March 30 – Greensboro, NC – Greensboro Coliseum April 2 – Toronto, ON – Air Canada Centre April 3 – Montreal, QC – Bell Centre April 5 – Brooklyn, NY – Barclay’s Center April 6 – Mashantucket, MA – MGM Grand at Foxwoods April 10 – Boston, MA – Agganis Arena April 11 – New York, NY – Madison Square Garden April 13 – Atlantic City, NJ – Mark G. Etess Arena April 14 – Washington DC – Verizon Center April 17 – Detroit, MI – Joe Louis Arena April 18 – Chicago, IL – United Center
【访谈】2012属于米狗,2013更值得期待 If you're a music journalist and you've written about R&B dynamo Miguel in 2012, chances are you've put the 27-year-old and Prince in the same sentence, as I have. And that's cool, says Miguel. Just don't get used to it. "I'm offended for Prince because I'm such a huge fan of his and you can't compare anyone to Prince," says Miguel. "But if I'm associated with any ounce of greatness then that's a huge compliment - and that's what I think of when I think of Prince; I think of greatness, I think of timelessness, creativity, longevity, just unapologetic and unwavering sense of self. I can only hope to remind people of greatness." There's no doubt that 2012 was Miguel's breakout year. True, he had shown promise on his 2010 debut album All I Want Is You, but it was this year's follow-up, Kaleidoscope Dream, that earned high praise from critics and fans alike, who unanimously seemed to agree that Miguel was part of an exciting crop of artists intent on saving a dying genre. "[Frank Ocean's] Channel Orange, [Miguel's] Kaleidoscope Dream, and [The Weeknd's] Trilogy rescued the art form from the monotony of 'baby, baby please' as Ocean, Miguel and Weeknd casually re-created it in their own images," wrote Rebecca Thomas at MTV. See Also: Miguel's Kaleidoscope Dream is Magical In many ways, that monotony Thomas writes of began when the self-proclaimed Pied Piper of R&B himself, R. Kelly, committed career suicidecirca 2002. The game was just never the same – until now. As music journalist Erik Parker puts it, "Miguel's music came at a time where there was a wide open lane. He split the difference between Trey Songz' sex appeal and Frank Ocean's exotic and left-field style. He's pushing the boundaries in an artistic way that is not too much in the clouds. He's stretching R&B but it doesn't feel forced or too self-aware. " With five Grammy nominations, including Song of the Year and Best R&B Performance for "Adorn," and Best Urban Contemporary Vocal Album and a spring tour with Alicia Keys coming up, 2013 is looking even better for Miguel. But if greatness is what he's aiming for – and he's certainly moving in the right direction, as a singer, writer, and producer skirting the boundaries of traditional R&B - then Miguel has been influenced by more than just one musical great before his time, or "musical mentors," as he likes to call them. "I think that's [Prince] the easiest one because I guess I walk a certain line," says Miguel. "That and the ability to say really dirty things and get away with it," he adds with a laugh. "I'm like, ok guys, I get it, I see why you make those comparisons but don't forget Van Morrison, the Beatles, Donny Hathaway or Stevie Wonder, David Bowie or Freddy Mercury or Jimi Hendrix, or ****in' Miles Davis, don't forget the Temptations and Smokey Robinson, Funkadelic, Hall & Oates…" Born in Los Angeles to a Mexican father and African American mother, Miguel Pimentel was exposed to all sorts of music growing up - including Spanish oldies. "Every morning my [paternal] grandfather would play his records, just blasting lots of rancheras but then also boleros. I can't remember the names of the artists but I remember the writing style - I feel it's so much better [in Spanish]. It's so much more romantic and emotional."
【新闻】法海,奥巴马,麦当娜当选2012年LGBT英雄 Today, CNN called Barack Obama and Frank Ocean the LGBT heroes of 2012. We would also add Madonna to the list for standing up for the gay community in Russia, even though she was threatened with physical and evenfinancial damage. Overall, it was a year when civil rights for gays and lesbians took on many new strides. With gay marriage being legalized everywhere and even our own president changing his position on gay rights, 2012 will be a year to remember. Let's take a look at the three most important figures in LGBT rights this year. Barack Obama In 2011, many gay people were against Barack Obama. He seemed to be defending every type of minority, except gays and lesbians. However, last May, Obama finally conceded to the Land of Dorothy and proclaimed he was for gay marriage. Conservatives knocked him and said this move would cost him the election in November. Not only did Obama win the election, but he won it by an electoral landslide. Frank Ocean Traditionally, hip-hop music has been homophobic. Ten years ago, nobody thought that hip-hop's hottest act, Frank Ocean, would openly admit that he is gay. Some people condemned Ocean's decision to come out of the closet, but most people embraced his decision. To make matters better, Frank Ocean's Channel Orange is up for 6 Grammy awards. Madonna Whereas Lady Gaga pretends to be bisexual in order to exploit gay people, Madonna was the artist who opened the doors for the LGBT community in pop culture. This year, she continued her fight for gay rights when after being told not to speak up for gay rights in Russia, she used her concert in order to pass out gay rights wristbands. She also gave a beautiful speech that was sincere and meaningful . So, Examiner readers -- do you agree that these three people are heroes to our community this year? Why or why not?
