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我想也许是因为会暴露革命吧,毕竟主教周围总有一群人,不免让上校知道.再说我觉的她并不是那样确定...这种事毕竟是很难想象的,她肯定想不到什么偷渡或者,最郁闷的...因为伏尼契没想到这一点...
2008年03月15日 13点03分
level 6
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看完牛虻我一直不懂 为什么亚瑟知道神甫是他的父亲后 会觉得这一切都很“滑稽”呢 而决定偷渡到南美洲 让他们去河边找他的尸体呢 难道仅仅是因为他“最信任的人欺骗了他”？为什麽这会让亚瑟不能接受？
2008年11月07日 12点11分
12
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呃.
还是那句话.
若非亲身经历而不能理解.
如果您是牛虻您会怎么样?
您要知道他对神父的感情至深.
还有一个是我个人认为的当时那个年代宗教上的关系.
一个发誓永保处子之身的神职人员竟然做出了这样的事
对于一开始信仰极为虔诚的亚瑟来说是不可接受的.
因为这时候他不是已经出生入死看透世事的牛虻
而只是单纯天真认为世界是由糖衣杏仁组成的亚瑟伯顿.
2009年02月18日 13点02分
14
还是那句话.
若非亲身经历而不能理解.
如果您是牛虻您会怎么样?
您要知道他对神父的感情至深.
还有一个是我个人认为的当时那个年代宗教上的关系.
一个发誓永保处子之身的神职人员竟然做出了这样的事
对于一开始信仰极为虔诚的亚瑟来说是不可接受的.
因为这时候他不是已经出生入死看透世事的牛虻
而只是单纯天真认为世界是由糖衣杏仁组成的亚瑟伯顿.
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Shaw和Voynich认识，1898年改编牛虻剧本公映是出版商方面的要求，参见下面这段：
The adaptation was designed to aid Mrs Voynich in fulfilling the requirements of the copyright law, at that time, for a public performance in a theatre in order to protect dramatic rights. It was composed hurriedly, under stress....The romantic tale, with its sprawl of time and place and its panoply of ritual and ceremony, was foreshortened, compressed, simplified--"a shocking travesty," Shaw called it in 1945, "sufficient to secure the copyright but quite unworthy of its original."
2009年05月07日 10点05分
20
The adaptation was designed to aid Mrs Voynich in fulfilling the requirements of the copyright law, at that time, for a public performance in a theatre in order to protect dramatic rights. It was composed hurriedly, under stress....The romantic tale, with its sprawl of time and place and its panoply of ritual and ceremony, was foreshortened, compressed, simplified--"a shocking travesty," Shaw called it in 1945, "sufficient to secure the copyright but quite unworthy of its original."