-It seems you’re careful about the scripts you choose. Do you work a lot together with the writers?
-When it comes to the characters or plot, that’s up to the writers, and I add to that. Up through episode 10, when I had doubts I asked them to revise the script. After episode 10, time became more urgent and I had no time to do that. The writers wrote while monitoring what was shown onscreen, so I think they kept the feel and rhythm of the series going.
The staff would occasionally say, “It takes forever to shoot the scenes I thought would shoot quickly, and the scenes it seems would take a long time are shot quickly.” That’s because of the difference between what is written in the script and the picture in my head. I started to be able to see how to film certain parts just by looking at the dialogue, and the writers would also look at what I’d filmed and apply that in writing the scripts. Sang Shil’s actions, and reinforcing Sang Shil-like behavior, gradually became part of me. On location, observing Ye Seul, there were many things she created on her own.
记者:似乎你对你选的剧本非常认真。你常常跟编剧一起探讨吗?
金:当涉及到人物或情节时,由编剧说了算,我做补充。第10集之前,当我有疑问的时候,我就请她们修改剧本。在第10集之后,时间越来越紧,我没时间这么做了。电视上一边放,编剧一边写,所以我想他们紧紧跟随着观众的感觉和节奏来调整。
剧组人员有时说,“那些我以为可以很快拍完的某场戏却拍个没完没了,而那些以为要拍很久的却进行得异常迅速。”那是因为剧本上所写的和我脑袋里面的画面之间有差别。我开始能够只看对白就知道怎么拍了,编剧也会看我拍的然后把它加到剧本里面去。设计桑实的动作,补充桑实式的行为,逐渐成为我的份内事。在片场,观察艺瑟,有许多是她自己创造的。[玉米注:指的是瑟瑟自己创出了许多桑实式的表情、动作、行为吧,瑟瑟,好厉害!]


作者:cornflakes2008 2008-12-24 21:48