Kendrick渴望Janet出演"Poetic Justice"MV Makes sense that Kendrick Lamar would sample Janet Jackson on his critically acclaimed debut. During his formative years in the 1990s, Janet's reign and influence were inescapable, so as the Compton MC readies his next good kid, m.A.A.d city single, the Drake-assisted "Poetic Justice" see***ike a no-brainer. The track borrows its title from Janet's 1993 film and lifts a vocal sampling from her hit record "Any Time, Any Place" from the same year. For the song's video, K-Dot figures that once he and Drizzy work out their schedules, getting the OVO MC on set will be no problem, but if Kendrick has his way he'll also have a cameo for Ms. Jackson as well. "That'll be a blessing," he told MTV News on Friday just moments before he took the stage to headline at Power 106's annual Cali Christmas concert. Lamar even went as far to make a personal pitch to the icon, hoping to eliminate the difficult process that often comes with working with a star of Jackson's stature. "Janet, c'mon, Janet. No paperwork with the managers, contact the managers. This is artist to artist," he pleaded. "This is a young boy that looked up to you for years. Please, yeah, video, Janet Jackson 'Poetic Justice.' It'll only be right." That's not the only visual element Kendrick has planned. Part of good kid's appeal are the cinematic skits that piece the album's music together, so to play off of the album's strengths the TDE crew are working on a film that will complement the LP as well. "We actually started the visuals for this whole project," he said. "I called it a short film before I even started the actual foundation of the music."
【新闻】法海和米狗让R&B重回大众视线 The-Dream had just gotten through stamping out the last embers of a Twitter-fueled "beef" with Toronto troubadour the Weeknd when he offered up a bit of advice for any scrappy promoters watching our 4 p.m. live stream . "They actually should be having an R&B [concert] right now," he said, his drawl dripping with sarcasm. "They should be trying to think of how they can get 10 people on the stage at the same time." And who could blame him for thinking R&B desperately needed a good look? It still was only June, after all: The most revelatory album creditsever written were still sitting on Frank Ocean's MacBook, Abel Tesfaye (b.k.a. the Weeknd) had yet to cap an NYC run with a triumphant performance in the BX, and R&B titan The-Dream was guesting on a show called "RapFix Live." In other words, rhythm and blues was still just that thing Drake did when he was in his feelings, and the genre known to some detractors as Ribs & Barbecue was still on the ropes. On the ropes ... but not down for the count it turned out, thanks largely to a trio of prize-fighters who jumped in the ring with a few game-changing combinations. Channel Orange, Kaleidoscope Dream and Trilogy rescued the art form from the monotony of "baby, baby please," as Ocean, Migueland Weeknd casually re-created it in their own images. Proving you could sing about dreams and drugs, make songs for women and men, and as long as it rang true, they would come. For their mighty efforts, we've crowned R&B the Comeback Genre of the Year. Though Ocean, Miguel and Weeknd see through different musical lenses, they're united by a few key characteristics: all in their 20s, the three men are acclaimed singer/songwriters who write for themselves and others, from Beyoncé to Brandy. They boast airtight rap co-signs as with Ocean's Odd Future origins, Weeknd's close collaborations with hometown hero Drake and Miguel's go-to status for everyone from Wale to J. Cole to Joey Crack . Oh, and it's no accident that two of their standout projects were lifted mostly from earlier mixtapes — in the Tumblr era, crooners spit bars and drop tapes. More telling, each artist has strayed from the lyrical playbook that alternately fueled and then felled the genre. So while the Pied Piper of R&B was ostensibly the first to sing about being "Trapped in the Closet" , New Orleans-bred Ocean took the idea to new real***iberating his male leads from behind closed doors and changing the rules about what we thought was taboo, in 2012, with the Grammy-nominated Channel Orange. By July, he was onstage, his head wrapped in that ever-present bandana, nodding and looking pleasantly surprised as co-ed crowds sang along to his yearning "you run my mind, boy"s. It took Miguel's second project for him to learn what Frank had already begun to discover on his self-propelled 2011 project, Nostalgia, Ultra,namely that it's always best to do like that old Fleetwood Mac song says, and go your own way. The Los Angeles native made good on that lesson with sonically eclectic tracks like the inescapable, Marvin Gaye-chasing "Adorn" and "The Thrill." The comparably reclusive Weeknd may not have been quick with a sound bite but his raw, emotional collection dared you not to connect. From "Wicked Games" to "Rolling Stone," the enigmatic singer wrote like an MC but could sing like D'Angelo. Let's hear it for the boys.
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