level 7
志音
楼主
伦敦皇家歌剧院的茶花女，毫无疑问的hvorostovsky是the only star，虽然票早卖完了，由于另两位主演并未带来惊喜[但是OK]，加上该制作虽然很优秀，但上演了16年已经十分陈旧……总之结果就是几乎所有媒体评论的第一句话就提到这是他一个人的演出。
大概像这样
Thank heavens for the Russian baritone Dmitri Hvorostovsky, so authoritative as Germont Père. His performance is a masterclass of vocal beauty and vibrant acting. Hvorostovsky’s ability to dominate a crowded ensemble through the power of his stillness is quite masterly.
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Richard Eyre’s traditional staging of Verdi’s opera is back for a series of performances dignified by the presence of Russian baritone Dmitri Hvorostovsky, whose entrance in Act II as young Alfredo’s morally conventional father Giorgio Germont marks a rise in the evening’s emotional power. As expertly authoritative in his singing as he is impressive as an actor, he is by far the most focused and consistent of the three principals.
其他评论：
I went to the rehearsal last Saturday - I thought Hvorostovsky was simply stunning.
I saw it too and can only agree although I liked Jaho's vulnerability and her acting. Vocally Hvorostovsky eclipsed them all and I had to shout an uncontrolled bravo after his suplime Di Provenza il mar
2010年05月15日 21点05分
1
大概像这样
Thank heavens for the Russian baritone Dmitri Hvorostovsky, so authoritative as Germont Père. His performance is a masterclass of vocal beauty and vibrant acting. Hvorostovsky’s ability to dominate a crowded ensemble through the power of his stillness is quite masterly.
================
Richard Eyre’s traditional staging of Verdi’s opera is back for a series of performances dignified by the presence of Russian baritone Dmitri Hvorostovsky, whose entrance in Act II as young Alfredo’s morally conventional father Giorgio Germont marks a rise in the evening’s emotional power. As expertly authoritative in his singing as he is impressive as an actor, he is by far the most focused and consistent of the three principals.
其他评论：
I went to the rehearsal last Saturday - I thought Hvorostovsky was simply stunning.
I saw it too and can only agree although I liked Jaho's vulnerability and her acting. Vocally Hvorostovsky eclipsed them all and I had to shout an uncontrolled bravo after his suplime Di Provenza il mar
