【whatever】为Mark Pellegrino盖座小楼(慢慢慢更新==)
forever_or_not吧
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level 7
Soft-spoken,
strangely sympathetic,
more vulnerable than evil and should have piercing eyes...
嗷嗷 [星星闪]
这个既邪恶又慈悲的男人啊~~~
虽然被人称作龙套王,
但在我心里,他永远是骄傲的Lucifer,敏感的Jacob。。。
现在,Lost结束了,SPN虽没完,但他的戏份也不多了[扯花]
还是想贴贴图片,视频神马滴,膜拜这个气场强大的帅气大叔[Yeah]
额 网速不给力,我争取每日添一点砖,慢慢盖

2011年03月25日 14点03分 1
level 7
先放一张最常见,但最有feel的吧[Love]
深邃的眼神,成熟男人的标志啊~~~~~`

2011年03月25日 14点03分 2
level 7
额 很小,但这是我能找到的最年轻的PIC了。。。[抓墙]

2011年03月25日 14点03分 4
level 7
回复:3楼
我网速极其不给力啊,我打算先开楼,周一开始在多方点图片神马滴。。。[88]
我好希望他回来晃一晃啊[揉脸]
我欲为人还木看啊[汗]
2011年03月25日 15点03分 6
level 7
回复:5楼
河豚乃太好了[Kiss]
乃先贴 我周一再来[Love]
2011年03月25日 15点03分 7
level 7
放个采访的视频~~~


2011年03月25日 15点03分 8
level 7
继续,Mark谈论Lost和SPN~~~~~~~~~


2011年03月25日 15点03分 9
level 7
个人还是最喜欢路叔~[Yeah]

2011年03月25日 15点03分 10
level 7
2011年03月25日 15点03分 11
level 7
2011年03月25日 15点03分 12
level 7
2011年03月25日 15点03分 13
level 7
贴一张Mark第一部作品中的剧照
1987年 才22岁啊
感觉完全不一样[傻笑]

2011年03月25日 16点03分 14
level 7
回复:15楼
谢河豚~~~~~[Love]
2011年03月26日 09点03分 16
level 7
我觉得mark还真的是很低调啊~~~~
好,再来一张跨度10多年滴
2004年 Twisted中的剧照[Yeah]
眼神开始犀利了啊有木有!!!!!!!!!!!

2011年03月26日 09点03分 17
level 7
这个发型...朋克?[汗]

2011年03月26日 09点03分 18
level 7
这张,我还能说神马

 ...[揉脸]

2011年03月26日 09点03分 19
level 7

And the Coen brothers are obviously great. One of them works with the actor and kind of works with you on how he wants the scene to go. And the other one kind of sets up the shot. Ethan would kind of talk to me about the scene; Joel would be doing his thing. Every once in a while, you’d get a little conference with the two of them, but not often. Mostly it was Ethan sitting there in the bathtub while I was dunking Jeff’s head in the toilet. Actually, not dunking his head in the toilet. He had a bad neck, so he had to do all that himself and I had to make it look like I was dunking him and holding him down.
- Are you surprised at how enduring that movie has been? It’s become a cult classic and fans now hold annual Lebowski Fests.
MP: In a way yes and in a way no because it’s one of the few movies that I’ve been in that I’ve actually watched more than once and have seen how it just gets better every time. You discover in it things that you didn’t see before for some reason. Like an onion, you keep peeling it away every time. So I can see from that. I don’t know what magic was in it that makes it that way, but it is that way and it’s deserved. It’s like in the top 50 cult films, right? Or top 10 maybe?
It’s great and all of the characters are so dynamic and so strong and so clear. Even when somebody like John Turturro comes on film for five minutes, he’s memorable.
We also wanted to ask you about Dexter. You played Paul Bennett, the abusive ex-husband of Rita …
I prefer to call myself the “misunderstood” ex-husband of Rita.
We never did get to see things from your perspective. Maybe you really were the good guy. You had this serial killer dating you ex and you were just trying to protect your family from him.
That’s it. That’s the way I looked at it. Once I got wise to him that something was up, I was the one who starts to turn things around. I just handled things a bit inappropriately, I guess. (Laughs.) I think getting drunk and trying to rape my ex-wife is a little inappropriate, but you know, I loved her.
- There were definitely some great scenes with you and Michael C. Hall in that
show.
MP: Yeah, and what’s funny is for like the first couple episodes, I didn’t think he liked me. And I found out later that he didn’t think I liked him. We kind of avoided each other all of the time. We had such a contentious on-screen relationship that it seemed to be bleeding over into the everyday stuff. I think it was just both of us working off each other and thinking we were getting these things off the other because one day we were just both accidentally at craft service and started talking to each other. And I was like, “Oh my god, I thought you didn’t like me.” “I thought you didn’t like me.” “Oh geez.” He turned out to be the nicest guy on the planet. We talked a lot. From then on, it was very different, but those first couple of episodes were a little harrowing.
- How did you land the role of Jacob on Lost? Were you a fan of the show

