level 7
level 7
【洛辰】
楼主
《Entertainment Weekly》的访问
额，还是英文的 - -。翻译啊，你在哪里啊~~~
-------------------------------------------------------------
You can learn a lot about a character — and an actor — talking
to a film’s costume designer. Here, The Twilight Saga: Eclipse‘s
Tish Monaghan reveals a few secrets from the wardrobe closets:
Robert Pattinson wanted to wear karate pants for the training
sequence. “So we got him some karate pants, and it’s like the
crotch hangs down to the knees, and I just thought, Ugh. Who’s gonna
go for thiѕ? Because everything has to be approved by Summit,”
Monaghan says. “We took them in a little bit, and they loved the
karate pants. Who knew? I was so surprised.”
Even at the film’s premiere, people squealed when Taylor Lautner
turned around in that black T-shirt. “It was almost embarrassing. I
felt so bad for him,” Monaghan says, with a laugh. “They were
screaming and going ‘Wooooo!’” As she’d done on New Moon, her
M.O. was to put him in smaller size Gap or Banana Republic T-shirts
to emphasize hiѕ biceps, tightening the tees around the arm holes and
taking them in down the side. (Pattinson wore Gap T-shirts,
exclusively, she adds. “They were what fit him best. They had the
best colors. So that’s what he ended up wearing, even when Edward
takeѕ Bella up to the tent. It may strike people as odd, but he doesn’t feel temperature, so that’s why we only put him in a shirt, and
Bella’s all bundled up, and Jacob, of course, is running around
shirtless.”
Rosalie’s wedding dress was the star of a deleted scene: For
Rosalie’s flashback to the 1930s, Monaghan’s department both rented
original period dresses and made two ensembles — the one she wore
when she was attacked, and her wedding dress. “Unfortunately in the
film, we only see her arriving at the door,” Monaghan says, of the
latter’s entrance. “I’m not sure why the scene with her floating
down the hallway was cut out — maybe it’ѕ because the element of
surprise had a stronger impact. They didn’t want us to know in
advance who was coming to the door. But we made a silk train for her
that floated down the hallway as she kind of hydroplaned down the
carpet. [Actress Nikki Reed] was mounted on a contraption, almost
like a bicycle seat, and the camera was in front of her and to the
side, and she just when whoooooooosh. She was rolled down the hallway
at quite the speed and a fan would blow up her veil so that it was
trailing behind her. It looked wonderful. The train itself was
probably about 10 or 12 feet, and then the veil went beyond that.”
Riley (Xavier Samuel) has great taste in victims: “The sensibility
of all of the newborns, including Riley, is that they’re scavengers.
They’re going to steal pieces from whomever they find. Riley just
level 7
【洛辰】
楼主
happened to find somebody who was wearing a G-Star jacket and some
really cool jeans,” Monaghan says, with a laugh. “Once he was
turned, I just wanted to put him in something that was edgy and very
contemporary. We wanted to make him young and powerful but still have
this kind of dark sexiness to him. We found this great G-Star jacket
for him and tight, tight jeans and a beautiful Paul Smith shirt. And
then he had one other change after that, which was the same jacket
and tight reddish maroon jeans, which for us was important because
once he got into battle with the Cullens and the werewolves, we had
to separate the newborns from the Cullens color-wise. We had to make
sure that there wasn’t any confusion as to who was on whose team
when a body was flying through the air. So with the Cullens, we
intentionally put them in black, dark navy or dark gray. With the
newborns, we put them in earth tones and hints of brighter colors.”
There’s a bit of old Victoria in new Victoria. “Because of the
transition from Rachelle Lefevre to Bryce Dallas Howard, we decided
that the first time that we saw Victoria, we should definitely put
her into pieces of the costume that we had last seen Victoria wearing
in New Moon, just so that the audience, aside from her large mane of
tangled red hair, would definitely know that this is who that
character is. There’s all these things that you work on so hard, and
then it ends up becoming such a subliminal thing,” Monaghan says.
