重金属摇滚颇近似硬摇滚,二者界限十分细微,彼此都以巨大的音量.打击的节奏和迫人的音感见长。量、打击的节奏和迫人的音感见长。硬摇滚的历史更悠久一些，它直接源于“节奏 与蓝调，它常用刺耳的声音，唱出快节奏的旋律。对于早期的硬摇滚歌迷来说60年代后期电子乐器的加入，才使其延伸成为重金属摇滚。重金属摇滚歌曲织体结构不受任何清规戒律的束缚。为了追求剧烈刺激效果，采用了电子合成器，音响强烈、火爆，键盘乐器、女声部与弦乐组的音色显得格外突出。演奏者不采用纯净、明亮的音质，而热心于追求那极端剧烈地刺激性的效果。演技要求很高，特别是演奏独奏华彩乐段的乐手，更需具备超群的技艺。这些打破或减弱了硬摇滚的艺术情趣，冲淡了歌词的意义和节奏的韵律。 

风吹在脸上,眼睛不住的流泪.滚烫的烟从手里传到嘴里.我贪婪的吮吸着.紧张的情绪一点也没有麻醉,反而更加清楚.脚下的路通向哪里,我不知道. 凌晨的空气里,除了星光就是不肯停止的呼吸.把自己关到卫生间.又开始和自己玩.看着手臂上游行队伍一样的血, 从不同的伤口里涌出.一直蜿蜒到手指. 在面盆里滴出几朵好看的莲花上下翻腾,尤如盛开的焰火.在水里变幻各种形态.抬起头.看着镜子里的我.一丝怪异的笑容爬上嘴角.脸上闪过的苍白以及落寞眼神,混和成真实的自我.盆里的红花已经无影无踪.只留下泛着腥味的暗红.想到后续的清洗工作,我皱了皱眉头. 一直困扰我的问题终于水落石出.在平静的背后,隐藏着一颗放松不了的脆弱心. 我常常问自己：“我到底是怎么了？？？”

难道这就是传说中的无病呻吟???

专辑介绍 ：　 Anthems of Rebellion continues in the same vein as Wages of Sin. Arch Enemy doesn\'t come up with the most original ideas or riffs, but the twin guitar attack of the Christopher Amott and his brother Michael Amott is appetizing, tuneful and rocks out without getting bogged down too much in self-indulgent displays of virtuosity. Vocalist Angela Gossow sounds ferocious, but her singing also sounds too samey at times and may be a too harsh to perfectly fit the band, even though she sounds a bit more polished than the group\'s previous vocalist, Johan Liiva. Meanwhile,Gossow and Michael Amott provide lyrics that address oppression, alienation and dehumanization (including a song titled \"Dehumanization\" and featuring words such as \"Sowing a seed of suffering/Upon their fertile hearts/Damned misled children/You never stood a chance\"). In general, the lyrics aren\'t particularly impressive and the band has only mixed success at musically evoking the pervasive sense of menace as they seem 改内容来自(可以听歌):http://www.haqoo.com/song/special/7765