level 7
level 7
【洛辰】
楼主
《Entertainment Weekly》的访问
额，还是英文的 - -。翻译啊，你在哪里啊~~~
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You can learn a lot about a character — and an actor — talking
to a film’s costume designer. Here, The Twilight Saga: Eclipse‘s
Tish Monaghan reveals a few secrets from the wardrobe closets:
Robert Pattinson wanted to wear karate pants for the training
sequence. “So we got him some karate pants, and it’s like the
crotch hangs down to the knees, and I just thought, Ugh. Who’s gonna
go for thiѕ? Because everything has to be approved by Summit,”
Monaghan says. “We took them in a little bit, and they loved the
karate pants. Who knew? I was so surprised.”
Even at the film’s premiere, people squealed when Taylor Lautner
turned around in that black T-shirt. “It was almost embarrassing. I
felt so bad for him,” Monaghan says, with a laugh. “They were
screaming and going ‘Wooooo!’” As she’d done on New Moon, her
M.O. was to put him in smaller size Gap or Banana Republic T-shirts
to emphasize hiѕ biceps, tightening the tees around the arm holes and
taking them in down the side. (Pattinson wore Gap T-shirts,
exclusively, she adds. “They were what fit him best. They had the
best colors. So that’s what he ended up wearing, even when Edward
takeѕ Bella up to the tent. It may strike people as odd, but he doesn’t feel temperature, so that’s why we only put him in a shirt, and
Bella’s all bundled up, and Jacob, of course, is running around
shirtless.”
Rosalie’s wedding dress was the star of a deleted scene: For
Rosalie’s flashback to the 1930s, Monaghan’s department both rented
original period dresses and made two ensembles — the one she wore
when she was attacked, and her wedding dress. “Unfortunately in the
film, we only see her arriving at the door,” Monaghan says, of the
latter’s entrance. “I’m not sure why the scene with her floating
down the hallway was cut out — maybe it’ѕ because the element of
surprise had a stronger impact. They didn’t want us to know in
advance who was coming to the door. But we made a silk train for her
that floated down the hallway as she kind of hydroplaned down the
carpet. [Actress Nikki Reed] was mounted on a contraption, almost
like a bicycle seat, and the camera was in front of her and to the
side, and she just when whoooooooosh. She was rolled down the hallway
at quite the speed and a fan would blow up her veil so that it was
trailing behind her. It looked wonderful. The train itself was
probably about 10 or 12 feet, and then the veil went beyond that.”
Riley (Xavier Samuel) has great taste in victims: “The sensibility
of all of the newborns, including Riley, is that they’re scavengers.
They’re going to steal pieces from whomever they find. Riley just
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【洛辰】
楼主
happened to find somebody who was wearing a G-Star jacket and some
really cool jeans,” Monaghan says, with a laugh. “Once he was
turned, I just wanted to put him in something that was edgy and very
contemporary. We wanted to make him young and powerful but still have
this kind of dark sexiness to him. We found this great G-Star jacket
for him and tight, tight jeans and a beautiful Paul Smith shirt. And
then he had one other change after that, which was the same jacket
and tight reddish maroon jeans, which for us was important because
once he got into battle with the Cullens and the werewolves, we had
to separate the newborns from the Cullens color-wise. We had to make
sure that there wasn’t any confusion as to who was on whose team
when a body was flying through the air. So with the Cullens, we
intentionally put them in black, dark navy or dark gray. With the
newborns, we put them in earth tones and hints of brighter colors.”
There’s a bit of old Victoria in new Victoria. “Because of the
transition from Rachelle Lefevre to Bryce Dallas Howard, we decided
that the first time that we saw Victoria, we should definitely put
her into pieces of the costume that we had last seen Victoria wearing
in New Moon, just so that the audience, aside from her large mane of
tangled red hair, would definitely know that this is who that
character is. There’s all these things that you work on so hard, and
then it ends up becoming such a subliminal thing,” Monaghan says.
