level 15
![[戳]](/static/emoticons/u6233.png)
![[鞠躬]](/static/emoticons/u97a0u8eac.png)
level 15
level 15
可乐仔KeKe
楼主
冒着公然自我重复的风险，杰克.吉伦哈尔与导演丹尼斯.维伦纽瓦成为了2013年的旗帜性代表。他们首次公开亮相的合作作品，悲伤的、充斥着感情共鸣的芬奇式罪犯惊悚片《囚徒》早已震撼了泰莱瑞德和多伦多的观众。如果说《囚徒》是自《龙纹身女郎》之后最阴冷的商业电影的话，那么按时间来算两人首次合作的《宿敌》同样阴暗且更具实验性，更文艺。并且异常令人难忘。
想象一下拍了《血色将至》的保罗.托马斯安德森要拍布莱恩.德.帕玛尔式的电影，或者克莱尔.丹尼斯拍了克里斯托弗.诺兰的《记忆碎片》。尽管这些大导演们的作品确实予人震撼，但与沸腾于这个法裔加拿大导演执导的、惊险刺激的惊悚片中的情感相比，这样做反而不利于展现维伦纽瓦杰出的导演技艺和黑暗想象，正正是这两者造就了本年度最超凡的作品。
At the risk of blatantly repeating ourselves, Jake Gyllenhaal and director Denis Villeneuve are on the cusp of a banner 2013 that is about to hit its crest. Their first-unveiled collaboration, the harrowing, Fincher-with-more-emotional-resonance crime thriller “Prisoners” has already bruised audiences in Telluride and Toronto. But if “Prisoners” is the grimmest studio film you’ve seen since “The Girl With The Dragon Tattoo,” then “Enemy”—chronologically their first collaboration—is the equally dark but more experimental and arty cousin. And a terrifically haunting one at that.
Imagine the Paul Thomas Anderson of “There Will Be Blood” making a Brian De Palma movie, or Claire Denis directing Christopher Nolan’s “Memento.” While those superlatives do give you a taste of the striking, sensual disposition simmering in the French-Canadian filmmaker’s engrossing and provocative psychological thriller, it actually does a disservice to Villeneuve’s superb craft and darkened vision that truly has coalesced into something extraordinary this year.
2014年04月16日 11点04分
4
想象一下拍了《血色将至》的保罗.托马斯安德森要拍布莱恩.德.帕玛尔式的电影，或者克莱尔.丹尼斯拍了克里斯托弗.诺兰的《记忆碎片》。尽管这些大导演们的作品确实予人震撼，但与沸腾于这个法裔加拿大导演执导的、惊险刺激的惊悚片中的情感相比，这样做反而不利于展现维伦纽瓦杰出的导演技艺和黑暗想象，正正是这两者造就了本年度最超凡的作品。
At the risk of blatantly repeating ourselves, Jake Gyllenhaal and director Denis Villeneuve are on the cusp of a banner 2013 that is about to hit its crest. Their first-unveiled collaboration, the harrowing, Fincher-with-more-emotional-resonance crime thriller “Prisoners” has already bruised audiences in Telluride and Toronto. But if “Prisoners” is the grimmest studio film you’ve seen since “The Girl With The Dragon Tattoo,” then “Enemy”—chronologically their first collaboration—is the equally dark but more experimental and arty cousin. And a terrifically haunting one at that.
Imagine the Paul Thomas Anderson of “There Will Be Blood” making a Brian De Palma movie, or Claire Denis directing Christopher Nolan’s “Memento.” While those superlatives do give you a taste of the striking, sensual disposition simmering in the French-Canadian filmmaker’s engrossing and provocative psychological thriller, it actually does a disservice to Villeneuve’s superb craft and darkened vision that truly has coalesced into something extraordinary this year.
![[爱心]](/static/emoticons/u7231u5fc3.png)
level 1
历史就是重复，红色那版海报是不是就在说主角的生命线一直在Anthony和Adam之间交叉循环呢
2014年04月16日 14点04分
10
我也是这么理解的，表面上好像在说历史的重复性，其实暗示生活或者生命也一样在不断重复
2014年04月16日 15点04分
level 13
![[乖]](/static/emoticons/u4e56.png)
level 13
