发这么个帖子,当然不是为了不咸不淡的发一篇冗长的,而地球人都知道的文章的.我把我所能找到的,关于新民谣的简介都发到这儿来,比对着看,总会有益处.

你好音乐空间 >> 论坛 >> 指弹、民谣吉他论坛 >> 新民谣简介尽管新民谣音乐的主题对异教、浪漫主义、神秘主义多有涉及，其创作者也热衷于新古典音乐、军事音乐、后工业音乐和异教等繁杂的音乐类型和社会理念，但是它仍是一种根植于欧洲理念和后工业音乐的民谣音乐类型，原声吉它、钢琴和各种弦乐是这一类型偏爱使用的乐器。　　依据音乐主题和声音表现，新民谣的雏形期可以追溯到二十世纪六十年代，但是它真正作为一个新的音乐类型确立下来要到以下这些名字的出现：道格拉斯·皮尔斯（Douglas Pearce，Death In June的核心）, 托尼·威克福德（Tony Wakeford，Sol Invictus乐队），以及戴维·提柏特（David Tibet，Current93乐队）。这些由后工业开始自己造音历程的音乐家后来将具有欧洲元素的民谣音乐和他们的声音及主题结合，在上个世纪八十至九十年代，这些音乐家秉承前述先驱，赋予了这一音乐类型以黑暗特质，新民谣（Neofolk）这一描述名词也随之诞生。　　新民谣的精神源头可以追溯到上个世纪六十年代于欧美两地同时发生的民谣运动，后者对商业化和流俗文化的背叛也同时为新民谣所继承。不过在关注主题上二者是迥然不同的。新民谣艺术家更偏爱于古代的信仰、神话传说和文化象征符号，一些区域性传统、宗教也在此偏爱对象之列。由于对一些容易引起争议的事件、象征符号和人物，例如：弗雷德里希·尼采、朱利奥·埃沃拉*、莱尼·雷芬斯塔尔*等的关注，新民谣这一音乐类型和它的部分艺术家也会被评论界和右翼组织联系起来。*：朱利奥·埃沃拉，二战后的纳粹理论家之一。*：莱尼·雷芬斯塔尔，德国第一位女性电影导演，以其对纯粹浪漫主义美学的关注而倍受争议。　　新民谣在形成过程中与几个相近流派或更细小的分支屡有交缠，其中有些流派的成形要早于新民谣。例如天启民谣（Apocalyptic Folk）。作为一个因戴维·提柏特（David Tibet）和Current93乐队而出现的描述词，天启民谣的适用范围和对象也要比新民谣一词精确的多：它被用来特指1992年发行《雷神的完美思想》（Thunder Perfect Mind）的Current93，和一批受此双张专辑影响的艺术家们，异教理论、自然/政治黑暗哲学*和二十世纪六十年代盛行一时的迷幻运动都是这些艺术家的关注主题。这个小群体的另一共同点是他们大部分都在已经倒闭的“世界大蛇”（World Serpent）唱片发行作品。而“世界大蛇”在2004年的倒闭和这一名词指向性的精确也使天启民谣仍是一个小范围的描述用语。*：此处有几个单词我搜索N遍也一直未明其义：Thelemic，Crowleyian。所以在描述上借用了Murk关于“世界大蛇”的定义：自然/政治黑暗哲学。　　黑魔术民谣（？Folk Noir）被主要用来描述中期的“未被征服的太阳”乐队（Sol Invictus）；与之相连带的还有由托尼·威克福德创立的Tursa唱片旗下乐队。尽管相对于“新民谣”而言，“黑魔术民谣”一词的使用要更中性，但是其所指其实与前者相近。而Noir一词也标明了这一流派对所有黑暗主题、尤其是与英国历史有关的黑暗主题的关注。　　比较于前述两个流派，黑暗民谣（Dark Folk）和异教民谣（Pagan Folk）被认为是在涵义和所指上更为模糊的两个与新民谣有关的描述词。作此论断的依据是：一些相互之间毫无关系的音乐作品却都可以用这两词来指称。　　此外还有一些流派/用词经常会与新民谣建立联系：军事音乐（Martial Music）、黑暗氛围（Dark ambient）、新古典（Neoclassical）、工业音乐和后工业音乐（Industrial music、Post-industrial music），或者是综取前述流派的音乐作品等。

我再找不着了啊~~TOT

我找到这个英文的- -,汗,感觉和你那篇中文的很像你那个可能是根据这个翻译的?不知道我再找找看有没英文的新民谣介绍 Neofolk is a form of folk music-inspired experimental music that emerged from European ideals and post-industrial music circles. Neofolk can either be solely acoustic folk music or a blend of acoustic folk instrumentation aided by varieties of accompanying sounds such as pianos, strings and elements of industrial music and experimental music. The genre encompasses a wide assortment of themes including traditional music, heathenry, romanticism and occultism. Neofolk musicians often have ties to other genres such as neoclassical and martial industrial, or have links with Heathen circles or other countercultural elements.HistoryThe term "neofolk" originates from esoteric music circles who started using the term in the late 20th century to describe music influenced by musicians such as Douglas Pearce (Death In June), Tony Wakeford (Sol Invictus) and David Tibet (Current 93) who had collaborated heavily for a period of time. These musicians were part of a post-industrial music circle who later on incorporated folk music based upon traditional and European elements into their sound. Folk musicians such as Vulcan's Hammer, Changes and Comus had created music with similar sounds and themes to neofolk as far back as the 1960s. These musicians could be considered harbingers of the sound that later influenced the neofolk artists. However, the distinction must be made that it was the aforementioned artists who were involved in the dark music scene throughout the 1980s and 1990s that contributed specifically to the emergence of neofolk. Neofolk is seen by many as an extension of post-industrial music into the folk music genre which did not occur until the late 20th century.Culture Kim Larsen of :Of The Wand & The Moon:, a rune stone and an effigy of the algiz rune.The spirit of neofolk contains parallels to the ideals of American and British folk movements of the 1960s. The basis of this music is built upon principles against commercialization and popular culture. However the themes of neofolk and folk music are drastically different. A majority of artists within the neofolk genre focus on archaic, cultural and literary references. Local traditions and indigenous beliefs tend to be portrayed heavily as well as esoteric and historical topics. Homages and tributes to figures some may consider controversial such as Julius Evola and Leni Riefenstahl as well as the usage of war themes, imagery and historical imagery by some musicians have drawn misguided criticisms and links between neofolk and right wing establishments from various sources.HeathenryOf particular mention is Heathenry. This subject plays a large part in the thematic elements touched upon by many modern and original neofolk artists. Runes, heathen European sites and other means of expressing an interest in the ancient and ancestral occurs often in neofolk music. Aesthetically, references to this subject occur within band names, album artwork, clothing and various other means of artistic expression. This has led to some forefathers of the genre and current artists within the genre attributing it to being an aspect of a broader Heathen revival.

...还在我的阅读水平之内~