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Marvin Minsky, MITFirst published in AI Magazine, vol. 3 no. 4, Fall 1982. Reprinted in Technology Review, Nov/Dec 1983, and in The Computer Culture, (Donnelly, Ed.) Associated Univ. Presses, Cranbury NJ, 1985Most people think computers will never be able to think. That is, really think. Not now or ever. To be sure, most people also agree that computers can do many things that a person would have to be thinking to do. Then how could a machine seem to think but not actually think? Well, setting aside the question of what thinking actually is, I think that most of us would answer that by saying that in these cases, what the computer is doing is merely a superficial imitation of human intelligence. It has been designed to obey certain simple commands, and then it has been provided with programs composed of those commands. Because of this, the computer has to obey those commands, but without any idea of what's happening. Indeed, when computers first appeared, most of their designers intended them for nothing only to do huge, mindless computations. That's why the things were called "computers". Yet even then, a few pioneers -- especially Alan Turing -- envisioned what's now called "Artificial Intelligence" - or "AI". They saw that computers might possibly go beyond arithmetic, and maybe imitate the processes that go on inside human brains. Today, with robots everywhere in industry and movie films, most people think Al has gone much further than it has. Yet still, "computer experts" say machines will never really think. If so, how could they be so smart, and yet so dumb? ================== CAN MACHINES BE CREATIVE? ================== We naturally admire our Einsteins and Beethovens, and wonder if computers ever could create such wondrous theories or symphonies. Most people think that creativity requires some special, magical "gift" that simply cannot be explained. If so, then no computer could create - since anything machines can do (most people think can be explained.To see what's wrong with that, we must avoid one naive trap. We mustn't only look at works our culture views as very great, until we first get good ideas about how ordinary people do ordinary things. We can't expect to guess, right off, how great composers write great symphonies. I don't believe that there's much difference between ordinary thought and highly creative thought. I don't blame anyone for not being able to do everything the most creative people do. I don't blame them for not being able to explain it, either. I do object to the idea that, just because we can't explain it now, then no one ever could imagine how creativity works.We shouldn't intimidate ourselves by our admiration of our Beethovens and Einsteins. Instead, we ought to be annoyed by our ignorance of how we get ideas - and not just our "creative" ones. Were so accustomed to the marvels of the unusual that we forget how little we know about the marvels of ordinary thinking. Perhaps our superstitions about creativity
2007年03月26日 10点03分
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