2011年03月26日 09点03分 21
level 7
before becoming a part of it?
MP: You know, I never even owned a TV until a couple of years ago. So I rarely watch TV. I just don’t have time. And when I did get a TV, I borrowed it from my mom, this old like 1970s thing – not 1970s because I could hook a video up to it and I would just watch videos when I wanted to.
So I had read the treatment for Lost when they were about to do the pilot and I even went up for one of the parts; I don’t remember which one now. But it was one of the best treatments I had ever read. It was a total page turner. And I never watched the show at the time that I auditioned for [Jacob] and had no idea that the part I was going up for was such an important part. I just knew it was a guest star with a possible recurring theme to it.
The situation is – I guess people are so hot to get information from Lost that the sides you audition are not the sides that you work with. And the character is a different name, so if anything gets leaked out it’s kind of like a red herring. So I just auditioned this scene and did well on it and I thought, “I did well, that’s all I can do.” Didn’t find out how important is was until I actually landed on Oahu and started talking to people.
- Finding out Jacob’s identity was one of the huge mysteries of Lost. When fans finally saw you in the season five finale on the beach talking to the man in black, it was a huge moment on the show. Were you aware when you were shooting that scene that it was going to be a big moment for the fans or was it just another day at the office?
MP: Well, I did know by that point because we’d done that close to last in the shoot. So I did know at that point that it was a big revelation for people, but knowing that, I still tried to make it a day in the office so that I wouldn’t get overwhelmed by any of that information. Because there’s a lot of it. Every moment in this show seems to have almost Biblical proportions of subtext to it and meaning and history. Oddly enough, this sounds weird to say as an actor, in a weird way, I’m glad I didn’t know that because it makes things a lot easier.
- Were you ever tempted to go back and try to find out as much info as possible or have you made the decision to not be aware of all of the subtext?
MP: No, I’ve been watching the show and it does suck you in, man. I’ve just been watching it and seeing if I can figure anything out. I don’t necessarily watch it in order yet. I just happen to watch whatever shows we have on the DVD stuff and then I also see some of the shows that are coming out too. Then forming my opinion and seeing if I can guess right about my character and the fate of everybody.

