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【我对票数第二的理性看法】安定下大家的情绪 就差了3000多票,,刚开始真的我觉得难过的,,也有自责的心,,但现在已经平静了许多,分析如下:1,跟一个刚刚比赛完的赛区相比,人家的热度和high的心情还一直在延续着,,笔笔跟人家比,这个就有点吃亏了,去年的string不也是吗?那时的票多高啊。。。但时间久了,总是会有些人变心或者不再关注了。。2,许多现在刚开始看超女的同志,大部分都错过了笔笔的表演,最多知道个解脱唱的不错,当初笔笔给我们带来的感动,他们都没有亲身经历过,更别说有什么特别的感受了,特别在笔笔没怎么表现的前2场,他们最多的不会去讨厌笔笔,当现在10强开始了,,那时笔笔给我们的心动也会给大部分的他们带来震撼的,那时的投票生力军还会增加的,,我相信!!!还有对处于中间态度的新人们手中的票数的拉拢就靠我们笔迷去努力再努力的争取辣。。。3,45w多的票了,,,除了自责之外,第二个感受是亲们实在是太强了,这个跟广州决赛的时候10w多票简直是没的比了,,,4倍多啊。。。!!!那个第二反而是无所谓了吖,我只感受到了77们的用心。。。4,这可以成为了一个激励更多笔迷投票的手段!!!我宁可后面4场一直处在第二的位置,到了最后一场的时候才能激发出笔迷最大的热情,,不就跟pk一样吗???其实有了更多露脸的机会,人家才会投你的票啊。。再说处在第二不得不说是个有利的位置啊,你看到长跑最后的赢家都是跟跑的吗??环法的阿姆斯的朗什么时候冲在最前面啊。。。???笑到最后才是真正的赢家啊。。。。所以现在我是微笑着的,希望大家看了以上的文字,也能把自己的心沉浸下来。。。过一个安静的做梦能梦到笔笔的夜晚~◎◎◎
【对不起,忍不住,让作为笔迷的我发泄一下,不再低调】 斑竹,,请让我发泄一下,,没什么恶意,真的是忍不住了你要是认为违反了吧里的规定就删了吧,但我还是要说出自己的心里话。。。去玉米的吧里看了看,在看看我们的笔迷,发现我们笔迷一直强调的低调,和笔迷友好相处,,在人家的玉米的眼中呢??p都不是,人家是以我们笔笔为目标来激励他们自己的,暂不说他们有没说什么攻击性的语言,但字里行间所透露出的那种bs,目空一切,真让我tm的质疑玉米的素质,yc在玉米的心里是个宝,笔笔又何尝不是呢??她还是我们的天使呢?不想在那么污浊的吧里留言,怕污染了我cj的心灵。。。http://post.baidu.com/f?kz=24291922知道摄影的要素吗??知道摄影师的难处吗??所座的位子决定了摄影师的角度。。。难道叫摄影师特地爬到那些歌迷的头上照你们的yc?请不要怀疑人家的专业性,请不要一给笔笔稍微多的镜头就质疑人家是笔迷。。。你可以怀疑评委对成都的黑箱,那是你个人的自由,但若为了一些小小的镜头就怀疑倒人家工作人员的头上就非常的有问题了,,难道非要所有的人围着你们的yc转,这才是公平的???你以为他是所有人的宝吗?????http://post.baidu.com/f?kz=24326108你可以让玉米投票,但请不要扯上笔笔,,对yc和笔笔都是没有好处的。。。难道你不知道群众效应??什么叫敌对情绪你该知道吧。。。http://post.baidu.com/f?kz=24317948不管你说笔笔的有经验是善意还是嘲讽,我都bs你,这样的小细节都这么多的心思,真是让作为女生的我也汗颜啊。。。想的真tm的多啊。。。不说了,,,天热,生气不好。。。
【转超女】赵静怡真的是有后台的!!!!--国外媒体的报道 美国报纸的报道。难怪赵的支持者们贴出了老外记者采访的照片。还以为是假的呢。现在报导出来了。http://www.baltimoresun.com/news/nationworld/bal-te.idol22may22,1,170394.story?coll=bal-nationworld-headlines&ctrack=1&cset=true报道中的话Zhao Jingyi, the daughter of a provincial-level police officer, received more than 100,000 text-message votes during the show to win easily. 难怪评委们在评点的时候那么偏袒。可惜在最后时刻夏青老师引导大家到了真相,这个选手一直在玩。当然不是心态好,是因为自己已经知道底细了,自然不担心。在海选的时候,虽然没有发直接通行证,但是后来的比赛一直都有偏袒。也怪她自己发挥的实在太烂了,让人看出不对劲的地方!她自己对周笔畅的对不起的帖子里面透露,她自己也觉得有些地方是她迫于无奈才说出来的。为什么会迫于无奈呢?这个舞台,是一个平民的舞台,你又何必出来搀和呢?全文Chinese audiences take to 'Idol' phenomenon'Super Girl,' a reality show, is modeled on American and British predecessors. By Gady A. EpsteinSun Foreign StaffOriginally published May 22, 2005CHANGSHA, China - Three young female singers, just weeks removed from anonymity, were standing onstage in front of a restive, noisy crowd of 1,000 people and a television audience of as many as 25 million more, all of them anxious to learn which singer had won the right to advance to the national finals. Host Li Xiang - the Ryan Seacrest of China - set up the moment on one of the most popular entertainment shows on Chinese television today, seen at least once by 210 million people since it first aired early last year. "Next," said Li, 25, "we will reveal the Changsha regional champion of the 2005 Mongolian Cow Sour Sour Yogurt Super Girl Voice!" Super Girl is not identical to American Idol, given that the Chinese show has sold its name to a dairy company, accepts only female contestants and has almost impenetrably complex rules for winnowing down contestants - which helps explain why last week's regional finale went on for three hours. But the phenomenon is the same: The program has become a national spectacle. Now in its second season, Super Girl, modeled closely after American Idol and its British predecessor, Pop Idol, is the first nationally broadcast show of its kind in China, where the government owns all television stations and controls what goes on the air. Unique in China Change tends to come slowly to Chinese television, which serves as the most effective propaganda arm of the government, with a widely watched national nightly newscast and politically correct programming. Sports and entertainment shows are not immune from political considerations: Propaganda officials seek content that casts the nation's favored stars and, of course, the government in a positive light; conversely, the handful of athletes or entertainers who fall out of favor with the government may find themselves suddenly invisible in prime time. In this somewhat antiseptic environment, Super Girl has tapped a rich, previously unexploited interest in reality shows that portends more such shows to come, if state censors and government television executives decide to allow anything beyond a singing contest.
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