“Hepburn enjoyed working with Olivier - though she was still recuperating from a hip - replacement operation at the time. She thought he was ‘a first-rate actor.’ But she felt compelled to add that she thought he was ‘a second-rate person’.

More than finding him a posturing egomaniac, she based her judgment largely on his treatment of his former wife, Vivien Leigh, a talented though troubled woman, with whom Kate had been friendly. “Larry always wanted to be a big movie star,” Kate said “and while he was considered the greatest actor on the stage, he was never in the first rank as a star in the movies

Then Vivien comes along and gets Scarlett O’Hara. Wins the Academy Award. Biggest picture ever made. Suddenly Larry says, ‘Oh darling, we really must get you out of Hollywood now. Let’s go off and do Shakespeare together.’ Now Vivien could do anything, but he was clearly trying to keep her in her place, which was billed beneath him.

Then a few years pass and Vivien returns to make Streetcar. And she’s brilliant. Wins the Academy Award. Most talked-about movie of the year. And suddenly Larry says, ‘Oh darling, we really must get you out of Hollywood now. Let’s go off and do Shakespeare together.’ Small man. Giant actor. Very small man.”(“Kate Remembered”)

一流的演员，二流的人，大帝真是敢说.
至于劳伦斯千方百计阻挠费雯丽电影事业记载很多，大帝说事也不稀奇。
Small man, very small man.大帝真是幽默。

塞尔兹尼克传记指出在费雯丽与他签约演乱世佳人的途中，劳伦斯重重刁难，差点就破产了。
都说gay心眼小，劳伦斯是想自己演斯佳丽吧。

哈哈！

奥利弗是自己想在好莱坞创造个传奇，结果费雯红在他之前，他就告诉费雯演电影不如演莎剧，结果把费雯骗回西区

他感觉人是蛮投机的

嫉妒、没度量、自私的一个人，为了巩固自己在英国戏剧界“唯一的王”的地位，他养的门客总是昧着良心无情的批判批判、诋毁费雯丽在舞台上的表演，并且不断诋毁费雯丽的声誉。
和劳伦斯奥利弗分手后，费雯丽被逼得只能美国演舞台剧，因为“在伦敦的戏剧舞台上只能容纳一位奥利佛夫人”。

大帝是受到高等教育，出身新英格兰富裕家庭的女权主义者，当然不屑劳伦斯的那种控制欲

Oh darling, we really must get you out of Hollywood now. Let’s go off and do Shakespeare together

一流演员,二流人格

有段时间喜欢费雯的时候真对他厌恶至极
费雯前前后后在好莱坞的时间那么短，就已经有了两提两中的辉煌，可见她根本是为这个大银幕而生，但劳伦斯居然把她的半生都困在舞台剧上
本来因为他同样是个伟大的演员而不断说服自己不要讨厌他。。。还有弃她而去这些戏码就不想提了。。。

以前看“王子复仇记”的时候对他还满有好感的，后来开始喜欢费雯丽了所以好感降低了，不过由于是费雯丽的挚爱所以也不厌恶，现在看完此贴真的有点难以接受了

凯瑟琳说话一向很直

对他从来没好感过。。。。。。这种事情也不稀奇

哈哈

看来要换头像了