2011年03月26日 09点03分 22
level 7
- Were you ever tempted to go back and try to find out as much info as possible or have you made the decision to not be aware of all of the subtext?
MP: No, I’ve been watching the show and it does suck you in, man. I’ve just been watching it and seeing if I can figure anything out. I don’t necessarily watch it in order yet. I just happen to watch whatever shows we have on the DVD stuff and then I also see some of the shows that are coming out too. Then forming my opinion and seeing if I can guess right about my character and the fate of everybody.
- Do they just send you your script and leave you to blindly read through it or if you have questions about your character, are you able to ask them? Or with the secrecy, do they keep you in the dark?
MP: I don’t know how it is for other characters, but for me, I am in the dark. I read the script and if I have questions, hopefully I’m working with one of the executive producers who can actually say something about it. But sometimes you’re working with a director who is outside of the project. I don’t know how much of the story they know. I think they tend not to know to be honest with you. But they give really good adjustments and really good thoughts. I guess if Carlton Cuse isn’t too worried about it, then I’m not too worried about it and somehow we’re on the right track.
But Jack Bender, when I’ve worked with him, he’s said one or two things here or there that are little light bulbs. Then again, he’s one of the executive producers, so he probably knows where it’s going.
- Did they give you any indication of how often you are going to be in the show or each time are you waiting to find out if you will be back again?
MP: No, they do tell me. They didn’t tell me right at the end of the finale, but they did tell me a couple of months later how many shows I should expect to be in.
- You were actually killed in last year’s finale, so at that point were you wondering if you would even be back?
MP: I presumed that death didn’t necessarily mean anything on that show. And thank god I’m right.
I wasn’t sure. Everybody was saying I would be back. Being an actor, you never know what’s going to happen and you don’t put your eggs in a basket until you’ve signed it on the dotted line. I just said, “Okay, maybe. If it does, it does. If it doesn’t, it doesn’t.” So it ended up that I’ve been back and it’s nice.
- Your character’s interactions with Hurley have become a huge part of this season since he is the only person who can see you. When doing scenes with Jorge Garcia, it see***ike Jacob is talking down to Hurley in a very calm and mannered way – almost like how you would address a small child. Was that a choice you made as an actor or were you instructed to use that particular cadence with Hurley?
MP: Kind of both. It suggests in the scripts that I’m really centered and calm and unruffled. It’s kind of almost like Buddha-esque or Christ-like, without being archetypal. Just a simple person who I guess can see further than a lot of other people. So it has that element to it. Plus, with Jorge’s character, Jorge’s character is kind of a kid. He needs to be gently dealt with, I think.

2011年03月26日 10点03分 23
level 7

It is fun to watch you two play off of each other – the way you address him and his excitement and jumpiness when dealing with you.
(Laughs.) He’s so funny. When I’m standing off-camera watching him, he just makes me laugh. He tries to hide that he’s freaked out or he tries to hide that he knows something, it’s sweet and kind of cute. And I can’t help but laugh. I think I’m ruining takes sometimes because I’m behind the camera laughing. But it’s all because it’s so sweet.
- As you mentioned, there are themes of good and evil and there are many theories out there about what Jacob represents and if he is really a Christ-figure or truly good. What’s interesting is that you also play Lucifer in the show Supernatural. What has it been like to play both ends of the religious spectrum? And do you see Jacob as a savior for the island?
MP: Well, first of all, I think somebody sees a really intense dichotomy in me to cast me as these types of characters and that’s true, I feel like I am extremes. So they’re recognizing something in me, I think. It’s interesting because they are both religious characters and both spiritual characters and oddly enough, there’s more in common I think with the Lucifer character and Jacob, the way they’ve written it in Supernatural, than there would be in the typical Lucifer and Christ-like figure.
In their version in Supernatural, he’s the most honest, sincere person there. To me, Lucifer is about justice – getting justice for something. I think it eventually expresses itself in a rather ugly way, which is still coming, I think. But he’s about justice. So there’s a tremendous amount of goodness, I think, that goes in all that darkness. Betrayed goodness in a way.
I think Jacob’s character, I don’t know what their end is in mind. I don’t know whether he’s going to be good or bad in the end. But good is a complicated thing, you know what I mean? Often times one does things for the good that seem really ugly in the moment. So there’s a lot of crossover in a way. These good characters that have such scope and these evil characters that have such scope, they’re capable of such complicated actions. I think they’re very similar in a lot of ways. But I do think the Lucifer character, there’s a lot more room to play and a sardonic sensibility out of it that isn’t there with Jacob.
Lost does love to play with the notion of good and evil. There is definitely a possibility that in the end we will find out that the Man in Black was more good than we realized and maybe Jacob wasn’t as good as we’ve though all along.
- As you mentioned, there are themes of good and evil and there are many theories out there about what Jacob represents and if he is really a Christ-figure or truly good. What’s interesting is that you also play Lucifer in the show Supernatural. What has it been like to play both ends of the religious spectrum? And do you see Jacob as a savior for the island?
MP: Well, first of all, I think somebody sees a really intense dichotomy in me to cast me as these types of characters and that’s true, I feel like I am extremes. So they’re recognizing something in me, I think. It’s interesting because they are both religious characters and both spiritual characters and oddly enough, there’s more in common I think with the Lucifer character and Jacob, the way they’ve written it in Supernatural, than there would be in the typical Lucifer and Christ-like figure.

2011年03月26日 10点03分 24
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