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ef5 配k601 head fi毒文(有k701的吐槽) 今天突然想胆石结合配akg耳机会怎么样,国内果然没有人试过,于是在head fi 趴了一篇毒文。话说国外的烧友好伺候啊,推701都是是推荐300刀左右的放,有很多人推荐小不点和杨菁 MATRIX的放,国内大神给力啊。顺便吐槽下小刺猬都是用来配kk,为甚都用来伺候701(我也一直这样被误导不过感觉还不错,他们估计太贵了吧).....而且还有一群飞傲的粉丝,q(k)701出街党。各种直推党。 我截取重要部分翻译.... So far I have used this amp with two different headphones: the Hifiman HE5LE, and the AKG K601. I'll start with describing how it sounds with the AKG K601. First, let me note that one absolutely must put a 120 ohm series resistor at the output in order to be compatible with the K601. AKG specifies that the K601 should be driven by amp following the IEC standard, which is 120 ohms output impedance. And I can say that without that resistor, the highs are harsh and fatiguing. With that resistor, the sound is balanced. ( ....ef5配k601) The most outstanding feature of the EF5 is its dynamic power.( ef5最nb的就是它的动态) Let me explain what that means. It does not mean simply that the amp gets loud. It has more to do with effortless transient power. Before using this amp, I had no idea that I was dealing with compressed transients with all previous amps I have used. I didn't realize that I had just accepted compression in piano attacks, drum attacks, etc. But with the EF5, musical transients have this effortless quality, and arresting presence.( 似乎是在讲瞬态惊人,说他从未听过如此有压缩感(?不会翻译)的钢琴和鼓声) The imaging is superb. I know that some reviewers have claimed the headstage width of the EF5 is narrow. Well, I don't know what equipment they are using, but for me (using the K601, and also note that my source is a K Works SuperBerry DAC) the headstage is huge, and extends well outside the head. It feels very "open" in a quality that resembles the K1000 or HD800. ( 这段略神,他说在ef5下的k601 结像精准,声场巨大,声音完全突破脑际,就想传说中的kk和hd800那样) But more than huge headstage, the images are very precise. As an instrument starts playing, one senses that it has an exact location and a very attention-grabbing quality. To me, that ability to grab my attention by having a precise location in space is very important. ( 结像精准,又强调了一遍... .顺便赞了下神一般的定位) Now, about the Hifiman HE5LE headphone. This is an orthodynamic headphone, which means it is a planar-type. I must confess that I am not too enamoured with planar drivers. The HE5LE feels a little unnatural in its overall "feel" compared to the K601 (a dynamic-type headphone). The headstage is more compressed and closed-in. I think the dynamics are not as good as the K601. ( 扯he5,不关我的事) However, it must be noted that Hifiman designed the EF5 specifically as a useful amp for driving the HE5LE. So one would expect they are compatible and one would expect to find merits in the combination. And yes, I do think the HE5LE sounds a little more balanced than the K601, and the highs are smoother. Now about drawbacks to the EF5. Normally I use a SET tube amp, the DNA Sonett. The outstanding strength of SET's in general is the musical feeling, the timbral color, differentiation of moods and textures and so forth. And sure enough, the EF5 does not equal the DNA Sonett in these areas. It is a bit "grayed-out" in emotional tone and timbral color. (这个耳放竟然有缺点.....grayed-out....个人理解是太丑了,他提的那个dna骚蓝的。) It is not surprising I like SET's because I generally prefer tubes over solid-state. The EF5 has a solid-state output. I am guessing this has something to do with its slight emotional grayness. My intention is to the get the EF5 modded by K Works Audio. The guy there, Igor, has some tricks involving changing out the signal caps and putting in a better opamp. I am hoping that he can make the EF5 the equal of any SET in emotional feeling. ( 又是一阵感慨....)
