翻译了1/4,最终作罢,英语是我的痛处啊..

CALENDARIO 2004Dicembre

The 18th centyry miniaturist Levni almost always depicted women holding flowers and with flower motifs in their appared. His paintings are noted for their colour palette of secondary shades and gentle expressions on the faces of his figures. Miniature album.TOPKAPI PALACE MUSEUM.

A 19th century spoon for fruit compote. The bowl is made from mother-of-pearl and the handle set with turquoises and rubies. The finial is in the form of a rose. Jewelled spoon.TOPKAPI PALACE MUSEUM.

Tobacco pouch made of figured silk bocade with a design of carnations in gold and blue on a red ground dating from the 16th century. Girls engaged to be married sewed and embroidered such pouches as gifts for their husbands-to-be. Pouches of different sizes were used for carrying money, seals, watches and tobacco. Tobacco pouch.TOPKAPI PALACE MUSEUM.

Chanfron or armour for a horse's head with a design of tulips, carnations and prunus blossom on the frontal and blossom and tulips on the cheek pieces. Gilded copper armour of this type was used on ceremonial occasions. Chanfron.TOPKAPI PALACE MUSEUM.

Kaftan of red satin belonging to Sultan Murad III (1574-1595). The bold design of large silver tulips and crescents worked in applique enhanced the splendid appearance of the wearer. Satin kaftan.TOPKAPI PALACE MUSEUM.

Novembre

Mattress cover woven in a design of tulips, rosebuds and huacinths dating from the late 16thcentyry. Mattress cover.TOPKAPI PALACE MUSEUM.

Gilded bronze candlestick whose candle cup is the form of a tulip, its leafy stem forming the shaft. Bronze candlestick.MUSEUM OF TURKISH AND ISLAMIC ART-ISTANBUL

Illustration of a carnation by the 18th century painter Ali Uskudari in a book of poetry dated 1727. Uskudari's flower illustrations are noted for their realism. Poetry manuscript.ISTANBUL UNIVERSITY LIBRARY.

Imperial tents were richly decorated, symbolising the power and splendour of the Ottoman sultans when away from their palaces. This early 19th century tent wall has floral decoration. Gilded leather is one of the materials used for the appliqué work. Imperial tent.MILITARY MUSEUM – ISTANBUL

Ottobre

Clock dated circa 1725 made for Sultan Ahmed III by Ibrahim, a clockmaker in Edirne. The case is decorated with roses, tulips and other flower motifs. Clok.TOPKAPI PALACE MUSEUM.

Iznik tankard with a sesign of tulips, hyacinths and narcissi that seem to be blowing in the breeze. The tulip was one of the best belowed flowers in the Ottoman period and symbolised perfection and eternal love. Ceramic tankard.PRIVATE COLLECTION

Illustration of a purple single carnation and a seed pod tied by a blue ribbon by Ali Uskudari, a illustrations during the reign of Ahmed III. Poetry manuscript.ISTANBUL UNIVERSITY LIBRARY.

Manuscript binding with a composition of flowers in a vase inside the central medallion. The flowers include a peony, carnation, dahlias, tulips springing from what appears to be a cabbage flower at the base. Leather binding.TOPKAPI PALACE MUSEUM.

Settembre

One of the illustrations from a collection of poems by Gazneli Mahmud. The composition consits of tulips, carnations and roses growing in a garden. An unusual feature is the stamped inscription in the centre of each flowers. Gaznevi Album.ISTANBUL UNIVERSITY LIBRARY.

Binding of a manuscript dated 1757. The central medallion, pendants and corner pieces are decorated with naturalistic floral compositions. Kuran ve Risaleder.TOPKAPI PALACE MUSEUM.