“Gradually, we transitioned out of that into something a little bit
different to make it Bryce’s own character. Because she was going to
be courting Riley, I wanted something that was dark and foreboding
but still sensual, because she has to lure him. We made a black lace top with a zipper that kind of went around her neck, and you could
unzip it as far down the front as was necessary. Just a romantic/punk
look. It works really well with her red hair, and her skin showed
through, and you could see that she waѕ being a little bit of a siren
and trying to work her magic on Riley.”
Emmett wears lighter colors than the other Cullens to showcase
Kellan Lutz’s muscles. “Absolutely,” Monaghan says, when asked if
this theory about his Old Navy hoodie is correct. “I also knew that
the focus was going to be on him and his chase with Victoria in the
woods, so I just really wanted to make sure that he stood out amongst
all the dark backgrounds…. You probably won’t notice, but I made a
very conscious decision to have the Cullens move through the color
palette. They’re in lighter colors when they first hunt Victoria.
The next big scene, when they’re in their workout wear, they’re in
sort of midtones. Then when they have the final battle, that’s when I put them all in black, because I wanted them to be more
stealth-like.”
A lot of work goes into seconds of screen time. Take the newborn
2010年07月10日 16点07分
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really cool jeans,” Monaghan says, with a laugh. “Once he was
turned, I just wanted to put him in something that was edgy and very
contemporary. We wanted to make him young and powerful but still have
this kind of dark sexiness to him. We found this great G-Star jacket
for him and tight, tight jeans and a beautiful Paul Smith shirt. And
then he had one other change after that, which was the same jacket
and tight reddish maroon jeans, which for us was important because
once he got into battle with the Cullens and the werewolves, we had
to separate the newborns from the Cullens color-wise. We had to make
sure that there wasn’t any confusion as to who was on whose team
when a body was flying through the air. So with the Cullens, we
intentionally put them in black, dark navy or dark gray. With the
newborns, we put them in earth tones and hints of brighter colors.”
There’s a bit of old Victoria in new Victoria. “Because of the
transition from Rachelle Lefevre to Bryce Dallas Howard, we decided
that the first time that we saw Victoria, we should definitely put
her into pieces of the costume that we had last seen Victoria wearing
in New Moon, just so that the audience, aside from her large mane of
tangled red hair, would definitely know that this is who that
character is. There’s all these things that you work on so hard, and
then it ends up becoming such a subliminal thing,” Monaghan says.
“Gradually, we transitioned out of that into something a little bit
different to make it Bryce’s own character. Because she was going to
be courting Riley, I wanted something that was dark and foreboding
but still sensual, because she has to lure him. We made a black lace top with a zipper that kind of went around her neck, and you could
unzip it as far down the front as was necessary. Just a romantic/punk
look. It works really well with her red hair, and her skin showed
through, and you could see that she waѕ being a little bit of a siren
and trying to work her magic on Riley.”
Emmett wears lighter colors than the other Cullens to showcase
Kellan Lutz’s muscles. “Absolutely,” Monaghan says, when asked if
this theory about his Old Navy hoodie is correct. “I also knew that
the focus was going to be on him and his chase with Victoria in the
woods, so I just really wanted to make sure that he stood out amongst
all the dark backgrounds…. You probably won’t notice, but I made a
very conscious decision to have the Cullens move through the color
palette. They’re in lighter colors when they first hunt Victoria.
The next big scene, when they’re in their workout wear, they’re in
sort of midtones. Then when they have the final battle, that’s when I put them all in black, because I wanted them to be more
stealth-like.”
