感谢jake吧字幕组Rachel的辛苦翻译

杰克.吉伦哈尔说制片、《夜行人》的剪辑以及“表演极度自我”
【译自】好莱坞报道
【作者】阿什利.李
【翻译】Rachel

《夜行人》制片兼主演杰克.吉伦哈尔通过短暂涉足幕后得到了镜头前表演的提升。

当问到他是希望制片人更地了解表演，又或者希望演员更多地了解电影制作的时候，“我的答案是都要了解，不是针对谁，每个人都有所擅长而我们要做的就是尊重各自长处。”他在星斯六早上于时代华纳中心举行的“制片人座谈会纽约站”上如是说。 “表演是一项极不任性和自我的职业，但我认为事物都有两面性，因此它也会产生同理心。要知道表演是个极其敏感的工作，并不是我在自夸，但这个工作的确很奇怪。在混乱中表现出情感是件很奇怪的事情，就像变魔术一样。”
他还回忆起《警戒结束》合作明星迈克尔.佩纳因灯光布置中断拍摄而退出一场夜间戏时说的，“感觉就像动物，像一直隐身于丛林的老虎…我需要这只老虎保持安静。”

另一方面，他建议其他演员“要时刻牢记你是在一个拍摄电影的大家庭里。”虽然明星出演电影可以为电影带来投资，但其重要性可能被抬高了，而很多人在演员签约前就已经为这个（电影）进行了几年的努力。他目前正在拍摄让.马克瓦雷的新电影《毁坏》，一位敬业的制片人在演员试妆时喜极而泣。“在某种程度上，我们已经将制片人和演员双方合二为一”，他说双方都对彼此表现出来的一时脆弱表示了尊重。“我觉得这是很奇妙的事情。”
说到《夜行者》里兼做主演和制片人，“当你几乎出现在电影里的每一帧里时，在后期制作时会比较微妙，因为它需要客观和一点残忍，这其实对一个演员来说倒是很容易。我喜欢删除我的戏份；我真的很喜欢这么做。”在能够给出一个客观的评价前要至少看三遍电影，本片里有两个特别强调他体重减少的戏份被剪掉了。“我专门为这两场戏减的体重，……但是对整个故事却没有很大的作用。”

吉伦哈尔——导演史蒂芬.吉伦哈尔与编剧内奥米.福纳之子，一直对摄影机背后的一切很好奇。“我一直对演员间的火花和摄像机前面的事很着迷…还有之后涉及到的一切，以及如何平衡好这两方面。几年前有人告诉我永远不要停止学习”，他这样告诉美国制片人协会名誉主席科赫考奇，后者从杰克两、三岁起就认识他了，同时还是《源代码》的制片人。
“故事才是王道，我总是在读剧本的时候构想出画面以及要如何才能将它实现。”他说。当被问及他何时会执起导筒时，他开玩笑说，“哦，上帝，进DGA（美国导演协会）太难啦！”他表示“在觉得自己够彪悍时，”就会过把导演瘾。因为，“我父亲曾说过，要形象地讲一个故事，就必须全心全意地投入…我也在寻找导演电影的机会，但现在还不敢冒昧尝试。”

这位兴奋的DGA最新成员曾在《警戒结束》一片中兼任行政制片一职，在成本八百万、耗时一个月拍摄而成的《夜行者》中升级成为了全职制片人。他还在戛纳当众表演角色独白以帮助该片国内发行权的售卖，而拿到制作资金的时候“看到大家更开心、更具创造性”了。他回忆起在拍摄《警戒结束》时由于预算紧张缺资少人而造成拍摄计划的不稳定。”最吸引我的莫过于：怎样让这个充满创造性的过程做起来得心应手？”

通过谈话，杰克还表示他丝毫不介意有机会试水电视剧（“还是那句话，故事才是王道，无论你选择何种方式去讲述它”），或者说尝试出演喜剧（“我认为《夜行者》就很搞笑，这也是我的回答”），也乐意投身到电影教育事业中（“我更愿意让他们在进入电影学校之前就接触这些，比如说高中或者小学，学习怎么讲故事）。而自从出演《锅盖头》之后他一直十分支持有关军人的慈善组织和活动。
他还是喜欢去电影院看电影，带着“满心的期待”，而看完电影后走回家是他最享受的部分。他相信电影的公映应该基于：“当某样事物可以持久地吸引他人，就应该给其与观众见面的机会和平台。”

尽管他分享了很多，但邀请他出席本次论谈的最终目的，其实是让制片人协会名誉主席马克.戈登可以在最后插下花，询问吉伦哈尔关于《源代码》续集的可行性问题。吉伦哈尔大笑着说，“他真是一个他妈的天才制片人，他很忙却还是拨冗前来，这让我真是坐立不安啊。”

【原文】
Jake Gyllenhaal on Producing, 'Nightcrawler' Cuts and How "Acting Is Incredibly Selfish"
2:57 PM PST 10/25/2014
by Ashley Lee
Nightcrawler producer and star Jake Gyllenhaal has learned a few things about being in front of the camera by briefly stepping behind the scenes.

