You will never be as good as the play,but even when the language is at its most lyrical or most quotes beautiful there is also a point being made.
你永远不会和剧一样出色，即使当语言处于它最富于感情与诗意的时候，还是有些（会不尽如人意——完全猜的）
-When you first started acting,is there something you wanted to do?
AR:
I absolutely and,and it’s always there.It’s not that it sits on the horizon,but,but it’s always present and,ummm,and I think you,you always test yourself against.Well,you test yourself against great writing and I am going to talk about Peter Brook reminds me,I worked with him once at stratford,and in a way working with someone like him on shakespeare lets you off the hook a little bit.Because it will takes some of fear away.I remember a man coming to see the performance.It was (Autony and Cleopa) with Glenda Jackson and (AL),and he gathered the company together and said so how it been going and we said oh well this seem this and that seem that.And we are not getting to x in this part of the play or nine that part of the play.And he said,you know,he said,you know if I get back into companies and they tell me what the problems are as it the thing is you’ll never be as good as the play.So I mean that it stays with me and is quite releasing.Because you are aware of the (size) of not the problem but the greatness of the writing.I suppose one that’s done over time has developed into a belief that what ones aiming is suitably impossible always with great writing which is to be absolutely disciplined and absolutely free at the time.
当然，而且，而且，这东西一直都在。并不是说它一直都处在能触及的范围内，但是，但是它一直都在。并且，嗯，我想你，你一直会自我审查。对，你用伟大的剧本考验自己，这里我会谈及pb提醒我的——我有一次和他在stratford共同工作。某一层面上，和他（pb）这样的人一起从事关于莎士比亚的工作会让你感到有些从困境中脱身的轻松。因为它会带走一些（对莎剧的）敬畏与惧怕。我记得他来看了这个表演——那是和GJ与AJ（该是两个人名）合作的autony and cleopa(是个剧，名字写的肯定不对，有知道的给说一声)。他把所有成员聚集在一起，并且聊了些进行的怎样的话。我们说了各项工作的情况。——这是句没听清的话，忽略吧。——他说，你们知道么，他说，如果我回到那里，他们会告诉我，问题就在于你永远不会表演的和剧本身一样出色。于是，本宝宝是想说，这话一直在我心里，这确实会使你解除压力（释放你的创造力）。因为你会意识到你所困惑并感到棘手的，不是一个真正的“问题”，而是作品的伟大。我想,随着时间的推移，这已将成为一种信念，我们的（表演时的）目标不可能总是完全与伟大的作品相契合——伟大的作品，同时保有极其严谨的格律，却又有着异于凡作的自由。
要命了啊。。。
四十九分钟的视频，全翻的话对我这种英语渣而言是一个天大的工程量
而且没有字幕，纯听译的话我感觉准确率最多也就百分之七八十，不，六七十。
半蒙半猜一点儿点儿来吧
有英语好，感兴趣的，欢迎你们伸出那援助的爪子

And the two things after work together,you know,I always think it’s a bit like the last image of the tempest when Caliburn is held tight at the same moment ,let go.And it seems to mean that in a way babe shakespeare writing about being a creative person.You have this impossible aim,and whatever your horizon is you keep moving towards it but it relentlessly moves away from you.So in a more relaxed way,I think,as one gets older,you guys,read shakespeare in a different way and it opens itself to you more,because you have got a few more life experience to bring the…you know,whenever you open a book and read it,it doesn’t get easier but it gets a little more available ,maybe,or you understand what waving in and out of those lines a bit more.And it very clear passionate,open,beautiful,thoughtful,profound,skittish,committed,tragic,amazing language and you have to pit yourself against it as a person.That’s the other thing you know.It is you as a person not you as an actor.You have got to measure up to as a person and so you could put yourself choices are as well as what your technique is your imagination is.But some are others,what is affect me most is when you are aware of all those forces combining into something which ultimately is just telling a story and seems to be quite a simple exercise.
然后，这两种不同的事物杂糅在一起，你知道的，我总是在想，这有点像是暴风雨尾声时的画面。当选王之剑被紧握在手，而在这充满紧迫感的同时,又是一种情绪的释放。这似乎意味着，某种程度而言，或许莎士比亚所写的是关于成为一个极具创造性的人。你有着这个不可能完成的目标，并且，无论如何，每当你努力诠释，觉得就要够到他的时候，他却又无情的跑到离你更远的地方去了。所以，在我看来更加使人感到轻松的是，随着人们慢慢长大，你们，会开始用另一种方式阅读莎士比亚，并且莎士比亚这扇门，也会更好的向你们开启——因为你们已经有了更多的一些人生经验，这可以给你们带来，嗯，你知道的，无论何时你打开一本书并且阅读，他并不会自己变的比从前更容易理解，但是你们却是可以从中获得更多。你们可以更好的理解到，每一句台词都暗藏波涛。这些话语慷慨激昂，自由开放，美妙绝伦，思想深邃，弦外有音，不拘一格，时而狡诈奸猾，时而不屈忠贞，使人无比惊奇。你不得不把自己——作为一个人的自己放到这些台词的对面。这是完全不同的事情，你知道的。你作为一个人，而不是作为一个演员。当你能够忘记自己演员的身份，只是作为一个人去诠释角色的时候，你就可以把你所有的技巧与想象揉在一起呈现出来。在所有的一切之后，影响我至深的想法是——你意识到，所有的部分都会结合在一起，成为一件事情——我们最终要做的只是讲故事，似乎就是如此的单纯。

谢谢！棒棒的

听译太强啦！喜欢这段采访