占个前排

前排

1. Hello –– Adele & Greg Kurstin
1st single

视频来自：优酷
Hellois about hurting someone's feelings but it's also about trying to stay in touchwith myself, which sometimes can be a little bit hard to do. It's about ayearning for the other side of me. When I'm away, I really, really miss my lifeat home. The way that I feel when I'm not inEngland, is...desperation. I can'tbreathe anywhere else.
I'm so attached to my whole life here. I get worked up thatI'm missing out on things. So Hello is about wanting to be at home and wantingto reach out to everyone I've ever hurt(including myself) and apologize for it.
"If I were still writing about him, that'd beterrible," she says. "'Hello' is as much about regrouping withmyself, reconnecting with myself." As for the line "hello from theother side" is actually just from the other side of becoming an adult,making it out alive from your late teens, early twenties."

前排

2. Send My Love (To Your New Lover)
–– Adele, Max Martin & Karl Johan Schuster(Shellback)
It is a bit like Martin's Can't Feel MyFace for the Weeknd - totally unexpected. It has a bit of a calypso vibe, whichmay well be her catchiest, most modern song ever, built around an almostAfrican-sounding guitar lick Adele wrote several years ago. She sought Martinout because she liked Taylor Swift's "I Knew You Were Trouble". It isthe only kiss-off song on this album, addressed to the guy Adele dated betweenher 21 paramour and Konecki. "It's one of those, like, 'I'm fucking fineso fuck you' songs," shesays.
All beat and belligerence, the kind of pointy revenge songthat makes you want to go out and find an
unfaithful bloke, just to be able to toss him out and singthis stuff at him down the driveway. “It sounds obvious, but I think you onlylearn to love again when you fall in love again,” she says. “I’m in that place.My love is deep and true with my man, and that puts me in a position where Ican finally reach out a hand to the ex. Let him know I’m over it.”

3. "I Miss You" –– Adele & Paul Epworth
The ghostly hymn of I Miss You. "It's aboutintimacy on every level. It's about sex, it's about arguing, one of the mostintimate moments in my life. 'Cause you just blurt it out. It's a bit like, adrunk tongue is an honest one. That's definitely my motto, in life. That's whyI don't really like drinking no more. The panic you get when you wake up thenext morning."

4. "When We Were Young" –– Adele, Tobias Jesso Jr. & Ariel Rechtshaid
It was based on us being older, and being at a party at this house, and seeingeveryone that you've ever fallen out with, everyone that you've ever loved,everyone that you've never loved, and stuff like that, where you can't find thetime to be in each other lives. And you're all thrown together at this partywhen you're like 50, and it doesn't matter and you have so much fun and youfeel like you're 15 again. So that's the kind of vibe of it really.


视频来自：优酷
A great big fat love song, it's a 70s styled shimmery discoballad co-written with Tobias Jesso Jr. She flew to LA and recorded it on PhilipGlass's piano at Tobias's friend's nan's house in Brentwood.
It’s so nostalgic. I’ve been rehearsing it with my band, so we’re ready for whenever we’re going to bedoing TV and stuff like that. Whenever I do that song, I just cry my eyes out.It’s just such a beautiful song and I wrote it with a great artist. It’s aboutseeing someone that you haven’t seen in so long. It’s written in the future,like 20 years’ time, and then you see this person and because so much time haspassed and so much has happened to both of you, it’s ridiculous. And you get onso great. It’s just about enjoying each other in that moment and there’s alyric in it that says, ‘Let me photograph you like this,’ because it’s amazingand this is how I want to remember us. The vibe is incredible.
On 21, she came into sessions with Moleskine notebooks fullof lyric ideas. This time, she often started from scratch, summoning songs fromthe air. Her collaborators would play chords while Adele improvised melodiesand lyrics, sometimes in a single burst. "It's impossible to question whyshe's where she is once you sit down with her to write a song," saysJesso. "She was the first introduction I had to somebody who could singwords on the spot that wereactually really great."

5. "Remedy" –– Adele & Ryan Tedder
Remedy is about her best friend and hergrandparents and her boyfriend, but mostly about her son. "Because Remedyis so great, and I loved singing it so much I got excited like 'I'm on a roll!'I weren't on a roll," she deadpans.
A key early song was "Remedy," a big ballad withrolling piano chords written with Ryan Tedder. It feels like Adele's ownversion of Bob Dylan's "Make You Feel My Love". It made her tear upas she wrote it, and it has a similar effect on listeners. "I wrote itabout my child, But I sang it for everyone that I really love. When I wrote it,I got my confidence back in my writing 'cause I believed in myself."

6. "Water Under theBridge" –– Adele & Greg Kurstin
It is about him(Simon). It's a notably clear-eyedlove song, with a feel vaguely reminiscent of Michael Jackson's "HumanNature". "It was sort of about a relationship suddenly gettingreally, really serious and then getting a bit frightened by it, and thenrealizing that 'I think this must be right. This is the relationship that Iwant to be in for as long as I can possibly be in it.'"

7. "River Lea" –– Adele & Brian Burton(DangerMouse)
It isa Hometown 3.0 of sorts. 'When I grew up as a child I grew up on the River Lea/Now there's some of that water in me. To wit: I'll never change. Tottenham ismy mind, body and soul.'
Adele wanted to modernize her sound, to add some synths anddrum pads, to move away from the young-fogey vibe of 21 — on "RiverLea," her track with Danger Mouse, she sings over choirlike keyboardchords created from her own sampled voice.

real努力靴靴

8. "Love in the Dark" –– Adele & Samuel Dixon Sia?
NA弃女1号

9. "Million YearsAgo" –– Adele & Greg Kurstin
"That only went on the record three daysago, right at the last minute. It's very stripped-back, it's very 19. It's justme on guitar."

10. "All I Ask" –– Adele, Bruno Mars, PhilipLawrence & Christopher"Brody" Brown
Adele and Bruno made anattempt at an uptempo song but instead created the unapologetically dramaticballad "All I Ask," complete with a climactic key change and Adeleengaging in what she calls some of her most "showoff-y" vocals."I've never sung like that before, Never sang that high. The funny thingis that Bruno was hitting those notes in the studio too." ("She's asuperstar and sassy as fuck," says Mars, who recalls a brief disagreementover one lyric. "Once she recorded it, it became one of my favorite partsof the song. She told me she hopes I'm in the audience when she sings that linelive so she can flick me off.")