

画面左侧译文:(When High Way To Hell was released in 1979,a much audience felt the power of AC/DC,espacially in mainstream America,where the LP became the band`s biggest seller. As fate would have it,though,High Way To Hell would also be the final AC/DCrecord with inimitable lead vocalist Bon Scott, who died tragically less than a year later)当《地狱公路》这张专辑于1979年发行时,有更多的听众感受到了AC/DC乐队的能量,尤其是在这张专辑最畅销的美国大陆。然而,命运就是这样,这张专辑也成为在不到一年之后悲惨地死去的AC/DC乐队伟大的主唱邦·斯科特的最后一张专辑。
(High-profile English rock producer Eddie Kramer was originally tapped for the project.But during the early stages,AC/DC and Kramer couldn`t reach a meeting of the minds about recording methods.A relative novice,`70s ”new wave” producer Robert John “Mutt” Lange,was soon recruited,and the ultimate success of High Way To Hell led to it being the first of three consecutive major AC/DC long players produced by Lange.)著名的摇滚制作人Eddie Kramer参与到专辑最原始的制作中。但是在最初的一段时间里,AC/DC和Eddie Kramer很难就专辑的制作理念达成共识,一位相对而言的新手,“七零新浪潮”制作人Robert John “Mutt” Lange被AC/DC迅速地吸纳。而《地狱公路》的成功让其成为Lange为AC/DC连续制作的三张专辑中的第一张。
(AC/DC`s organic attack,lift and locomotion still fueled of High Way To Hell,but Lange added a bit of spit and polish,boosting the midrange decibels a bit,which was most evident in Phil Rudd`s drum sound.Lange`s primary contribution,however,was furnishing more presence to both Bon Scott`s lead vocals and the hearty"gang"choruses sung by rhyrhm guitarist Malcolm Young and bassist Cliff Williams) AC/DC乐队所受的批评,赞美等根本上还是由《地狱公路》引起的,但是Lange对专辑的润色,提高了音乐的中档分贝,这一点在鼓手菲尔·鲁德的鼓声上非常明显。不管怎样,Lange最初的贡献赋予了主唱邦·斯科特和和声节奏吉他手马尔科姆·杨、贝斯手克里夫·威廉姆斯的歌声以灵魂。