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用重录挽尊，人家用了同期发行立马扇烂你的厚阴了你扯其他的干嘛，扯滚石五星不正好证明是公交霉搬床买乐评？一般年榜要排名比较慎重不好买，平时的打分比较送所以交臭尸疯狂买乐评已经是人尽皆知的了
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楼主
The 50 Best Albums of 2021
From Adele’s heroic return to Rauw Alejandro’s thrillingly unpredictable breakthrough to Lil Nas X’s pop-rap victory lap, and much more, here are the records that pushed music forward this year.
By JONATHAN BERNSTEIN & JON BLISTEIN & MANKAPRR CONTEH & JON DOLAN & WILL DUKES & JON FREEMAN & KORY GROW & CHRISTIAN HOARD & JOSEPH HUDAK & JEFF IHAZA & KRISTINE KWAK & ELIAS LEIGHT & JULYSSA LOPEZ & ANGIE MARTOCCIO & JENNY MOTA & MOSI REEVES & ROB SHEFFIELD & SIMON VOZICK-LEVINSON & RICHARD VILLEGAS & BRENNA EHRLICH
2021年12月03日 15点12分
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From Adele’s heroic return to Rauw Alejandro’s thrillingly unpredictable breakthrough to Lil Nas X’s pop-rap victory lap, and much more, here are the records that pushed music forward this year.
By JONATHAN BERNSTEIN & JON BLISTEIN & MANKAPRR CONTEH & JON DOLAN & WILL DUKES & JON FREEMAN & KORY GROW & CHRISTIAN HOARD & JOSEPH HUDAK & JEFF IHAZA & KRISTINE KWAK & ELIAS LEIGHT & JULYSSA LOPEZ & ANGIE MARTOCCIO & JENNY MOTA & MOSI REEVES & ROB SHEFFIELD & SIMON VOZICK-LEVINSON & RICHARD VILLEGAS & BRENNA EHRLICH
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50
St. Vincent, 'Daddy's Home'
Slinky, smart, and gloriously down-and-out, St. Vincent’s latest brings us back to the New York of the Velvet Underground and the Factory’s waifs, leaving us to lounge among the glitter and the grit. Our generation’s rock & roll chameleon, Annie Clark delves into her formerly incarcerated father’s record collection to deliver Bowie- and Prince-esque tunes that are simultaneously utterly her own, weaving in brass and backup singers, while still reflecting that sepia-tone-tinted musical era. The record’s throwback appeal is made all the more delicious because we know Clark will only inhabit this skin until the next one, making the anticipation even greater to see where she heads next.—B.E.
2021年12月03日 15点12分
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St. Vincent, 'Daddy's Home'
Slinky, smart, and gloriously down-and-out, St. Vincent’s latest brings us back to the New York of the Velvet Underground and the Factory’s waifs, leaving us to lounge among the glitter and the grit. Our generation’s rock & roll chameleon, Annie Clark delves into her formerly incarcerated father’s record collection to deliver Bowie- and Prince-esque tunes that are simultaneously utterly her own, weaving in brass and backup singers, while still reflecting that sepia-tone-tinted musical era. The record’s throwback appeal is made all the more delicious because we know Clark will only inhabit this skin until the next one, making the anticipation even greater to see where she heads next.—B.E.
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49
James McMurtry, 'The Horses and the Hounds'
Staring down 60, the Austin singer-songwriter continued on his recent streak of stunners by delivering a career high point with this collection of sharply told tales of wrinkled equestrians, ashamed murderers, disenchanted Iraq War veterans, and long-stewing flirts set to a West Coast, Petty-inspired roots rock from longtime collaborator Ross Hogarth. “Cashing in on a 30-year crush,” McMurtry sings, most memorably, on the instant-classic opener, “Canola Fields.” “You can’t be young and do that.” Nor can you be young and write an album as wise, witty, and emotionally generous as McMurtry’s latest.—J.A.B.
2021年12月03日 15点12分
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James McMurtry, 'The Horses and the Hounds'
Staring down 60, the Austin singer-songwriter continued on his recent streak of stunners by delivering a career high point with this collection of sharply told tales of wrinkled equestrians, ashamed murderers, disenchanted Iraq War veterans, and long-stewing flirts set to a West Coast, Petty-inspired roots rock from longtime collaborator Ross Hogarth. “Cashing in on a 30-year crush,” McMurtry sings, most memorably, on the instant-classic opener, “Canola Fields.” “You can’t be young and do that.” Nor can you be young and write an album as wise, witty, and emotionally generous as McMurtry’s latest.—J.A.B.
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Drake, 'Certified Lover Boy'
Is it Drake’s best album? Well, no. (The line to argueTake CareversusNothing Was the SameversusIf You’re Reading This It’s Too Latestarts over there, bro.) ButCertified Lover Boyis still a highly enjoyable cruise on autopilot from modern pop’s most charming blob of resentment and self-pity. Expensive samples, platinum guests, bitter bars about exes and frenemies — Drake hits all the familiar notes that have made him one of the most popular artists on the planet, and then some. He also remakes Right Said Fred’s “I’m Too Sexy” as a Lonely Island-worthy comedy rap hit, just to show he can. You’ll laugh, you’ll cry, you’ll listen again and again.—S.V.L.
