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【畅所欲言】你认为MARIAH同名专集哪首歌最能体现她嗓音技巧? 1 大家认为在MARIAH CAREY同名专集中哪首歌最能体现她的嗓音技巧? 个人认为:SOMEDAY 作者: 218.244.65.* 2005-5-7 16:21   回复此发言 -------------------------------------------------------------------------------- 2 回复:大家认为在MARIAH CAREY同名专集中哪首歌最能体现她的嗓音技 大家认为在MARIAH CAREY同名专集中哪首歌最能体现她的嗓音技巧? 个人认为:SOMEDAY 作者: 218.244.65.* 2005-5-7 16:31   回复此发言 -------------------------------------------------------------------------------- 3 回复:大家认为在MARIAH CAREY同名专集中哪首歌最能体现她的嗓音技 《I don't wanna cry》. 作者: 218.82.38.* 2005-5-8 11:44   回复此发言 -------------------------------------------------------------------------------- 4 回复:大家认为在MARIAH CAREY同名专集中哪首歌最能体现她的嗓音技 同意 作者: 202.38.124.* 2005-5-9 11:09   回复此发言 -------------------------------------------------------------------------------- 5 回复:大家认为在MARIAH CAREY同名专集中哪首歌最能体现她的嗓音技 TTTTTTTTTT 作者: 202.38.124.* 2005-5-30 17:00   回复此发言 -------------------------------------------------------------------------------- 6 回复:大家认为在MARIAH CAREY同名专集中哪首歌最能体现她的嗓音技 I don't wanna cry 作者: 211.162.77.* 2005-6-12 12:51   回复此发言 -------------------------------------------------------------------------------- 7 回复:大家认为在MARIAH CAREY同名专集中哪首歌最能体现她的嗓音技 Vision of love 作者: 222.185.74.* 2005-6-12 18:43   回复此发言 -------------------------------------------------------------------------------- 8 回复:大家认为在MARIAH CAREY同名专集中哪首歌最能体现她的嗓音技 《There's Got To Be A Way》,MiMi就是以这首歌征服了评论界。 作者: zzzzjjjj1124 2005-6-17 13:09   回复此发言 -------------------------------------------------------------------------------- 9 回复 1:大家认为在MARIAH CAREY同名专集中哪首歌最能体现她的 emotion 作者: 木尊魔夕 2005-6-18 10:44   回复此发言 -------------------------------------------------------------------------------- 10 回复:大家认为在MARIAH CAREY同名专集中哪首歌最能体现她的嗓音技 这张专辑好棒。后来的,只有MUSCI BOX能与之相比。 作者: 218.81.114.* 2005-6-18 11:07   回复此发言 --------------------------------------------------------------------------------
【转帖】Thursday August 25, 2005 Stars including Patrick Cox, Mica Paris, Lemar, Javine, Myleene Klass and an assortment of ex-Big Brother contestants launched the prestigious Mobo Awards. BB Winner Anthony spent most of the night hovering by the bar with stunner Orlaith, while Kemal floated around the room with a mystery girl pal, air-kissing everyone in sight. But soul sensation Lemar was the man of the night, celebrating his massive five nominations, including one for UK Act Of The Year against Joss Stone. His other nominations are Best Album for Time To Grow, Best Single for If There's Any Justice, Best Video and Best R&B. Lemar told us: "I hope I win! I'll have to win something - if I win one that will be great. I'm glad I've been recognised in all these categories." The party was hosted by T4 presenter June Sarpong, who looked tiny in a sexy black dress. We also caught up with rising hip-hop star Sway, who performed a witty track complaining about illegal music downloading. He told us: "Everybody does it, even my little brother. I don't think we can stop them, but the music industry needs to get up-to-date with online music sales. One day people won't even have to leave their sofa - you can get everything on the internet." Sway went on to talk about respected rapper Eminem dropping out of his tour. "He's tired man, but he'll be back", he said. He added: "It always seems to be the UK that gets cancelled - he wouldn't have cancelled his American gig. When I'm a big star playing in the US I'll take revenge - I'll do something wild there!" The 10th Mobo Awards, to be held at London's Royal Albert Hall on September 22, will feature performances from US chart topper John Legend, MsDynamite, Damian Marley, son of Bob Marley and of course Lemar. Mariah Carey and Snoop Dogg, who are each up for two prizes, didn't show up for the launch party - but organisers hope they will attend the anniversary night next month. There are also nominations for rapper Kano, Sean Paul, Jamiroquai, Missy Elliott and Estelle. And there will be a special Mobo tribute to soul legend Luther Vandross, who died in July. (The Sun)Mariah has been nominated for Best Album and Best R&B Act.
