Alexei Mishin: Those Who Can’t Show The Power Of The Jump, They Fetish Steps Before The Jump
Alexei Mishin about Elizaveta Tuktamysheva’s performance at NHK Trophy 2018.
The minimum task has been solved. As for the maximum, Liza should have made another half of the turn in the sit spin. If Liza had done this, she would have been second and would have beaten the leader of the Japanese team (Miyahara), which means a lot.
About jumps:
They require height of the jump. If you compare Liza’s jumps and her rival’s (Miyahara), then she should get one, or even two points more. How can they get the same bonuses? So she (Miyahara) should get at least 7 points less in technique. And no components can save here.
Transitions into jumps? This is a perverted understanding. Brian Boitano did lutz, passing through the entire rink, now we would have said that’s a simple. Where are mohawks? And do you know where the steps before the lutz came from (difficult transitions into jumps)? They were invented by people who could not jump from a clean “back – outside” arc.
The whole chic of lutz, its whole idea is that a person skates and suddenly starts spinning in the air. If we continue to talk about transitions into jumps, many skaters having a bad double axel start to make a spread eagle before it. This is done in order to hide the low quality of axel. And all these transitions help the athlete to make a small jump, not a big and chic one.
There’s also an artistic value in a powerful run-up before the jump. It happens that a skater makes a chic spread eagle and a chic triple axel after it, but in many cases people just hide the poor quality of the jump with such approach.
Therefore, it is wrong to consider it the apotheosis of technical mastery, because most of the figure skaters after such steps and transitions reduce their speed before the jump and thereby impair the quality of the jump. This can be said about many, the exceptions are the students of Eteri Tutberidze.
Those who can not show the power of the jump, they fetish steps before the jump. But the jumps don’t turn out so bright.

米爹对于女单跳跃的评价值得看一下。欣赏支持自己的弟子的跳跃技术，最后夸了一下某组的选手们

多谢楼主翻译～他说的“fetish steps before the jump…”“……This is done in order to hide the low quality of axel”是指哪些选手啊

反正不是说面组，明显加了exceptions。米申说得谁，名字都很直白的点出来了哦，不用装瞎。

米爹意思是面姐组衔接好的同时跳跃质量也高，但很多女单选手达不到这一点。追求衔接多往往导致跳跃质量下降，还不如衔接少一点但高质量的跳跃

说的真好……一直觉得跳跃的goe应该本身先考虑这个跳跃是否高飘远流畅，再考虑是否有衔接姿态改变等。跳跃本身的质量不提高，加再多的乱七八糟都只是看着凌乱。而衔接这种东西，只有加诸高质量的跳跃，才能使跳跃真的更难。

哈哈，输了还是不服气出来怼了，不过跳跃高远来讲真的太秒杀了，然而GOE体现不出这点，这点支持米申

米老头呀

既然是跳跃，goe应该主要考良跳跃本身的高远，落冰的流畅。衔接在P分上有显示。把跳跃的goe和衔接直接挂钩本身就有问题 。

没衔接也很影响观感啊，超长待机的跳跃肯定不如步伐直接进入的好看。ET的3A，本来滑行就慢，进入还得减速。当然跳跃本身是好看的，她的高级33也是。
像跳跃低空或者各种毛病多的选手，你让他超长待机进入照样毛病很多，所以才不得不用衔接啦举手啦去弥补GOE的损失啊。
跳跃高远度目前在GOE加分条件里是非常重要的，加4～5分的跳跃必须具备这点（ISU亲爹可以例外），所以跳跃高远度选手加分都很可观。

宫原跳跃被扣了那么多，这老头还好意思歪歪.....所以不晓得et冤在哪里！她第三算不错了。不说梨花，宫原、花枝以及水准发挥出来的新叶实力都超过et,真瑚也是险输et，所以这老头都应该偷笑了，进了总决赛，et恐怕也垫底！

滨田组的跳跃衔接根本不多好吗！她们只是跳跃准备时间短，进入划出果断流畅而已。

这也算是一个opinion. often debated but no final verdict的话题。既然评分标准在那放，裁判的加减有理有据。步伐跳跃有多样性的的优点但是有的选手跳跃品质不佳。只跳没衔接能凸显高品质的跳跃但是整个动作略显单薄。所以，结论还是没结论，裁判依旧有理有据。只是一个事后的观点。论证过程顺便赞美了一下面姐组。会影响ISU的加罚规则吗？不知道。

这个米老头跳跃技术还可以，只是过时了，现在裁判有主流有方向。另外一姐的跳跃能力确实差ET很远，但表演确实比ET好很多。她们平手吧。另外：米老头的言论在推特引起不小争议。裁判
打分
从来都是趋向主流技术的，现在et吃亏也是没办法。要说十几年前亚古丁的节目都比现在有的选手丰富，这也是技术的一个体现。

ET有3A， 公园的表演算现役不错的，但是只能和现役比，公平的比一姐就是一个难度和过去比，表演和现在比的选手，换我也吐槽