A lot of work goes into seconds of screen time. Take the newborn
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army Jasper (Jackson Rathbone, in a uniform purchased from a company
that clothes reenactment societies, then aged as though he’d been
riding in the desert for months) trained in his Civil War
flashback. “It’s so fast, but for us, we have to do the work and
prepare for that scene just as much as we would for any character,”
Monaghan says. “They were scavengers from the 1800s, so it was a mix
of garments that they grabbed from different armyѕ, bankers, merchants, hookers.” The siren who turned him and leads the army is actually
wearing his jacket and sash over her skirt. “That’s just me trying
to show the link between the two of them,” she says. “For us, it’s
the challenge in doing all of these thematic linkings that makes our
job worthwhile. It’s important to do it, even if nobody else
notices.”
It takes a village to build a village. Unearthing what the Quileute
tribe would have been wearing in the 1700ѕ, before photography, was
another challenge. Monaghan turned to ship logs from explorers who
landed on the Pacific Coast and described the natives’ jewelry,
their cedar bark clothing, and their dog-haired blankets. She looked
at workѕ by artist Paul Kane, and visited two Canadian museums of
archeology with extensive native artifacts unearthed from burial
sites. “We took all of this, and we said, ‘How are we gonna make
this cheaply?’ Because we found someone was selling a recreated
cedar cape online for $25,000 a garment. We ended up making them out
of ground cover used in landscaping. We got something like 200 feet
for $25,” Monaghan says. “So I had a whole team of people who made
it one-time wear. We went to a taxidermist, and we got bones. We went
to restaurants and got mussel shells. We went to another place and
got abalone shells, which we used for our jewelry. We made hats out
of straw baskets from Chinatown. We used wool blankets and raw silk. I was so happy with the outcome of recreating the Quileute village
in the 1700s. I just thought it worked spectacularly for its, I
think, 10 seconds of screen time.”
You almost saw Kristen Stewart in a swimsuit. That’s what Bella
was wearing in the script when she was saying goodbye to her mother
and the sun. “Realistically, that’s never gonna look good on
anybody if they’re just lying there. If they’re gonna dive into a
pool and swim, maybe,” Monaghan says. “I just approached the
director and said, ‘Listen, can we just do cutoffs or something
instead?’ I think originally, we were going to shoot on location [in
Florida], but instead, we shot in Vancouver. The temperature was not
warm at all, and we wanted to keep them comfortable as well.”
2010年07月10日 16点07分
4
that clothes reenactment societies, then aged as though he’d been
riding in the desert for months) trained in his Civil War
flashback. “It’s so fast, but for us, we have to do the work and
prepare for that scene just as much as we would for any character,”
Monaghan says. “They were scavengers from the 1800s, so it was a mix
of garments that they grabbed from different armyѕ, bankers, merchants, hookers.” The siren who turned him and leads the army is actually
wearing his jacket and sash over her skirt. “That’s just me trying
to show the link between the two of them,” she says. “For us, it’s
the challenge in doing all of these thematic linkings that makes our
job worthwhile. It’s important to do it, even if nobody else
notices.”
It takes a village to build a village. Unearthing what the Quileute
tribe would have been wearing in the 1700ѕ, before photography, was
another challenge. Monaghan turned to ship logs from explorers who
landed on the Pacific Coast and described the natives’ jewelry,
their cedar bark clothing, and their dog-haired blankets. She looked
at workѕ by artist Paul Kane, and visited two Canadian museums of
archeology with extensive native artifacts unearthed from burial
sites. “We took all of this, and we said, ‘How are we gonna make
this cheaply?’ Because we found someone was selling a recreated
cedar cape online for $25,000 a garment. We ended up making them out
of ground cover used in landscaping. We got something like 200 feet
for $25,” Monaghan says. “So I had a whole team of people who made
it one-time wear. We went to a taxidermist, and we got bones. We went
to restaurants and got mussel shells. We went to another place and
got abalone shells, which we used for our jewelry. We made hats out
of straw baskets from Chinatown. We used wool blankets and raw silk. I was so happy with the outcome of recreating the Quileute village
in the 1700s. I just thought it worked spectacularly for its, I
think, 10 seconds of screen time.”
