最左边的那个是导演

电影中的草地是我很爱的一个场景

The appetite of the public asks for more, and the history of Twilight
always serves the most, “emphasized Eclipse coproducer Bill Bannerman, giving testimony to the compillation of nearly 150 pages formatted
by the author Mark Cotta Vaz, under the title The Twilight Saga :
Eclipse – Official Illustrated Movie Guide. Candidate to head the
list of bestsellers from The New York Times in the wake of the
Twilight and New moon guides. The mix of book and magazine
subsidizes, with technical information and many images, both
professionals from the film industry as the fans too daring, which
form the group of Twilighters, a legion multiplied not only in blogs
but ubiquitous even in places used in set of the adaptations of
tetralogy signed by Stephenie Meyer. To get an idea, the team claims
to have seen declared fans of Vancouver (Canada) before appearing in
the film made in Italy.
Author of the publication that examines the background of the famous
company Industrial Light & Magic (which served as the classic Star
Wars), Mark Cotta Vaz, the new book goes into details as to explain
the magic to be multiplied to 8 million by the number of digital for
each of the lobes seen on screen. Very specific, the narrative brings
records as the use of three wigs for the composition of Bella (Kristen Stewart), the presence of 700 people involved in the tempo of the
film and the creation of a tree (aluminum) at 12 meters tall and made
linied with foam for the crucial scene in the cold mountainous region
in the end.
In reading, there is information that the fighter kickboxing Jonathan
Eusebio served as a consultant for training to fight the cast
backstage after participating in Iron Man 2. most intense scenes of
action are the series of Eclipse, evaluates the actor Jackson
Rathbone, who is responsible for interpreting the vampire Jasper
Hale, the target of intense revelations in the new сhapter. The
sequencing of the plot, by the way, emerges as a priority in most
relevant statement of Robert Pattinson the vampire Edward. “My
greatest hope is that fans see how the films are connected and are
not just random products,” says the leading man. The vision of the
producer Wyck Godfrey supports the weight of momentum in the final
product: “We all love Eclipse because it is the film with more
action and it’s more manly.”
Devices such as the creation of storyboards for the first and
bustling scene of the attack on Riley (Xavier Samuel, because, at one
point as “a general hipster”) are described in сhapter Shadows
gathered. In it, there are boundaries for the use of colors printed
on film: cold tones of blue to surround the Cullen clan, advancing on
the red representing the nation Quileute earthy palette and go around
the universe of the small town of Forks. Film’s director, David Slade appears to explain the “emotional component” linked to the use of
colors. The shades come again on the agenda when the cinematographer
Javier Aguirresarobe comments on the appearance, in part, of the
dreaded Volturi : “It is a monochrome image, austere and hard, an
image that exudes fear.”
The explanation of the blend really captured the scenes at Mount
Seymour (north of Vancouver) and that obtained in the studios
generate curiosity, like the passage in which the effect of “magic
carpet”- for agile chase scenes in the forest – is described, with
comments in the wake of successive runs of 30 meters which was towed
by a truck. Tricks as the use of bags of “potato”(actually\objects
sized with more than two meters to simulate the trunk of wolves in
the scene) were part of the creations of Tippet Studio (Phil
Tippet, a dissident of the Head of Industrial Light & Magic) combined
with Image Engine, a company that said the effects of District 9, And
Eclipse, stuck to the puzzle as the study of the properties of the
crystals in order to provide a basis for the scenes where the
vampires were members of some parties, in passages of greater violence.


洛辰真勤劳^_^

亲也没睡啊...

The appetite of the public asks for more, and the history of Twilight
always serves the most, “emphasized Eclipse coproducer Bill Bannerman, giving testimony to the compillation of nearly 150 pages formatted
by the author Mark Cotta Vaz, under the title The Twilight Saga :
Eclipse – Official Illustrated Movie Guide. Candidate to head the
list of bestsellers from The New York Times in the wake of the
Twilight and New moon guides. The mix of book and magazine
subsidizes, with technical information and many images, both
professionals from the film industry as the fans too daring, which
form the group of Twilighters, a legion multiplied not only in blogs
but ubiquitous even in places used in set of the adaptations of
tetralogy signed by Stephenie Meyer. To get an idea, the team claims
to have seen declared fans of Vancouver (Canada) before appearing in
the film made in Italy.
Author of the publication that examines the background of the famous
company Industrial Light & Magic (which served as the classic Star
Wars), Mark Cotta Vaz, the new book goes into details as to explain
the magic to be multiplied to 8 million by the number of digital for
each of the lobes seen on screen. Very specific, the narrative brings
records as the use of three wigs for the composition of Bella (Kristen Stewart), the presence of 700 people involved in the tempo of the
film and the creation of a tree (aluminum) at 12 meters tall and made
linied with foam for the crucial scene in the cold mountainous region
in the end.
In reading, there is information that the fighter kickboxing Jonathan
Eusebio served as a consultant for training to fight the cast
backstage after participating in Iron Man 2. most intense scenes of
action are the series of Eclipse, evaluates the actor Jackson
Rathbone, who is responsible for interpreting the vampire Jasper
Hale, the target of intense revelations in the new chapter. The
sequencing of the plot, by the way, emerges as a priority in most
relevant statement of Robert Pattinson the vampire Edward. “My
greatest hope is that fans see how the films are connected and are
not just random products,” says the leading man. The vision of the
producer Wyck Godfrey supports the weight of momentum in the final
product: “We all love Eclipse because it is the film with more
action and it’s more manly.”
Devices such as the creation of storyboards for the first and
bustling scene of the attack on Riley (Xavier Samuel, because, at one
point as “a general hipster”) are described in Chapter Shadows
gathered. In it, there are boundaries for the use of colors printed
on film: cold tones of blue to surround the Cullen clan, advancing on
the red representing the nation Quileute earthy palette and go around
the universe of the small town of Forks. Film’s director, David Slade appears to explain the “emotional component” linked to the use of
colors. The shades come again on the agenda when the cinematographer
Javier Aguirresarobe comments on the appearance, in part, of the
dreaded Volturi : “It is a monochrome image, austere and hard, an
image that exudes fear.”
The explanation of the blend really captured the scenes at Mount
Seymour (north of Vancouver) and that obtained in the studios
generate curiosity, like the passage in which the effect of “magic
carpet”- for agile chase scenes in the forest – is described, with
comments in the wake of successive runs of 30 meters which was towed
by a truck. Tricks as the use of bags of “potato”(actually\objects
sized with more than two meters to simulate the trunk of wolves in
the scene) were part of the creations of Tippet Studio (Phil
Tippet, a dissident of the Head of Industrial Light & Magic) combined
with Image Engine, a company that said the effects of District 9, And
Eclipse, stuck to the puzzle as the study of the properties of the
crystals in order to provide a basis for the scenes where the
vampires were members of some parties, in passages of greater violence.


回复：8楼
还在爬格子……嘛，沃尔图里那一群真是纠结死我了……有时候心烦真的很想整个全部拆掉拉倒

回复：10楼
深呼一口气，念：世界多么美好，我却如此暴躁
（被PIA飞）
我要下啦

回复：11楼
晚安……
PS：偶那不是暴躁，只是写文遇到了瓶颈总会有这种冲动，尤其是在确定要写死某些人的时候，更容易有将所有相关人员通通送去陪葬的冲动……飘走……