2021年12月03日 15点12分
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Drake, 'Certified Lover Boy'
Is it Drake’s best album? Well, no. (The line to argueTake CareversusNothing Was the SameversusIf You’re Reading This It’s Too Latestarts over there, bro.) ButCertified Lover Boyis still a highly enjoyable cruise on autopilot from modern pop’s most charming blob of resentment and self-pity. Expensive samples, platinum guests, bitter bars about exes and frenemies — Drake hits all the familiar notes that have made him one of the most popular artists on the planet, and then some. He also remakes Right Said Fred’s “I’m Too Sexy” as a Lonely Island-worthy comedy rap hit, just to show he can. You’ll laugh, you’ll cry, you’ll listen again and again.—S.V.L.
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Jhay Cortez, 'Timelezz'
Jhay Cortez got his start almost two decades ago, as a 14-year-old whiz kid who wrote and produced for some of the biggest acts in Puerto Rico. While he’s had massive breakthroughs, such as his 2020 Bad Bunny collaboration “Dákiti,” he hits a new peak on his sophomore album,Timelezz,and goes harder than he ever has before. He throws his full weight into the brash, unblinking bars of “Los Bo,” shows off his slinky wordplay on the up-tempo bounce of “Kobe en LA 2.0,” and teams up with Skrillex to keep pioneering reggaeton’s elecro-wave on “En Mi Cuarto.” —J.L.
2021年12月03日 15点12分
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Jhay Cortez, 'Timelezz'
Jhay Cortez got his start almost two decades ago, as a 14-year-old whiz kid who wrote and produced for some of the biggest acts in Puerto Rico. While he’s had massive breakthroughs, such as his 2020 Bad Bunny collaboration “Dákiti,” he hits a new peak on his sophomore album,Timelezz,and goes harder than he ever has before. He throws his full weight into the brash, unblinking bars of “Los Bo,” shows off his slinky wordplay on the up-tempo bounce of “Kobe en LA 2.0,” and teams up with Skrillex to keep pioneering reggaeton’s elecro-wave on “En Mi Cuarto.” —J.L.
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45
Boldy James and the Alchemist, 'Bo Jackson'
Producer Alchemist and rapper Boldy James reconnected for the hard-nosed, sluggingBo Jackson, a follow-up to last year’sThe Price of Tea in China. The second half of “Double Hockey Sticks” is spooky as a haunted house, while “Brickmile to Montana” is bludgeoning and thunderous; both demonstrate that James is still focused on delivering cold-eyed stories of drug dealing and shoot-outs in an unchanging tone. The beat in “First 48 Freestyle” channels some of the grandeur of early-2000s radio rap, but even this opulent setting can’t shake James’ focus — or make him bother to write a chorus. “Thuggin’ in the concrete jungle, planet of the apes,” James raps. “Every step I take, I take a risk, I can’t make one mistake.” —E.L.
2021年12月03日 15点12分
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Boldy James and the Alchemist, 'Bo Jackson'
Producer Alchemist and rapper Boldy James reconnected for the hard-nosed, sluggingBo Jackson, a follow-up to last year’sThe Price of Tea in China. The second half of “Double Hockey Sticks” is spooky as a haunted house, while “Brickmile to Montana” is bludgeoning and thunderous; both demonstrate that James is still focused on delivering cold-eyed stories of drug dealing and shoot-outs in an unchanging tone. The beat in “First 48 Freestyle” channels some of the grandeur of early-2000s radio rap, but even this opulent setting can’t shake James’ focus — or make him bother to write a chorus. “Thuggin’ in the concrete jungle, planet of the apes,” James raps. “Every step I take, I take a risk, I can’t make one mistake.” —E.L.
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44
Iron Maiden, 'Senjutsu'
As much as Maiden fans wish the band would rehash warhorses like “Run to the Hills” or “The Trooper,” the long-running headbangers have never looked back.Senjutsu, their 17th album, is their most progressive masterstroke yet. They still play the sort of hypnotic, vaguely Celtic riffs that made them famous, and frontman Bruce Dickinson could still win a John Henry-like battle with an air-raid siren, but, as on 2015’sThe Book of Souls, they have elevated their songwriting with more intricate structures and smarter lyrics than when they started out 40 years ago.Senjutsu’slonger epics (“Hell on Earth,” “The Time Machine”) are the best here — the group gets lost in the journey and brings listeners along with them — proving Iron Maiden are still innovators as much as they are legends. —K.G.