You almost saw Kristen Stewart in a swimsuit. That’s what Bella
was wearing in the script when she was saying goodbye to her mother
and the sun. “Realistically, that’s never gonna look good on
anybody if they’re just lying there. If they’re gonna dive into a
pool and swim, maybe,” Monaghan says. “I just approached the
director and said, ‘Listen, can we just do cutoffs or something
instead?’ I think originally, we were going to shoot on location [in
Florida], but instead, we shot in Vancouver. The temperature was not
warm at all, and we wanted to keep them comfortable as well.”
![[Love]](/static/emoticons/Love.png)
![[顶]](/static/emoticons/u9876.png)
level 5
我来翻翻！（纯手工翻译，献丑了。）
你可以从一个角色，一个演员身上学到很多东西
——采访一部影片的服装设计师，电影月食的服装设计师泰什莫纳亨揭示了“月食衣橱”的几个秘密。
罗伯特帕丁森想穿空手道训练裤专题
“因此，我们得到了他的几条空手道裤，它们的裆垂到膝盖上，唉，我只是在想，谁会喜欢它们呢？任何事都要通过Summit！”莫纳亨说：“我参加了几次他们的会议，他们竟然喜欢空手道裤。你知道吗，当时我真的很惊讶。”
2010年07月14日 09点07分
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你可以从一个角色，一个演员身上学到很多东西
——采访一部影片的服装设计师，电影月食的服装设计师泰什莫纳亨揭示了“月食衣橱”的几个秘密。
罗伯特帕丁森想穿空手道训练裤专题
“因此，我们得到了他的几条空手道裤，它们的裆垂到膝盖上，唉，我只是在想，谁会喜欢它们呢？任何事都要通过Summit！”莫纳亨说：“我参加了几次他们的会议，他们竟然喜欢空手道裤。你知道吗，当时我真的很惊讶。”
level 5
level 5
即使在影片的首映式，当泰勒劳特纳穿着一件黑色的T恤转变时，人们都在尖叫。“这几乎是尴尬的，我为他感到很糟糕，”莫纳亨笑着说到，“他们大叫着‘哇~~~~’”拍摄《新月》时，莫纳亨给他穿小号的Gap or或者是Banana Republic的T恤来突显他的二头肌，并且专门收紧了T恤的袖边（帕丁森穿的是Gap品牌的T恤衫）。她补充道：“它们最适合洛特纳，它们有最棒的颜色，这也就是他最终决定穿上的原因。当演到爱德华带贝拉进帐篷那一段时，也许会使人们感到很惊奇（冰天雪地中他穿的很少），但是因为他感觉不到温度，所以我们就只给他穿了一件体恤，但是贝拉穿了很多，像捆起来似的，当然，雅各布跑来跑去，没穿上衣。”
2010年07月14日 10点07分
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level 5
罗莎莉的婚纱