ef5 配k601 head fi毒文 今天突然想胆石结合配akg耳机会怎么样,国内果然没有人试过,于是在head fi 趴了一篇毒文。话说国外的烧友好伺候啊,推701都是是推荐300刀左右的放,小刺猬都是用来配kk.....。而且还有一群飞傲的粉丝,701出街党。各种直推党。 我截取重要部分翻译.... So far I have used this amp with two different headphones: the Hifiman HE5LE, and the AKG K601. I'll start with describing how it sounds with the AKG K601. First, let me note that one absolutely must put a 120 ohm series resistor at the output in order to be compatible with the K601. AKG specifies that the K601 should be driven by amp following the IEC standard, which is 120 ohms output impedance. And I can say that without that resistor, the highs are harsh and fatiguing. With that resistor, the sound is balanced. (....ef5配k601) The most outstanding feature of the EF5 is its dynamic power.( ef5最nb的就是它的动态) Let me explain what that means. It does not mean simply that the amp gets loud. It has more to do with effortless transient power. Before using this amp, I had no idea that I was dealing with compressed transients with all previous amps I have used. I didn't realize that I had just accepted compression in piano attacks, drum attacks, etc. But with the EF5, musical transients have this effortless quality, and arresting presence.( 似乎是在讲瞬态惊人,说他从未听过如此有压缩感(?不会翻译)的钢琴和鼓声) The imaging is superb. I know that some reviewers have claimed the headstage width of the EF5 is narrow. Well, I don't know what equipment they are using, but for me (using the K601, and also note that my source is a K Works SuperBerry DAC) the headstage is huge, and extends well outside the head. It feels very "open" in a quality that resembles the K1000 or HD800. ( 这段略神,他说在ef5下的k601 结像精准,声场巨大,声音完全突破脑际,就想传说中的kk和hd800那样) But more than huge headstage, the images are very precise. As an instrument starts playing, one senses that it has an exact location and a very attention-grabbing quality. To me, that ability to grab my attention by having a precise location in space is very important. ( 结像精准,又强调了一遍... .顺便赞了下神一般的定位) Now, about the Hifiman HE5LE headphone. This is an orthodynamic headphone, which means it is a planar-type. I must confess that I am not too enamoured with planar drivers. The HE5LE feels a little unnatural in its overall "feel" compared to the K601 (a dynamic-type headphone). The headstage is more compressed and closed-in. I think the dynamics are not as good as the K601. ( 扯he5,不关我的事) However, it must be noted that Hifiman designed the EF5 specifically as a useful amp for driving the HE5LE. So one would expect they are compatible and one would expect to find merits in the combination. And yes, I do think the HE5LE sounds a little more balanced than the K601, and the highs are smoother. Now about drawbacks to the EF5. Normally I use a SET tube amp, the DNA Sonett. The outstanding strength of SET's in general is the musical feeling, the timbral color, differentiation of moods and textures and so forth. And sure enough, the EF5 does not equal the DNA Sonett in these areas. It is a bit "grayed-out" in emotional tone and timbral color. (这个耳放竟然有缺点.....grayed-out....个人理解是太丑了,他提的那个dna骚蓝的。) It is not surprising I like SET's because I generally prefer tubes over solid-state. The EF5 has a solid-state output. I am guessing this has something to do with its slight emotional grayness. My intention is to the get the EF5 modded by K Works Audio. The guy there, Igor, has some tricks involving changing out the signal caps and putting in a better opamp. I am hoping that he can make the EF5 the equal of any SET in emotional feeling. ( 又是一阵感慨....)
