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starl615
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FUSE: You're working on a new album. How far along is it?
WHIBLEY: We're on the last home-stretch of the record. It's getting there. It's been about a year [since we started working on it]. There have been some months off because we had to do shows, some things here and there. If I had to add it all up, it's been eight months over the course of the last year.
You've crowd-funded the album through PledgeMusic. What made you decide to go that route?
There were two reasons. One, there's the freedom of no record company, nobody telling you what they think you should do because we've had those experiences and they're usually not great experiences. Two, it's a way for fans to be involved with the whole process from the beginning. When I first heard about this kind of stuff I thought it was an interesting, new way to have fans involved. I would've loved to do that when I was younger. It's pretty cool.
It seems like a really democratic move. Is there a particular freedom in doing that? Do you get to call all the shots?
We always did. The difference is that you don't have people to argue with as much. On our last record [2011's Screaming Bloody Murder], being on a major label in a time where most music is just pop when I want to make a rock record, you have people to argue with about why they think you should be making a pop record, ruining your career, trying to convince you of that. I have to say, 'No, wrong, and I'm going to do this anyway.' And they say, 'Fine, you can do that but we're not going to put any money into it,' and I say, 'Okay, fine.' It's that kind of shit. That's our last experience. When that last record was done, and I really love that record but it was record that was put out and didn't have any promo because it's a rock record. We said, 'Can you just let us fucking go at this point?' So we got off the label and we're in this position and it's been great.

D
That frustration must've made you hungrier to do your own thing.
Definitely, and we did. We played bigger shows and we toured more than we've ever toured in a whole career but the record company experience sucked, more than it has ever. But I get it because it's a time of pop music and I don't want to pander to that style of music. It's just not who we are. I can't get behind it.
Do you feel responsibility towards rock music in general to get this thing out there? It's seems like there's a certain energy in that these days. There are younger bands that are asking, "Where are all the guitars?"
I can only go on how I feel. I don't listen to radio, even if it was majority rock right now, I don't listen to new things intentionally. I kind of stay in my own world of what I know and like. I don't really want to be influenced by anything else. I stick to Tom Petty, Elvis Costello, Aerosmith, The Stones for what I like, and if that's what's influencing me, then great. I stay away from it. If I do hear anything new, there's no guitars in it. People will call a certain band a rock band, but I'm like, 'Where are the guitars?' They're like, 'It's not a guitar, it's a keyboard that kind of sounds like a guitar,' but I don't know if it's a rock band.
If there's no guitars, drums and bass, is it a rock band?
A lot of times it's a rock band that's now become pop. They say, 'They're a rock band.' Well, they used to have guitars 10 years ago, but I don't hear it.
2016年01月30日 08点01分
1
WHIBLEY: We're on the last home-stretch of the record. It's getting there. It's been about a year [since we started working on it]. There have been some months off because we had to do shows, some things here and there. If I had to add it all up, it's been eight months over the course of the last year.
You've crowd-funded the album through PledgeMusic. What made you decide to go that route?
There were two reasons. One, there's the freedom of no record company, nobody telling you what they think you should do because we've had those experiences and they're usually not great experiences. Two, it's a way for fans to be involved with the whole process from the beginning. When I first heard about this kind of stuff I thought it was an interesting, new way to have fans involved. I would've loved to do that when I was younger. It's pretty cool.
It seems like a really democratic move. Is there a particular freedom in doing that? Do you get to call all the shots?
We always did. The difference is that you don't have people to argue with as much. On our last record [2011's Screaming Bloody Murder], being on a major label in a time where most music is just pop when I want to make a rock record, you have people to argue with about why they think you should be making a pop record, ruining your career, trying to convince you of that. I have to say, 'No, wrong, and I'm going to do this anyway.' And they say, 'Fine, you can do that but we're not going to put any money into it,' and I say, 'Okay, fine.' It's that kind of shit. That's our last experience. When that last record was done, and I really love that record but it was record that was put out and didn't have any promo because it's a rock record. We said, 'Can you just let us fucking go at this point?' So we got off the label and we're in this position and it's been great.

DThat frustration must've made you hungrier to do your own thing.
Definitely, and we did. We played bigger shows and we toured more than we've ever toured in a whole career but the record company experience sucked, more than it has ever. But I get it because it's a time of pop music and I don't want to pander to that style of music. It's just not who we are. I can't get behind it.
Do you feel responsibility towards rock music in general to get this thing out there? It's seems like there's a certain energy in that these days. There are younger bands that are asking, "Where are all the guitars?"
I can only go on how I feel. I don't listen to radio, even if it was majority rock right now, I don't listen to new things intentionally. I kind of stay in my own world of what I know and like. I don't really want to be influenced by anything else. I stick to Tom Petty, Elvis Costello, Aerosmith, The Stones for what I like, and if that's what's influencing me, then great. I stay away from it. If I do hear anything new, there's no guitars in it. People will call a certain band a rock band, but I'm like, 'Where are the guitars?' They're like, 'It's not a guitar, it's a keyboard that kind of sounds like a guitar,' but I don't know if it's a rock band.
If there's no guitars, drums and bass, is it a rock band?
A lot of times it's a rock band that's now become pop. They say, 'They're a rock band.' Well, they used to have guitars 10 years ago, but I don't hear it.