2021年12月03日 15点12分
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Iron Maiden, 'Senjutsu'
As much as Maiden fans wish the band would rehash warhorses like “Run to the Hills” or “The Trooper,” the long-running headbangers have never looked back.Senjutsu, their 17th album, is their most progressive masterstroke yet. They still play the sort of hypnotic, vaguely Celtic riffs that made them famous, and frontman Bruce Dickinson could still win a John Henry-like battle with an air-raid siren, but, as on 2015’sThe Book of Souls, they have elevated their songwriting with more intricate structures and smarter lyrics than when they started out 40 years ago.Senjutsu’slonger epics (“Hell on Earth,” “The Time Machine”) are the best here — the group gets lost in the journey and brings listeners along with them — proving Iron Maiden are still innovators as much as they are legends. —K.G.
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43
Myke Towers, 'Lyke Mike'
“Hasta la que no hablan español se pasan enviando ‘OMG,”” Myke Towers raps in the first dazzling verse of many on his second studio album. True indeed:Lyke Mikeis the kind of lyrical showcase that makes you want to tell a friend about, especially if your taste in hip-hop skews toward the classics. The Puerto Rican star flows with effortless confidence, stacking bars with a flair that’s as much Big L as Tego Calderon. Myke floats over synth-string stabs on “Sr. de los Cielos”; dances deftly around a salsa sample on “Pin Pin”; spins a casually unforgettable hook on “Cuando Me Ven”; tangles with a horn loop on “Papa Johns.” All 23 tracks show an MC whose verbal athleticism is too elite to ignore. —S.V.L.
2021年12月03日 15点12分
15
Myke Towers, 'Lyke Mike'
“Hasta la que no hablan español se pasan enviando ‘OMG,”” Myke Towers raps in the first dazzling verse of many on his second studio album. True indeed:Lyke Mikeis the kind of lyrical showcase that makes you want to tell a friend about, especially if your taste in hip-hop skews toward the classics. The Puerto Rican star flows with effortless confidence, stacking bars with a flair that’s as much Big L as Tego Calderon. Myke floats over synth-string stabs on “Sr. de los Cielos”; dances deftly around a salsa sample on “Pin Pin”; spins a casually unforgettable hook on “Cuando Me Ven”; tangles with a horn loop on “Papa Johns.” All 23 tracks show an MC whose verbal athleticism is too elite to ignore. —S.V.L.
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42
Illuminati Hotties, 'Let Me Do One More'
“Tenderpunk” is how singer-songwriter-producer-engineer Sarah Tudzin describes her music as Illuminati Hotties, and the group’s superb third album,Let Me Do One More,is as sweet, scrappy, silly, and sincere as that label suggests. Riffs and wicked one-liners rain down on songs like “Mmmoooaaaaayaya” and “Joni: LA’s No. 1 Health Goth,” but Tudzin’s equally shrewd, and devastatingly honest, on the country-tinged “u v v p,” the acoustic ballad “Growth,” and the love-in-the-end-times stunner “Threatening Each Other re: Capitalism.”
Let Me Do One Moreisn’t just loud, fast Illuminati Hotties, but it is — to crib a line from the excellent opener “Pool Hopping” — “all rippers, no more skippers.” —J.B.
2021年12月03日 15点12分
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Illuminati Hotties, 'Let Me Do One More'
“Tenderpunk” is how singer-songwriter-producer-engineer Sarah Tudzin describes her music as Illuminati Hotties, and the group’s superb third album,Let Me Do One More,is as sweet, scrappy, silly, and sincere as that label suggests. Riffs and wicked one-liners rain down on songs like “Mmmoooaaaaayaya” and “Joni: LA’s No. 1 Health Goth,” but Tudzin’s equally shrewd, and devastatingly honest, on the country-tinged “u v v p,” the acoustic ballad “Growth,” and the love-in-the-end-times stunner “Threatening Each Other re: Capitalism.”
Let Me Do One Moreisn’t just loud, fast Illuminati Hotties, but it is — to crib a line from the excellent opener “Pool Hopping” — “all rippers, no more skippers.” —J.B.
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41
Mickey Guyton, 'Remember Her Name'
Arriving 10 years after her career in country music got started, the Texas singer’s debut succeeded by putting her story as a Black artist in a historically lily-white genre front and center on biographical songs like “Different” and “Love My Hair.”
Guyton’s music made her aspirational sense of pride and determination feel universal, as she brought together country, soul, gospel, and rock and sang with a relatability and gravity that felt resolutely common and uniquely her own.
It made sense that the most popular track onRemember Her Name was “All Americana,” the best song 2021 had to offer about celebrating our diverse national character with one shared voice. —J.D.
2021年12月03日 15点12分
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Mickey Guyton, 'Remember Her Name'
Arriving 10 years after her career in country music got started, the Texas singer’s debut succeeded by putting her story as a Black artist in a historically lily-white genre front and center on biographical songs like “Different” and “Love My Hair.”
Guyton’s music made her aspirational sense of pride and determination feel universal, as she brought together country, soul, gospel, and rock and sang with a relatability and gravity that felt resolutely common and uniquely her own.
It made sense that the most popular track onRemember Her Name was “All Americana,” the best song 2021 had to offer about celebrating our diverse national character with one shared voice. —J.D.