“Gradually, we transitioned out of that into something a little bit
different to make it Bryce’s own character. Because she was going to
be courting Riley, I wanted something that was dark and foreboding
but still sensual, because she has to lure him. We made a black lace top with a zipper that kind of went around her neck, and you could
unzip it as far down the front as was necessary. Just a romantic/punk
look. It works really well with her red hair, and her skin showed
through, and you could see that she waѕ being a little bit of a siren
and trying to work her magic on Riley.”
Emmett wears lighter colors than the other Cullens to showcase
Kellan Lutz’s muscles. “Absolutely,” Monaghan says, when asked if
this theory about his Old Navy hoodie is correct. “I also knew that
the focus was going to be on him and his chase with Victoria in the
woods, so I just really wanted to make sure that he stood out amongst
all the dark backgrounds…. You probably won’t notice, but I made a
very conscious decision to have the Cullens move through the color
palette. They’re in lighter colors when they first hunt Victoria.
The next big scene, when they’re in their workout wear, they’re in
sort of midtones. Then when they have the final battle, that’s when I put them all in black, because I wanted them to be more
stealth-like.”
A lot of work goes into seconds of screen time. Take the newborn
2010年07月10日 16点07分
3
really cool jeans,” Monaghan says, with a laugh. “Once he was
turned, I just wanted to put him in something that was edgy and very
contemporary. We wanted to make him young and powerful but still have
this kind of dark sexiness to him. We found this great G-Star jacket
for him and tight, tight jeans and a beautiful Paul Smith shirt. And
then he had one other change after that, which was the same jacket
and tight reddish maroon jeans, which for us was important because
once he got into battle with the Cullens and the werewolves, we had
to separate the newborns from the Cullens color-wise. We had to make
sure that there wasn’t any confusion as to who was on whose team
when a body was flying through the air. So with the Cullens, we
intentionally put them in black, dark navy or dark gray. With the
newborns, we put them in earth tones and hints of brighter colors.”
There’s a bit of old Victoria in new Victoria. “Because of the
transition from Rachelle Lefevre to Bryce Dallas Howard, we decided
that the first time that we saw Victoria, we should definitely put
her into pieces of the costume that we had last seen Victoria wearing
in New Moon, just so that the audience, aside from her large mane of
tangled red hair, would definitely know that this is who that
character is. There’s all these things that you work on so hard, and
then it ends up becoming such a subliminal thing,” Monaghan says.
“Gradually, we transitioned out of that into something a little bit
different to make it Bryce’s own character. Because she was going to
be courting Riley, I wanted something that was dark and foreboding
but still sensual, because she has to lure him. We made a black lace top with a zipper that kind of went around her neck, and you could
unzip it as far down the front as was necessary. Just a romantic/punk
look. It works really well with her red hair, and her skin showed
through, and you could see that she waѕ being a little bit of a siren
and trying to work her magic on Riley.”
Emmett wears lighter colors than the other Cullens to showcase
Kellan Lutz’s muscles. “Absolutely,” Monaghan says, when asked if
this theory about his Old Navy hoodie is correct. “I also knew that
the focus was going to be on him and his chase with Victoria in the
woods, so I just really wanted to make sure that he stood out amongst
all the dark backgrounds…. You probably won’t notice, but I made a
very conscious decision to have the Cullens move through the color
palette. They’re in lighter colors when they first hunt Victoria.
The next big scene, when they’re in their workout wear, they’re in
sort of midtones. Then when they have the final battle, that’s when I put them all in black, because I wanted them to be more
stealth-like.”
A lot of work goes into seconds of screen time. Take the newborn
level 7
【洛辰】
楼主
army Jasper (Jackson Rathbone, in a uniform purchased from a company
that clothes reenactment societies, then aged as though he’d been
riding in the desert for months) trained in his Civil War
flashback. “It’s so fast, but for us, we have to do the work and
prepare for that scene just as much as we would for any character,”
Monaghan says. “They were scavengers from the 1800s, so it was a mix
of garments that they grabbed from different armyѕ, bankers, merchants, hookers.” The siren who turned him and leads the army is actually
wearing his jacket and sash over her skirt. “That’s just me trying
to show the link between the two of them,” she says. “For us, it’s
the challenge in doing all of these thematic linkings that makes our
job worthwhile. It’s important to do it, even if nobody else
notices.”