【转帖】NO BUDGING MARIAH'S "TOGETHER" AT NO. 1 Mariah Carey's "We Belong Together" continues its summer domination, as it begins its 13th non-consecutive week at No. 1 on the Billboard Hot 100 and a 14th straight in control of the Hot R&B/Hip-Hop Songs chart. But as was the case last week, Carey may prove to be her own best challenger for those chart thrones. Her track "Shake It Off" jumps 6-4 on the Hot 100 and 10-3 on Hot R&B/Hip-Hop Songs and is the greatest airplay gainer on both tallies. On the Pop 100, "Together" holds at No. 3, while "Shake It Off" inches up 15-13. With "Together" ruling the Hot 100, the Pussycat Dolls' "Don't Cha" featuring Busta Rhymes begins a third week at No. 2, followed by Rihanna's "Pon de Replay" at No. 3 and Bow Wow's "Let Me Hold You" at No. 5. On the Pop 100, "Don't Cha" is No. 1 for a fifth-straight frame. It's a big week for pop-rock act the Click Five, which bows at No. 15 on The Billboard 200 with its Lava debut, "Greetings From Imrie House". Its single "Just the Girl" rockets 21-11 on the Hot 100 and ascends 4-1 to take over the lead on the Hot Digital Songs chart. Other notable climbers on the Hot 100 include the Black Eyed Peas' "Don't Lie (31-17) and "My Humps" (59-39), Green Day's "Wake Me Up When September Ends" (49-21), Brad Paisley's "Alcohol" (66-28) and Akon's "Belly Dancer (Bananza)" (79-61). The chart's top debut comes from Hilary Duff's "Wake Up" at No. 29. The cut is also the top debut at No. 6 on Hot Digital Songs with 28,500 downloads. The artist's Hollywood best-of, "Most Wanted", zoomed to No. 1 on The Billboard 200 yesterday (Aug. 24). Billboard's rock airplay charts remain the same as last week, with Gorillaz' "Feel Good Inc." at No. 1 on Modern Rock list and Seether's "Remedy" at the top of the Mainstream Rock tally. On the Hot Country Songs roundup, Faith Hill's "Mississippi Girl" zooms 3-1 in its 15th week, earning her first No. 1 on this chart since "The Way You Love Me" in 2000. On the Hot Latin Songs chart, Shakira's "La Tortura" featuring Alejandro Sanz flips places with Luis Fonsi's "Nada Es Para Siempre" to take over the lead. (Billboard)
【新闻】"We Belong Together," The Jam of Summer 2005 It's August in Detroit, and things are about where they usually are. The Lions are finishing up training camp, the Tigers are fighting for .500, and the three-digit heat index is a certified bear. Musically, windows are down, systems are up, and everyone's jamming to ... Doug FM? WTF? Around the corner from Labor Day, and no completely inescapable, dumps-like-a-truck Summer Jam? A grown-up take on the playground throwdown, Gwen Stefani's "Hollaback Girl" definitely wins the prize for catchphrase of the summer. But its Neptunes-supplied fife and drum corps beat is way too polarizing. It might sit high on Billboard's Hot 100, but "Hollaback" won't bust through to the wedding reception set. And that's just one place a true Summer Jam must go. Receptions, christenings, nursing home dayrooms - sure, the track starts its reign in the club, but it rises to power with the people. That's why classic summer songs are always pop-oriented. On the surface they're sexified: "Crazy in Love" and "Hot in Herre;" even Will Smith's bright plastic "Miami" brought some sweaty exuberance to 1998. But underneath the hot and bother they're custom-built for mass appeal. In 2003, the hard-blowing horn sample from "Crazy in Love" was like being ass-whipped by a giant exclamation point. It didn't matter if you were Shawn Carter or Jimmy Carter — Beyoncé reduced you to a frothy mess. But that's so two years ago. In 2005 radio is a non-factor in breaking singles. Locally, 93.1 is history, replaced by a numbing khaki robot named Doug. And despite strong ratings for Clear Channel's Channel 95.5 and FM 98 WJLB, neither station is spinning anything with truly visceral, lasting appeal. And in that, Mimi might save the day. Admit it: Mariah Carey's "We Belong Together" is the jam of summer 2005. The second single from Emancipation of Mimi climbed steadily at Billboard, just like Mariah's singles used to do, and as of Aug. 18th it was number one on the Hot 100 and Hot R&B/Hip-Hop charts. You obviously agree that it's a great song, but if radio's a non-factor then the charts are irrelevant. We all know it's the intangibles that make a summer single anyway, those untraceable currents that grab the heart and feet, and despite not being an anthem, "We Belong Together" is that rousing. It's straightforward, heartfelt and classy. Mariah pleads with her departed lover - "When you left I lost a part of me/It's still so hard to believe" - and the song's gentle R&B roll is perfectly understated, built from a few piano chords and a slowed-down So So Def rhythm. (It was co-written and produced by Jermaine Dupri.) It has a homebody quality, almost like an autumn song would - you can imagine a split-up couple singing it quietly, separately, as the world goes on around them. She's on a porch with tea; he's stuck in traffic when he finds Mariah on the radio. It even cleverly references that feel, with Mariah finding the Bobby Womack and Babyface songs on her radio just too tough to hear. There's no tired "I tried to 2-way you" retorts, no trash-technology love affair "I was at the grocery store and this guy had the same ring tone as you, and I cried." No, there's a classic sensibility to the lyrics and sound of "We Belong Together" that makes for perfect - and perfectly universal - pop/R&B songwriting. In other words, it's the jam. And there's probably a happy ending, too: Mariah's triumphant octave shift finale makes the song's title an emphatic. Besides, in the video she decides against marrying old-ass Eric Roberts, and that's a huge plus. No one would've danced at that reception.Source: Metro Times | Maria
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