对于罗莎莉回忆1930年的事那一桥段，莫纳亨的团队都租用了古典时代的裙子——一件是她受害时穿的裙子，另一件是她的结婚礼服。“不幸的是在电影里，我们只能看见她在门口，那个后门”莫纳亨说，“我不知道为什么她在走廊上漂浮的那一段会被删掉”或许是为了使情节更具有冲击力，他们不想让我们事先知道谁会出现在那扇门口。我们在地毯下面做了一个丝质的滑艇，女演员妮基·瑞德被固定在一个新发明的玩意儿上，就像一个自行车座一样，摄像机就在她的上方，她顺着走廊在一定的速度下滑行，风扇固定在她身后，吹拂着她的面纱，这看起来棒极了，火车本身就是大概长10或12英尺，然而面纱超越了这一点。“
2010年07月14日 10点07分
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对于罗莎莉回忆1930年的事那一桥段，莫纳亨的团队都租用了古典时代的裙子——一件是她受害时穿的裙子，另一件是她的结婚礼服。“不幸的是在电影里，我们只能看见她在门口，那个后门”莫纳亨说，“我不知道为什么她在走廊上漂浮的那一段会被删掉”或许是为了使情节更具有冲击力，他们不想让我们事先知道谁会出现在那扇门口。我们在地毯下面做了一个丝质的滑艇，女演员妮基·瑞德被固定在一个新发明的玩意儿上，就像一个自行车座一样，摄像机就在她的上方，她顺着走廊在一定的速度下滑行，风扇固定在她身后，吹拂着她的面纱，这看起来棒极了，火车本身就是大概长10或12英尺，然而面纱超越了这一点。“
level 5
“赖利（泽维尔塞缪尔）在饱尝受害者滋味后说道：‘感性对于所有的新生儿来说（包括赖利），他们就像拾荒者，绝不放过他们发现的任何一个人’莱利是一个身穿的G-Star 夹克和一些很酷的牛仔裤的青年，”莫纳亨笑着说“一旦他转变，我就给他穿上一些轮廓分明的，现代的衣服，我们想使他看起来年轻而强大但是仍然有这种黑暗的性感。我们发现 G-Star 的夹克衫对他来说很棒，紧身牛仔裤和一个漂亮的Paul Smith 衬衫也很不错；之后他还有另外一个转变，我们给他穿了相同的夹克衫和红栗色的紧身牛仔裤，这对我们很重要，因为一旦他陷入与卡伦和狼人的战斗中，我们就要区别开新生儿和卡伦家族的衣着色系，我们必须保证不让观众混淆他们。所以对于卡伦家族，我们有意让他们穿黑色，深海蓝或深灰色；对于新生儿，我们则用泥土色调和鲜艳的颜色暗区别他们。”
2010年07月14日 11点07分
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level 5
有一个老维多利亚和一个新维多利亚
“从雷切尔·利费夫过渡到布莱斯达拉斯霍华德，我们决定当维多利亚第一次在《月食》中出现时，给她穿在《新月》中穿的最后一套服装，这只是为了让观众一看到那一头红发就知道她是谁。渐渐的，我们转变了一些东西使布莱斯所演的维多利亚看起来不一样，因为他要向赖利求爱，我想要是黑暗和不祥但仍感性的效果，因为她要引诱赖利，所以我们给她的衣服领子加了一个拉链式的黑色花边，当你把它拉下来，整体效果便显得十分朋克，再加上她火红的头发和雪白的肌肤，真的有点儿像塞壬（译者注：半人半鸟的女海妖，常以美妙的歌声诱惑经过的海员而使船触礁毁灭），正在对赖利施展她的魔力。
2010年07月14日 11点07分
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“从雷切尔·利费夫过渡到布莱斯达拉斯霍华德，我们决定当维多利亚第一次在《月食》中出现时，给她穿在《新月》中穿的最后一套服装，这只是为了让观众一看到那一头红发就知道她是谁。渐渐的，我们转变了一些东西使布莱斯所演的维多利亚看起来不一样，因为他要向赖利求爱，我想要是黑暗和不祥但仍感性的效果，因为她要引诱赖利，所以我们给她的衣服领子加了一个拉链式的黑色花边，当你把它拉下来，整体效果便显得十分朋克，再加上她火红的头发和雪白的肌肤，真的有点儿像塞壬（译者注：半人半鸟的女海妖，常以美妙的歌声诱惑经过的海员而使船触礁毁灭），正在对赖利施展她的魔力。
level 5
