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如果有人有兴趣歌剧歌手Angelina Kalahari新写的关于adam的bo博文 Broken Open: Adam Lambert; The Agony and Ecstasy of Singing Posted on May 30, 2011 by soundbath There is a case to be made for the fact that each of us is born with innate abilities, which when honed, transform us into experts, at best, in our fields of interest, and competents, otherwise. Our absorbing interests often also turn out to be what we feel most passionate about. Thus athletes, writers, painters, lawyers, doctors, teachers, etc., are all examples of people who may have perfected their skills in the area of their greatest interest and passion. Singers are no different. As a singer myself, I absolutely believe that singers are born that way. Our connection to our voice generally manifests itself in an overpowering urge to sing, usually from a very young age, and it drives us relentlessly on to develop our skills and to find the repertoire best suited to our instrument. Adam Lambert is a perfect example of a born singer. Not only was he born with an exceptional instrument, he started working on it from a very young age. On his site, NegativeNeil.com, his brother, Neil, talks hilariously about siblings, and how annoying it was for him as a youngster having to listen to Adam wildly improvising over songs on the radio all day long. Neil thought Adam was just showing off. As a non-singer he would not have understood Adam’s need to do that. Neil goes on to say that he understands it now, though. But for singers, this yearning to sing is typically so intense, that we feel as though we have almost no choice in the matter; that singing has in fact chosen us, not the other way around, and we must heed its call, or suffer excruciatingly. The necessity to sing is more than a passion: it is a need so strong, that if ignored, causes actual physical pain, but one for which there is no painkillers, because the pain is emotional and spiritual, but sits, nevertheless, in our physical body, alongside our voice. During an online conversation with Juneau, she asked what I would like to write about and I mentioned that I wanted to write on this topic – the uncontrollable, inexplicable urge that singers have to sing and what happens when we ignore this overwhelming desire. “Oh,” she said, “is it like the uncontrollable, inexplicable urge we have to spend our days on the computer trying to find all things Adam?” I had to laugh. But she has a point: it is somewhat similar, and something we can all relate to, right? Now multiply the Adam urge by about a thousand times and you’ll get the idea of what it feels like to need to sing. One of my own singing teachers, a world-renowned operatic tenor, used to say that the call from our voice to sing is like an incurable disease and the only relief we’ll feel, is in those few moments when we’re actually singing. Perhaps that’s what Adam is like for us? He is our incurable disease and the only relief we’ll feel is to have him in our lives as much as we can. And the only way we can do that is by looking at him, listening to him, and by knowing that he‘s there, that he is continuing to shine his magical essence into all our hearts. And therefore, he would need to continue to sing for us – and also for himself. My old singing teacher used to say, too, that you can hear a person’s soul through their voice, and if that is true, then Adam’s soul is beyond beautiful!
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