level 6
地震后我们全家到外面去避难，晚上睡不着，就望着月亮听MP3。可我MP3里尽是些英伦，越听越伤感。Thom无力而又无比清晰的声音在耳旁，竟让我想起了灾区的人们..... 其实我这儿也是重灾区，但我们旌阳区没有什邡，绵竹那么严重。我还有地方睡，但还有人被埋在废墟中,就像我听的歌一样,拼命的向上Climbing。 歌的前奏让人感觉在晚上，Thom的声音给歌渲染上了一种绝望的感觉。在这种特殊时间，我更感觉这是在描写灾区人民的。在阴暗狭小的空间里扭动着身体，带着绝望向上爬。Thom最后的一声叫喊就像是快爬出来时，突然落下石块将唯一的出口堵住了,剩下的只有黑暗和绝望。 And either way you turn \I'll be there\Open up your skull\I'll be there\Climbing up the walls 挥之不去,的就是恐惧。 也许我理解的和歌词并没有太多的联系，但很不幸，我英文很差，我不懂歌词....o(∩_∩)o
2008年05月17日 08点05分
1
level 6
来自SONGFACTS：This is the first track in the band's repertoire to be described as "scary." It relies heavily on strings, but not in the conventional way. The string section features 16 different violins playing quarter tones apart from each other. Lead singer Thom Yorke: "This is about the unspeakable. Literally skull-crushing. I used to work in a mental hospital around the time that Care In The Community started, and we all just knew what was going to happen. And it's one of the scariest things to happen in this country, because a lot of them weren't just harmless... It was hailing violently when we recorded this. It seemed to add to the mood." More from Yorke: "Some people can't sleep with the curtains open in case they see the eyes they imagine in their heads every night burning through the glass. Lots of people have panic buttons fitted in their bedrooms so they can reach over and set the alarm off without disturbing the intruder. This song is about the cupboard monster." (thanks, michelle - shingle springs, CA, for all above) Radiohead recorded the album in the mansion of actress Jane Seymour, who was busy filming her show Dr. Quinn, Medicine Woman. Ed O'Brien felt that the gothical mood of this track was the result of recording in its library. The Cure also recorded their 1996 Wild Mood Swings album in Seymour's mansion. The phrase "Climbing up the walls" means being in a state of agitation through stress or worry. Radiohead guitarist Jonny Greenwood sometimes uses a the radio when they perform this, tuning it to different stations during the song. (thanks, Bertrand - Paris, France, for above 2) The string coda at the end was largely inspired by an interest the band had in modern Polish composer Krzystof Penderecki, whose works also feature on the soundtrack to Stanley Kubrick's The Shining.
2008年05月17日 10点05分
3