It takes a village to build a village. Unearthing what the Quileute
tribe would have been wearing in the 1700ѕ, before photography, was
another challenge. Monaghan turned to ship logs from explorers who
landed on the Pacific Coast and described the natives’ jewelry,
their cedar bark clothing, and their dog-haired blankets. She looked
at workѕ by artist Paul Kane, and visited two Canadian museums of
archeology with extensive native artifacts unearthed from burial
sites. “We took all of this, and we said, ‘How are we gonna make
this cheaply?’ Because we found someone was selling a recreated
cedar cape online for $25,000 a garment. We ended up making them out
of ground cover used in landscaping. We got something like 200 feet
for $25,” Monaghan says. “So I had a whole team of people who made
it one-time wear. We went to a taxidermist, and we got bones. We went
to restaurants and got mussel shells. We went to another place and
got abalone shells, which we used for our jewelry. We made hats out
of straw baskets from Chinatown. We used wool blankets and raw silk. I was so happy with the outcome of recreating the Quileute village
in the 1700s. I just thought it worked spectacularly for its, I
think, 10 seconds of screen time.”
You almost saw Kristen Stewart in a swimsuit. That’s what Bella
was wearing in the script when she was saying goodbye to her mother
and the sun. “Realistically, that’s never gonna look good on
anybody if they’re just lying there. If they’re gonna dive into a
pool and swim, maybe,” Monaghan says. “I just approached the
director and said, ‘Listen, can we just do cutoffs or something
instead?’ I think originally, we were going to shoot on location [in
Florida], but instead, we shot in Vancouver. The temperature was not
warm at all, and we wanted to keep them comfortable as well.”
2010年07月10日 16点07分
4
that clothes reenactment societies, then aged as though he’d been
riding in the desert for months) trained in his Civil War
flashback. “It’s so fast, but for us, we have to do the work and
prepare for that scene just as much as we would for any character,”
Monaghan says. “They were scavengers from the 1800s, so it was a mix
of garments that they grabbed from different armyѕ, bankers, merchants, hookers.” The siren who turned him and leads the army is actually
wearing his jacket and sash over her skirt. “That’s just me trying
to show the link between the two of them,” she says. “For us, it’s
the challenge in doing all of these thematic linkings that makes our
job worthwhile. It’s important to do it, even if nobody else
notices.”
It takes a village to build a village. Unearthing what the Quileute
tribe would have been wearing in the 1700ѕ, before photography, was
another challenge. Monaghan turned to ship logs from explorers who
landed on the Pacific Coast and described the natives’ jewelry,
their cedar bark clothing, and their dog-haired blankets. She looked
at workѕ by artist Paul Kane, and visited two Canadian museums of
archeology with extensive native artifacts unearthed from burial
sites. “We took all of this, and we said, ‘How are we gonna make
this cheaply?’ Because we found someone was selling a recreated
cedar cape online for $25,000 a garment. We ended up making them out
of ground cover used in landscaping. We got something like 200 feet
for $25,” Monaghan says. “So I had a whole team of people who made
it one-time wear. We went to a taxidermist, and we got bones. We went
to restaurants and got mussel shells. We went to another place and
got abalone shells, which we used for our jewelry. We made hats out
of straw baskets from Chinatown. We used wool blankets and raw silk. I was so happy with the outcome of recreating the Quileute village
in the 1700s. I just thought it worked spectacularly for its, I
think, 10 seconds of screen time.”
You almost saw Kristen Stewart in a swimsuit. That’s what Bella
was wearing in the script when she was saying goodbye to her mother
and the sun. “Realistically, that’s never gonna look good on
anybody if they’re just lying there. If they’re gonna dive into a
pool and swim, maybe,” Monaghan says. “I just approached the
director and said, ‘Listen, can we just do cutoffs or something
instead?’ I think originally, we were going to shoot on location [in
Florida], but instead, we shot in Vancouver. The temperature was not
warm at all, and we wanted to keep them comfortable as well.”
![[傻笑]](/static/emoticons/u50bbu7b11.png)