When asked what he wishes more producers understood about acting, and vice versa, "my answer to both sides is, don't take things personally, everyone has an agenda and it's to be respected," he said on Saturday morning, during a panel at the inaugural Produced By: New York conference at the Time Warner Center. "Acting is an incredibly immature and selfish profession, but I also believe on the flip side of that coin, it can also produce great empathy. … Understand that it is an extraordinarily sensitive job, and I don't mean to be self-indulgent, but it's an odd job. … It's an odd thing conjuring up feelings in the midst of all this chaos ... it's magic."
He also recalled how End of Watch co-star Michael Pena withdrew from a midnight set for a moment when lighting logistics were interrupting production, saying, "Feelings are like animals, coaxing a tiger in a jungle, ... I need to keep the tiger quiet."
On the other hand, he advises that other actors "be aware of your place in a grand family that is making a movie." Though stars can help provide financing by becoming the face of the movie, their important can be misunderstood, and many people have and had been tied to the project for years by the time an actor signs on, no matter how committed. He is currently shooting Jean-Marc Vallee's Demolition, and a dedicated producer started to cry during the makeup test. "Somehow, we've merged those two things together," he said of both sides showing and respecting a particular vulnerability. "I think amazing things happen."
Of being both a producer and star in Nightcrawler, "when you're in nearly every frame, it's a delicate [postproduction) because it requires an objectivity and a brutality, which actually comes easily as an actor. I love cutting things out that I'm in; I really do enjoy that." After watching the film three times before being able to give notes objectively, the film's two scenes that highlight his notable weight loss for the role were cut. "I lost all the weight for the two scenes, … but it was not important to the story as a whole."

Gyllenhaal, who is the son of director Stephen Gyllenhaal and screenwriter Naomi Foner, grew up with a curiosity for what's behind the camera. "I've always been fascinated by the abrasion between the actors and what's in front of the camera, ... and all the issues behind it, and how to balance the two. Also I was told by someone a few years ago to never stop being a student," he told Producers Guild of America president emeritus Hawk Koch, whom he's known since he was two or three years old, and produced Source Code.
"Story is king — I've always read [scripts] seeing the whole picture and trying to see how it could be done," he said. When asked when he's going to direct a film, he joked, "Oh god, so hard to get into DGA!" He noted he'll fulfill that aspiration "when I'm feeling presumptuous," because "my father said you really have to have it in your heart when telling a story [visually] ... I am searching for an experience like that, but I have yet to be presumptuous enough."

The actor (who was excited to be the newest member of the PGA) was an EP on End of Watch and received a full Produced By credit on Nightcrawler, which was shot in under a month for $8 million. He helped sell the film domestically by delivering character soliloquies into the camera at Cannes, and "saw that everyone was happier and more creative" when financed. He recalled how End of Watch's schedule was erratic due to multiple lost locations and its tight budget. "That's fascinating to me: how do you ease up the creative process?"
Throughout the conversation, Gyllenhaal also noted that he has no problem potentially jumping to a television project ("Again, story is king in whatever the format you're telling your story") or comedy ("I think Nightcrawler is funny, but maybe that answers the question"), would love to get involved in film education ("I prefer to get them earlier, before film school, to high school or elementary and teach about story") and has been supporting the military organization Headstrong after starring in Jarhead.
He still loves watching movies on the big screen, with "the anticipation of going to see something" and the walk home afterward being his favorite parts, and believes that a theatrical release window should exist based on the material: "When something has a lasting power where people are going, it should be given the space."
Despite everything he shared, the entire purpose of his keynote was so that producer and president emeritus Mark Gordon could pop in at the end to ask Gyllenhaal about Source Code 2, as Gordon did and humorously revealed. Laughed Gyllenhaal, "That is a f—ing great producer — he is so busy and he literally came in to make me so uncomfortable."

The End

翻译真是辛苦了