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Even at the film’s premiere, people squealed when Taylor Lautner
turned around in that black T-shirt. “It was almost embarrassing. I
felt so bad for him,” Monaghan says, with a laugh. “They were
screaming and going ‘Wooooo!’” As she’d done on New Moon, her
M.O. was to put him in smaller size Gap or Banana Republic T-shirts
to emphasize hiѕ biceps, tightening the tees around the arm holes and
taking them in down the side. (Pattinson wore Gap T-shirts,
exclusively, she adds. “They were what fit him best. They had the
best colors. So that’s what he ended up wearing, even when Edward
takeѕ Bella up to the tent. It may strike people as odd, but he doesn’t feel temperature, so that’s why we only put him in a shirt, and
Bella’s all bundled up, and Jacob, of course, is running around
shirtless.”
即使在影片的首映式,当泰勒劳特纳穿着一件黑色的T恤转变时,人们都在尖叫。“这几乎是尴尬的,我为他感到很糟糕,”莫纳亨笑着说到,“他们大叫着‘哇~~~~’”拍摄《新月》时,莫纳亨给他穿小号的Gap or或者是Banana Republic的T恤来突显他的二头肌,并且专门收紧了T恤的袖边(帕丁森穿的是Gap品牌的T恤衫)。她补充道:“它们最适合洛特纳,它们有最棒的颜色,这也就是他最终决定穿上的原因。当演到爱德华带贝拉进帐篷那一段时,也许会使人们感到很惊奇(冰天雪地中他穿的很少),但是因为他感觉不到温度,所以我们就只给他穿了一件体恤,但是贝拉穿了很多,像捆起来似的,当然,雅各布跑来跑去,没穿上衣。”
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Riley (Xavier Samuel) has great taste in victims: “The sensibility
of all of the newborns, including Riley, is that they’re scavengers.
They’re going to steal pieces from whomever they find. Riley just
happened to find somebody who was wearing a G-Star jacket and some
really cool jeans,” Monaghan says, with a laugh. “Once he was
turned, I just wanted to put him in something that was edgy and very
contemporary. We wanted to make him young and powerful but still have
this kind of dark sexiness to him. We found this great G-Star jacket
for him and tight, tight jeans and a beautiful Paul Smith shirt. And
then he had one other change after that, which was the same jacket
and tight reddish maroon jeans, which for us was important because
once he got into battle with the Cullens and the werewolves, we had
to separate the newborns from the Cullens color-wise. We had to make
sure that there wasn’t any confusion as to who was on whose team
when a body was flying through the air. So with the Cullens, we
intentionally put them in black, dark navy or dark gray. With the
newborns, we put them in earth tones and hints of brighter colors.”
“赖利(泽维尔塞缪尔)在饱尝受害者滋味后说道:‘感性对于所有的新生儿来说(包括赖利),他们就像拾荒者,绝不放过他们发现的任何一个人’莱利是一个身穿的G-Star 夹克和一些很酷的牛仔裤的青年,”莫纳亨笑着说“一旦他转变,我就给他穿上一些轮廓分明的,现代的衣服,我们想使他看起来年轻而强大但是仍然有这种黑暗的性感。我们发现 G-Star 的夹克衫对他来说很棒,紧身牛仔裤和一个漂亮的Paul Smith 衬衫也很不错;之后他还有另外一个转变,我们给他穿了相同的夹克衫和红栗色的紧身牛仔裤,这对我们很重要,因为一旦他陷入与卡伦和狼人的战斗中,我们就要区别开新生儿和卡伦家族的衣着色系,我们必须保证不让观众混淆他们。所以对于卡伦家族,我们有意让他们穿黑色,深海蓝或深灰色;对于新生儿,我们则用泥土色调和鲜艳的颜色暗区别他们。”
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Emmett wears lighter colors than the other Cullens to showcase
Kellan Lutz’s muscles. “Absolutely,” Monaghan says, when asked if
this theory about his Old Navy hoodie is correct. “I also knew that
the focus was going to be on him and his chase with Victoria in the
woods, so I just really wanted to make sure that he stood out amongst
all the dark backgrounds…. You probably won’t notice, but I made a
very conscious decision to have the Cullens move through the color
palette. They’re in lighter colors when they first hunt Victoria.
The next big scene, when they’re in their workout wear, they’re in
sort of midtones. Then when they have the final battle, that’s when I put them all in black, because I wanted them to be more
stealth-like.”
“埃美特穿得比卡伦家族其他成员要淡一些,以此来Show一下凯兰·卢茨的肌肉,”“当然”莫纳亨说;“在被问及给埃美特戴一顶老式海军帽的决定是否正确时,我是这么想的,这场戏的重点是突出他在树林里追逐维多利亚,我想让他从树林这个黑暗的环境中脱颖而出,你可能不会注意到,我有意识的把卡伦家族的服装随着剧情的深入而变化。当他们猎捕维多利亚时,穿的是浅色系;当它们训练时,我则让他们穿得更深一些;而到了最后大决战时,他们都穿的是黑色服装,因为我想让他们更隐形。”
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A lot of work goes into seconds of screen time. Take the newborn army Jasper (Jackson Rathbone, in a uniform purchased from a company
that clothes reenactment societies, then aged as though he’d been
riding in the desert for months) trained in his Civil War
flashback. “It’s so fast, but for us, we have to do the work and
prepare for that scene just as much as we would for any character,”
Monaghan says. “They were scavengers from the 1800s, so it was a mix
of garments that they grabbed from different armyѕ, bankers, merchants, hookers.” The siren who turned him and leads the army is actually
wearing his jacket and sash over her skirt. “That’s just me trying
to show the link between the two of them,” she says. “For us, it’s
the challenge in doing all of these thematic linkings that makes our
job worthwhile. It’s important to do it, even if nobody else
notices.”
剩余大量的工作都投入到贾斯帕回忆他在内战期间训练新生吸血鬼军队的桥段了。
“这真的太快了,但是对于我们来说,我们为这个场景做了同其他角色一样多的准备”莫纳亨说;“他们是来自1800年的‘拾荒者’(译者注:前面提到过的,即指新生吸血鬼)所以这是一组混合服装,因为他们来自不同的军队,或有着不同的身份——银行家,商人,妓女(我晕~~~~),这里的‘塞壬’(译者注:指玛利亚)实际上是靠她的裙带来使贾斯帕领导这个军队的,所以我得努力表现两人之间的这种关联。对我们来说,这一主题充满挑战,但我们仍然觉得为之所做的一切都是值得的,这很重要,即使没人会注意到。”
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