本人一时冲动。。答应了女神的英语翻译作业，求英语帝帮帮忙。。。。
Among the
Transcendentalist group themselves，there were signs that Emerson’s
plea for a literature of ‘Our own works’ was being answered．Emerson，Thoreau
and Very were important poet. Around them， in New England， were
others：John Greenleaf Whittier(1807—92)，the author of powerful anti-slavery
and pastoral verse; Henry Wadsworth Longfellow(1807-82), with his massive
transatlantic popularity；James Russell Lowell(1819-9l), versifier and satirist who followed Longfellow
in the Smith Chair of Modern Languages at Harvard；and Frederick Goddard Tuckerman(1821一73), a recently rediscovered New
England Nature poet (and recluse) who in a poem like ‘The Cricket' shows an
extraordinary understanding of the non-human world. In Oiver Wendell Holmes(1809—94)，yet
another Harvard professor, but no admirer of Transcendentalism，New
England vaunted a witty belletrist (The
Autocrat at the Breakfast Table, l858,etc.). His medicated novels, as he called
them, include his minor lour de force, Elsie Venner (1861)， which in tackling the decidedly modern subject of schizophrenia
attacked fundamental Calvinist assumptions about human behavior. A New Englander more palpably
responsive to Mission was Harriet Beecher Stowe(18ll-96), born 0f Calvinist stock in Connecticut，internationally
known for her Uncle Tom’s Cabin一(1851-52), a richer achievement
than its reputation usually admits, for it successfully blended purpose into
art in creating the most famous of all abolitionist works. But she also
deserves to be known for her other fiction，especially Dred：A Tale of the Great Dismal Swamp(1856)and The Minister's
Wooing(1859)．
TRANSCENDENTALIST INHERITORS：THOREAU AND WHITMAN
But of
the major writers who answered Emerson’s call to the creative-Transcendentalist
spirit，the nearest to hand was Henry
David Thoreau(1817-62), Transcendentalism's most practical disciple， and a spirit almost martial in his
emphatic individualism. When, after Harvard and a spe11 as handyman in Emerson’s
house and his editorial assistant on The
Dial, Thoreau moved to a hut at Walden P0nd，near Concord，on 4
July l845一truly his Independence Day—he
began a process which gave us，in
his classic diary—narrative，Walden(1854)，a deep mid-century account of a life lived inwardly to its
existential limits. ‘I went to the woods', Thoreau explained,
because
I wished to live deliberately，to
front only the essential facts of life，and to see if I could not learn what it had to teach，and not，when I came to die，discover
that I had not lived．I
did not wish to live what was not life, living is so dear；nor did I wish to practice resignation,
unless it was quite necessary. I wanted to live deep and to put to rout all
that was not life… to drive life into a corner and reduce it to its lowest
terms.
The
economy of Thoreau’s prose speaks perfectly for the economy of his purpose, the
need to corner life, and to arrest its overwhelming essence. That same fierce,
independent energy animates nearly all his writing, and certainly the
biographical pattern of his life. When he observes ‘I have travelled much in
Concord’, he is speaking of Transcendental ‘travel’, the kind of
‘home-cosmography’ he alludes to in Walden’s
concluding chapter. Few American writers pursued essence more tenaciously than
Thoreau (‘I love to come at my bearings’ he confides at one point), or wrote a
more engaging metaphoric idiom (his use of ‘economy’, ‘expense’, the ‘cost’ of
things). More than any contemporary, Thoreau held Nature in the regard Emerson
had described in ‘The Young American’:
The land is the appointed remedy for whatever is false and fantastic in our
culture. The continent we inhabit is to be physic and food for our mind, as
well as our body.


没人来 自己动手了。。泪啊~~~~
在超越论主义团体中，有一些标志正是爱默生所恳求的——“我们自己的作品”中的文化——正在被回答。爱默生，罗梭和威尔都是很重要的诗人，在他们周围，在新英格兰，则是另一群人：约翰格凌冽夫 惠帝尔（1807——92），《强烈反对奴役》和《田园诗》的作者。朗费罗（1807-82）在大洋彼岸受到了热烈的欢迎。詹姆斯路威尔（1819-91）， 作为拙劣诗人和讽刺作家的他跟随着朗费罗在哈佛大学的现代语言学的史密斯讲堂学习。还有傅雷德里克 戈达德 查克曼（1821-73），一个最近发觉的新英格兰自然诗人（也是一个隐士），他的一首诗很像《板球》中所呈现的非凡的非人类世界的理解力。奥利弗 温德尔 福尔摩斯（1809-94），另一个哈佛教授，但是不是超越论者的爱慕者，一个新英格兰爱自夸的诙谐文学作者（《早餐桌上的独裁者》，1858）.他的治疗型小说，就像他叫它们的一样，其中包括他的短篇小说《阴沉的武力》中的爱丽丝文纳（1861），它很好的解决了现代学科，精神分裂症人们的行为给加尔文教徒的侵害。在新英格兰人中，较容易对任务警觉的是哈利特 比切 史杜威（1811-96），拥有着美国加奈迪克州的加尔文教徒的血统，她在国际上以她的《汤姆叔叔的小屋》而知名，通常认为，这是一个比它的名誉更为富有的成就，因为她成功的将自己的意志融入艺术之中用来创造最著名的废奴主义作品。但她的其他小说同样知名，特别是 德雷德：《伟大的迪斯摩尔沼泽的故事》和《牧师的求爱》。

哈哈 俊良 你赢了~~~

梅苑808-2众人笑趴一地 表示已告知你家女神 请准备后事~~