The best thing about Robert Pattinson is how weird he is. If he weren’t acting, he’d be the one in the office grinning with half a mouth and going out of his way to avoid the water cooler. He’s friendly, but weird — with a laugh like Butt-head if he’d gone to a nice independent school in Barnes. We met in May at the Cannes film festival, once he’d finished his cigarette under a sky barely holding its rain. To call his clothes “grunge” would be a disservice to the thought that goes into grunge. It’s just messy: lumberjack shirt, T-shirt, trainers, white jeans. “I’m so hung-over,” he moans, as I turn the tape on. “I feel absolutely disgusting.”
The room is packed with soggy hacks. They sit in clusters, for 15 minutes of R-Patz, for a quote about Twilight to spread over the internet. The vampire saga is over, but remains undead. From 2008 to 2012, those five films, based on Stephenie Meyer’s novels, made £2 billion worldwide and fostered a fan base still fervently in love with their leading man. To many, he will always be Edward, the immortal who cared and fell in love with Bella (Kristen Stewart). They added to the mystique by becoming an off-screen couple, too. Throw in his key role in Harry Potter and it’s unsurprising that the pallid hunk has spent much of his life in the headlines. It’s been an odd coming-of-age for the youngest of three, who grew up in a polite London suburb and, as I find out, doesn’t really like big films.
What he does like is his latest role, in The Rover, an indie thriller from the director David Michôd, who hasn’t even seen Twilight. This pleases Pattinson, who talks avidly about the film even though he went to a party last night and “forgot” he had to work. There are few more normal 28-year-old multimillionaires. We talk about a recent interview for Dior in which he spoke, foolishly, about French girls because, “I was being asked ‘What’s your favourite part of scent?’” He shakes his head at the inanity of the question. “I also told someone I use moisturiser, and then saw it written down — I’ve spent all this time trying to get credibility and there’s a f****** headline about moisturiser!’”
The thing is, he’s mortified. All he wants, and needs, now is credibility. He’s loaded: five Twilights and some fashion contracts have sorted that. So, over the past few years, since David Cronenberg’s Cosmopolis in 2012, he has been seeking weird, dirty roles. He’s the only actor to have had sex in a limo — on screen — twice this decade. In The Rover, he defecates in a dusty shrub. I put a quote from Catherine Hardwicke, who shot the first Twilight, to him. “Rob’s obviously ridiculously photogenic, but he’s also so talented. I see him creating stylised, odd, wild characters.” He squirms at the first part, but loves the second.
“I’m picking things so strange, they can’t be judged in normal terms,” he says. His brain is creaking; his voice, soft and tired. “If anything’s relatable in a mass way, I don’t know if I can do it. That’s just not how I relate to anything. If there are certain character beats, I’m not going to be able to achieve them. So I like making it my own game. You can invent a new set of emotions that don’t even really make sense to you.”
In The Rover he plays Rey, a bloodied drifter in a future Australia, ravaged lawless by some unspecified crash. He may be a soldier and, as Pattinson puts it, is “handicapped”. The actor is excellent, bringing the baggage of his better-known work to a sombre, serious film — Sad Max, if you like — that pits him against Guy Pearce’s angry Eric. The pretty one sings along to a song that goes: “Don’t hate me ’cause I’m beautiful.” Rey’s teeth are awful: pyramid-sharp and crooked. They remind Pattinson of “the kids at school who didn’t brush their teeth” — the “weirdos”, he smirks. “Always the ones who played too many video games.”
This is what’s fun about Pattinson — or, at least, his hung-over version. There’s no filter. Most big shots would hold back from a slur about people who play video games, as most of them watch their movies, too. But he doesn’t. I suggest that the mentally and physically crooked Rey is his Miley Cyrus moment, a public ruining of something innocent. “It’s like doing Miley Cyrus,” he repeats, grunt-giggling, but I don’t think he ever thought of himself as pure. He certainly doesn’t care. He doesn’t even have a publicist. I could have asked who he’s dating, but any answer about that from a globetrotting young heart-throb in May, for a piece in August, felt hopeless. On the way out to Cannes, I read up on his love life. There were rumours about the model Imogen Kerr, and Katy Perry, and Katy Perry’s stylist.

有十个人回复就翻

还有人吗
　

　　他喜欢的实际上是他最新的在The Rover里面的角色,The Rover是一部由大卫导演的独立的惊悚片，导演大卫甚至没有看过《暮光之城》。这让帕丁森非常兴奋,他热切地谈论这部电影,尽管他昨晚参加了一个派对,还“忘记”他不得不工作。很少有“更加正常”的28岁的百万富翁。我们讨论了在最近一次迪奥采访中,他说出的关于法国女孩的话十分愚蠢,“我被问“你最喜欢哪个部分的气味?’”他对这个愚蠢的问题摇摇头“我还告诉别人我使用保湿霜,然后看见它被写下来——我花了很长时间试图让别人感觉我可信，最后竟然只有TMD关于保湿霜的标题”

这个世界上一定没有比我更我的人了正在翻剩下的

真是渣罗，他居然爱上了某些戏份@唯愛·守护·静

事情是这样的,他很苦恼。他想要的一切,需要的一切,现在就是别人相信他。他出演了五部暮光之城并且代言了一些有关时尚的广告。在2012年大卫柯南伯格的大都市后的过去几年中,他一直在寻找一些奇怪、肮脏的角色。他是在这十年中唯一一个在电影中在一辆豪华轿车中做*爱*两次的演员（）。在The Rover中,他在尘土飞扬的灌木丛中排便。我引用一句导演了暮色的凯瑟琳哈德威克所说的话“Rob显然非常上镜,同时他也是这么有才华。我看到他在创造属于自己的风格,那是奇怪的、具有十足野性的。“他第一次很害羞，但喜欢第二次。（打死你，居然喜欢上了）
“我选角色是很奇怪的,他们不能用常理判断,”他说。他的大脑是摇摇欲坠,他的声音,柔软而累。（那段时间果然是累惨了）“如果事情被认可是因为它的规模很大,我不知道我能否一样。这不是我认可事情的理由。如果有某些角色很跳动时,我不能够诠释他们。所以我喜欢以我自己的方式。你可以发明一套新的情绪,甚至那对你没有意义。”

这是有趣的Pattinson——或者,至少,他的受伤版本。没有过滤。（中间有一句，我又凌乱了，所以就只发个大意，要不然我就要疯了）→Robert和其他的大牌不一样。我认为，精神上和肉体上的弯曲的Rey是他的麦莉赛勒斯的时刻，一个公共人物毁掉一些无辜的。（表示不了解这个人，所以意思可能翻错了）“这就像做麦莉赛勒斯，”他重复，哼哼咯咯地笑着，但我不认为他曾经认为自己是公众的。他当然不在乎。他甚至没有经纪人。我可以问他和谁约会，但任何答案，来自一个在五月环游世界，想要在八月寻求平静的年轻人，会感到绝望。在遥远的戛纳，我读了他的爱情生活。有关于模特Imogen Kerr，Katy Perry的绯闻，还有Katy Perry的造型师。

休息、休息一会