多谢jake吧字幕组【琪乐悠悠】的辛勤翻译

本文只摘译了杰克部分

当然，《十二宫》、《断背山》和《死亡幻觉》已经证明了吉伦哈尔是个有天赋的演员，即使他有过一段时间的迷失（嗯哼...《波斯王子》）。但是近几年来，他的佳作一部接着一部，在去年多伦多电影节首映的《囚徒》和《宿敌》中都有精彩感人的表现。

正如大家说的，《夜行者》可能会是吉伦哈尔从影以来的最佳表演，而这并非外交辞令。大胆，有趣，惊悚而焦躁，由吉伦哈尔在这部与他的表演一样精彩的电影中一一表现了出来。这是他的《亡命驾驶》，他的《搏击俱乐部》，他的《出租车司机》，他的《借刀杀人》。《夜行者》将会成为他的代表作。毕竟，他还为这个角色减掉了20磅！（或者如喜剧明星蒂娜.费金句所言，“这可是女演员梦寐以求的电影啊。”）

很难描述《夜行者》因为你可能会觉得很熟悉，但它却是绝对的原创，新鲜热辣。这部电影和前面提及的几部可以相比较，但同时节奏紧凑、惊险刺激，并且让人毛骨悚然。有时甚至同时有以上三种感觉。

这部电影拍得非常棒，很好地阐释了“夜晚”这个主题。导演初哥丹.吉尔罗伊（同时也是编剧）首次执掌导筒，他的电影以一种特别的方式描述了洛城的夜晚。这当然也要感谢摄影师罗伯特.艾斯威特老练的摄影。

The McConaissance is done now, right? Because I think it’s time we discuss the Gyllaissance (it’s a working title) that has been very quietly happening for the last few years. For me, this started with 2012′s End of Watch, in which he played a young police officer fighting crime in L.A.
Of course, Zodiac, Brokeback Mountain and Donnie Darko all proved Gyllenhaal’s worth as a gifted actor, even if he seemed to have gotten lost for a bit (ahem…Prince of Persia). But for the last few years, he has been picking solid script after solid script, and then giving impressive performances in Prisoners and Enemy, films that both premiered at TIFF last year.

With that said though, Nightcrawler may be Gyllenhaal’s best performance of his career to date, and that is not a festival hyperbole. Daring, funny, creepy and unnerving, Gyllenhaal is unleashed in a film that is just as good as his performance. This is his Drive moment, his Fight Club, his Taxi Driver, his Collateral. Nightcrawler could be the film that could very much define him. After all, he also DID lose 20 pounds for this role! [Ed's note: "Or what actresses call being in a movie." — Tina Fey.]

It’s really hard to describe Nightcrawler because while it may feel familiar, it’s original and fresh. The films listed above are comparable, but it’s also surprisingly hilarious, tense and creepy. Sometimes, it’s even those three things all at once.
The film is incredibly well-shot and very much puts the “night” in its title. With first-time director Dan Gilroy (who also wrote the film) at the helm, his film exceptionally illuminates the seedy, somewhat grungy reputation of L.A. at night thanks to Robert Elswit’s expert cinematography.

The End

老提”波子”，是在告诫Jake Gyllenhaal 不要拍商业大制作吗？
等老吉有心情时，遇上喜欢的剧本，导演，Cast and Crew，完全有可能来部商业大片。

顶满身弹孔的波子

完全没绝对波子烂～～