在TUMBLR上面看到CUMBERBATCHWEB在推荐一个BC的旧采访，好像以前没看到过。现在大家一起补看一下吧，有一些料在里面的。下面这张是采访配图。这张图比以前看到的尺寸要大一些。


The first time we had the pleasure of meeting Benedict Cumberbatch, he was up for an Olivier Award in 2006 for a storming performance inHedda Gabler. We met in a dusty rehearsal room at the Almeida Theatre and felt even then that he was going places. He has shown his worth on the big screen - from villain (in the magnificent Atonement) to boffin (Starter for Ten), not to mention PM (Amazing Grace) - and this year has taken TV by storm with a leading role in The Last Enemy and the fantastic Stuart: A Life Backwards. The latter has received widespread praise, being based on the book by Alexander Masters (played by Benedict) and his relationship with the homeless Stuart (a breathtaking Tom Hardy).
It must be, what, a year ago since we last met?
"It feels like a lot longer - and my postcode has changed since! The move to Hampstead is almost 100 per cent to do with the Heath. Come rain or shine, it's just the most glorious place in London. I feel like I have come home."
One thing we spoke about last year was Stuart: A Life Backwards. It's out on DVD later this month, following on from a charity screening (for Cardboard Citizens). It's proving to be quite a grower...
"I am glad. It's a humble film in a way - it doesn't shout things out at you. Stuart has been through so much of what other people have to deal with, but everything was seen to be concentrated on him. That's the tragedy of his story - he had everything that life could throw at him. His story is so inspirational and it touches on things that affect so many thousands of people: homelessness, drug abuse, physical/sexual abuse, mental illness, physical illness... He really is an icon in a way, but a very unsung hero."
Did you realise from the script it was sure-fire winner?
"I didn't see it from the script. In fact, David [Attwood, the director] had to persuade me. I thought the mountain to climb was Stuart - it's a hell of a role for an actor. But David said to me, 'I think there are more challenges to Alexander than you'd imagine, there's a lot less of him in the book, so you have got to build something with him and justify who he is'. Alexander had to be involved, there had to be a real friendship there. He's a middle class writer meeting someone described as a chaotic homeless man for every reason we can think of - it is a real odd couple."
For me, Stuart pipped your other big TV moment this year, The Last Enemy...
"I do think that was overly ambitious. It was a great bit of writing, but it should have been edited and made much sharper. The amount of confusion involved in the plot in order to keep people intrigued was too much of a gamble, but it was such fun to do. It was my first lead role in a series, so it was a big deal for me."
What's happened since then?
"I have been exercising the one power you have as an actor saying 'maybe' or 'no'! I could have gone on a crazy run after Atonement [in which he starred opposite James McAvoy and Keira Knightley], said no to all theatre and chased the Hollywood big bucks... But there is something in me that wants to keep doing theatre, any work that involves being nearer the means of control. With theatre, you know what you are doing and you know what you're a part of, and that can't be taken away from you. You are collaborating, compromising and doing all the things you should in an artistic endeavour every single day, rather than having some exec coming in and saying, 'No, he just isn't right for this girl'. There are all sorts of innovative young companies coming through, as well as established theatres like the Almeida. In fact, when I was there I did look around Islington for a home and up towards Canonbury, which is beautiful, but I could even begin to afford living there! Luckily, I found somewhere at the foot of the Heath."


Stuart: A Life Backwards will be released on DVD on August 25
EXTRA, EXTRA... Why theatre is still close to Benedict's heart
When we last met, you were about to star in Rhinoceros at the Royal Court Theatre. How did it go?
"It went really well. It was incredibly difficult and I didn't really get a handle on it until the Saturday after press night because we worked very intensively, so never ran the play until maybe the last day of rehearsals. But I loved it and I love the Royal Court Theatre so much. The Arsonist was a great experience as well. And I went back for more because Katie Mitchell wanted to direct me inThe City. She is what it's all about, she's just phenomenal. You really know where you are, you can take on what's she is saying and just use it as a tool to work. A lot of it is common sense - a lot of stuff you feel you've heard before, even if you haven't heard it directly in the same breathe. She's one of those people you really want to please, so you work incredibly hard for her. Dominic Cooke was the same, he was a fantastic director on Rhinoceros and such a lovely man. He runs that building [he is the artistic director at the Royal Court Theatre] with great style and flair - he keeps things bubbling over, original and challenging. There's always an edge to the Court. To step out of all that was quite hard - it was a hard job, so there was relief there not having to do it every day.The City was about a marriage fracturing at the seams, the loss of the sanity of the adults and a child in the middle of it all. It was beautifully observed by Martin Crimp, very unsettling for the audience especially by the end, where everything has gone off into a dream reality. It was a hard thing to go through every night, but very satisfying as an artistic experience."
Does theatre still mean the same to you now as when you started?
"I love theatre, but it doesn't pay the bills. I moved just after Rhinoceros and The Arsonist had finished. I had this huge dilemma about whether I could commit three months to theatre again, but I couldn't resist the play and the director - but the consequence of that now is I have to turn theatre down. It costs a lot as well - not just fiscally, but mentally and physically."