ef5 配 k601 毒文 今天突然想胆石结合配akg耳机会怎么样,国内果然没有人试过,于是在head fi 趴了一篇毒文。话说国外的烧友好伺候啊,推701都是是推荐300刀左右的放,小刺猬都是用来配kk.....。而且还有一群飞傲的粉丝,701出街党。各种直推党。 我截取重要部分翻译.... So far I have used this amp with two different headphones: the Hifiman HE5LE, and the AKG K601. I'll start with describing how it sounds with the AKG K601. First, let me note that one absolutely must put a 120 ohm series resistor at the output in order to be compatible with the K601. AKG specifies that the K601 should be driven by amp following the IEC standard, which is 120 ohms output impedance. And I can say that without that resistor, the highs are harsh and fatiguing. With that resistor, the sound is balanced. (....ef5配k601) The most outstanding feature of the EF5 is its dynamic power.( ef5最nb的就是它的动态) Let me explain what that means. It does not mean simply that the amp gets loud. It has more to do with effortless transient power. Before using this amp, I had no idea that I was dealing with compressed transients with all previous amps I have used. I didn't realize that I had just accepted compression in piano attacks, drum attacks, etc. But with the EF5, musical transients have this effortless quality, and arresting presence.( 似乎是在讲瞬态惊人,说他从未听过如此有压缩感(?不会翻译)的钢琴和鼓声) The imaging is superb. I know that some reviewers have claimed the headstage width of the EF5 is narrow. Well, I don't know what equipment they are using, but for me (using the K601, and also note that my source is a K Works SuperBerry DAC) the headstage is huge, and extends well outside the head. It feels very "open" in a quality that resembles the K1000 or HD800. ( 这段略神,他说在ef5下的k601 结像精准,声场巨大,声音完全突破脑际,就想传说中的kk和hd800那样) But more than huge headstage, the images are very precise. As an instrument starts playing, one senses that it has an exact location and a very attention-grabbing quality. To me, that ability to grab my attention by having a precise location in space is very important. ( 结像精准,又强调了一遍... .顺便赞了下神一般的定位) Now, about the Hifiman HE5LE headphone. This is an orthodynamic headphone, which means it is a planar-type. I must confess that I am not too enamoured with planar drivers. The HE5LE feels a little unnatural in its overall "feel" compared to the K601 (a dynamic-type headphone). The headstage is more compressed and closed-in. I think the dynamics are not as good as the K601. ( 扯he5,不关我的事) However, it must be noted that Hifiman designed the EF5 specifically as a useful amp for driving the HE5LE. So one would expect they are compatible and one would expect to find merits in the combination. And yes, I do think the HE5LE sounds a little more balanced than the K601, and the highs are smoother. Now about drawbacks to the EF5. Normally I use a SET tube amp, the DNA Sonett. The outstanding strength of SET's in general is the musical feeling, the timbral color, differentiation of moods and textures and so forth. And sure enough, the EF5 does not equal the DNA Sonett in these areas. It is a bit "grayed-out" in emotional tone and timbral color. (这个耳放竟然有缺点.....grayed-out....个人理解是太丑了,他提的那个dna骚蓝的。) It is not surprising I like SET's because I generally prefer tubes over solid-state. The EF5 has a solid-state output. I am guessing this has something to do with its slight emotional grayness. My intention is to the get the EF5 modded by K Works Audio. The guy there, Igor, has some tricks involving changing out the signal caps and putting in a better opamp. I am hoping that he can make the EF5 the equal of any SET in emotional feeling. ( 又是一阵感慨....)
【Mars】AKG 品牌历史   AKG于1947年由歌里克博士(Dr. Rudolf Goerike)和普雷斯(Ernst Pless)创立, 不久即成为音响世界规模最大的业者之一。时至今日,将AKG与“好”联系起 来也嫌不足;不如说它有“上乘”的音色,讲究质量,恒常革新,而代表对音 乐的一种激情。公司成立后数个月内已经有首批AKG话筒在电台、剧院、爵士 俱乐部等使用。当时的产品(AKG DYN系列)是由5名工人手工制作的。   1949年,第一批AKG耳机上市。其后1950年代初期,AKG推出多种新产 品,实现突破,其中有:全新的D12,是全球首支收音特性为心形的优质电容 话筒;C12,是首支遥控多响应图电容话筒;和留名青史的D 36。而扬名天下的 C 12话筒,首批客户也包括了伦敦的BBC (英国广播公司)。   AKG全球扩展   随着业务成功发展,AKG也扩展了经营地域,于1955年在德国设立附属公 司。在1950年代中,AKG的全球经销网络已发展至欧洲其他国家甚至超出欧 洲。1960年代,AKG成功开始往东欧和拉丁美洲出口产品。AKG重视技术质 量,集中精力经营其强项:优质音响压电转换器,使各类别产品都达到一流水 准。随后多年,AKG推出了全球首创的双向心形收音话筒(D 202和D 224),也开 发了CMS模块式电容话筒系统。   1970年代:AKG革新不分昼夜   1970年代伊始,AKG秉承1960年代后期的传统:不断革新,推出了全球首 部真正便携的录音室用混响单元BX 20。1972年,英国邮政发行特别纪念邮票, 纪念BBC 50周年,展示历代的话筒,更包括AKG产品目录所载的型号。一年 后,AKG获得其第1,000项专利。与此同时也推出了K 140的“整合开放式”耳 机。随后又作出了多项革新,诸如AKG横向悬挂(TS)系统,全球首创双向耳 机,和使AKG产品享誉国际的多种真正为人声而设的话筒。
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