“埃美特穿得比卡伦家族其他成员要淡一些，以此来Show一下凯兰·卢茨的肌肉，”“当然”莫纳亨说；“在被问及给埃美特戴一顶老式海军帽的决定是否正确时，我是这么想的，这场戏的重点是突出他在树林里追逐维多利亚，我想让他从树林这个黑暗的环境中脱颖而出，你可能不会注意到，我有意识的把卡伦家族的服装随着剧情的深入而变化。当他们猎捕维多利亚时，穿的是浅色系；当它们训练时，我则让他们穿得更深一些；而到了最后大决战时，他们都穿的是黑色服装，因为我想让他们更隐形。”
2010年07月14日 12点07分
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level 5
剩余大量的工作都投入到贾斯帕回忆他在内战期间训练新生吸血鬼军队的桥段了。
“这真的太快了，但是对于我们来说，我们为这个场景做了同其他角色一样多的准备”莫纳亨说；“他们是来自1800年的‘拾荒者’（译者注：前面提到过的，即指新生吸血鬼）所以这是一组混合服装，因为他们来自不同的军队，或有着不同的身份——银行家，商人，妓女（我晕~~~~），这里的‘塞壬’(译者注：指玛利亚)实际上是靠她的裙带来使贾斯帕领导这个军队的，所以我得努力表现两人之间的这种关联。对我们来说，这一主题充满挑战，但我们仍然觉得为之所做的一切都是值得的，这很重要，即使没人会注意到。”
2010年07月14日 13点07分
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“这真的太快了，但是对于我们来说，我们为这个场景做了同其他角色一样多的准备”莫纳亨说；“他们是来自1800年的‘拾荒者’（译者注：前面提到过的，即指新生吸血鬼）所以这是一组混合服装，因为他们来自不同的军队，或有着不同的身份——银行家，商人，妓女（我晕~~~~），这里的‘塞壬’(译者注：指玛利亚)实际上是靠她的裙带来使贾斯帕领导这个军队的，所以我得努力表现两人之间的这种关联。对我们来说，这一主题充满挑战，但我们仍然觉得为之所做的一切都是值得的，这很重要，即使没人会注意到。”
level 5
为完成以上工作，我们需要走访一个又一个村庄，寻找书中提到的奎莱特部落。在拍摄之前，还有另外一个挑战。莫纳亨翻开了太平洋沿岸的探险者所写的航海日志，里面描述了当地的珠宝，树皮做的衣服和狗毛做的毯子，并且她跟艺术家保罗·凯恩还参观了加拿大的两个有当地出土文物的博物馆和墓葬区。“在那里，我们发现了一些灵感——我们要造一个奎莱特部落，但我们怎样才能使它便宜一点儿呢?因为我们在此行中发现有人在卖雪松做的那种复古披肩，但一件要25000美元，最终我们决定自己做，我们到动物标本馆要到了骨头，到饭店要到了河蚌壳，我们去其他地方得到了鲍鱼壳；我们就用这些材料做成了我们的珠宝，在唐人街找到了用麦秸秆手工编织的帽子，我们使用了羊毛毯子和生丝，结果我们大功告成了。我真的很高兴我们能重现18世纪的奎莱特部落，即使它只有10秒的‘展出’时间。”
2010年07月14日 13点07分
15
level 5
你几乎看到了一个穿泳装克里斯汀斯图尔特。这就是剧本中贝拉与妈妈和太阳告别的桥段。
“实际上，如果她们只躺在那里，对于任何一个人来说都不会觉得有多好看，我们建议导演让演员们潜水或游泳。”莫纳亨说：“本来我是想我们会在佛罗里达州拍摄这段戏，但相反，我们在温哥华拍摄，这里一点儿也不暖和，所以我们希望让她们演的像在佛罗里达州拍摄一样舒服。”
2010年07月14日 13点07分
16
“实际上，如果她们只躺在那里，对于任何一个人来说都不会觉得有多好看，我们建议导演让演员们潜水或游泳。”莫纳亨说：“本来我是想我们会在佛罗里达州拍摄这段戏，但相反，我们在温哥华拍摄，这里一点儿也不暖和，所以我们希望让她们演的像在佛罗里达州拍摄一样舒服。”
level 5
![[傻笑]](/static/emoticons/u50bbu7b11.png)