就这些了，请各位翻译大神来报道哦~

这篇偶见过。

07年的访谈。BC刚搬去Hampstead Heath

BC的？报到是必须的。。。
先报个到。。翻译的事慢慢来。。。

小V，辛苦了。。。

这张不错的说。。语文不想看啦。。我一个头两个大的平方了啊。。

小v，你的翻译速度果然是一流的

我终于翻完了。。。翻的很凌乱了。。。依旧，错了别找我。。。
《倒带人生》dvd将于8月25日上架！！！
号外，号外！！！为毛剧院依旧吸引着BC的小心心呢？
我们上次见面是，你正在准备成为皇家宫廷戏院上演的《犀牛》中的主要演员，这事儿后来肿么样了？
“进展灰常不错。演戏的过程灰常的艰难困苦不容易，在周六之前我甚至都没好好的演上一回，自记者招待会之后，我们的工作强度就很大，所以我们从没从头到尾演过这出戏，直到最后一天的彩排。但是我爱这部戏，我是如此的爱皇家宫廷戏院。戏剧《The Arsonist》是一个灰常棒的经验。而且我又回去演了更多的，因为Katie Mitchell希望我参加《the city》的演出。她是如此的惊人出众。你真的知道你身在何处，你只要根据她说的去做就可以，她的话就是个指导方针。有很多都是常识，有很多东西你觉得你曾经听说过，哪怕你没有直接的从她那里听到。她是那一类人们很想取悦的人，所以为她工作的时候你就会特别刻苦特别用功特别努力。Dominic Cooke也是如此，他作为《犀牛》的导演是如此的出众，而且也是个很好的人。他很有他的一套风格和鉴别力——他让事物变得富有激情，原汁原味又具有挑战性。对于戏院来说，他永远保持着前卫性。抛开这一切来说，这是一份艰难的工作——很有难度，所以不用每天爬过去演是一件令人安慰的事情。《The City》讲述的是一个濒临崩溃的婚姻，大人和小孩都在围城中迷失了。Martin观察的很细致入微，这个故事特别是结局对观众来说很出人意料，所有的事情都消失在梦想的现实中。每晚都那么演出一遍经历一遍是一件很困难的事情，但是这却是一个很棒的艺术经历。”
戏院对你的意义是不是还和你刚刚出道时一样呢？
“我热爱戏剧，但是它付不了我的账单。在《犀牛》和《The Arsonist》结束之后我必须暂别舞台。关于舞台我进退两难，我很乐意让我自己再在舞台上待三个月，因为我无法拒绝那些剧目和导演——但是后果就是我不得不暂时不接受剧院的邀约了。因为付出的太多了，代价很大——不仅仅是口袋瘪了，我的身心都累了。”


卡在第一页翻译完了。。不加精我就亏了。。

又看到这个——最后的敌人。。。。。
记者也要吐槽了。。。。

对了，Third Star的DVD 9月12日在UK发，现在可以预订了。
地址
www.whsmithentertainment.co.uk/dvd/third-star/10468963.html
www.play.com/DVD/DVD/4-/20342735/Third-Star/Product.html
www.tescoentertainment.com/store/dvd/third-star/8%3a773578/
我们等pirate vids吧


好事啊。。可惜订不动。。。运费要死人的。。

原来最后的敌人是BC第一部主演男一号的电视剧，难怪他那么的……不顾一切，唉，这娃太淳朴了~~~~~

DVD出了，片源还会远么？哇咔咔咔

倒带人生确实是部好片，淡淡的，却能深入你的心

吐吧吐吧