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How the pop superstar is turning bad romance into chart gold with her latest album, ‘Red’
“I went through a few roller coasters,” says Taylor Swift, reflecting on her relationships over the past two years. She channeled the turmoil into her fourth studio LP, Red, out October 22nd. “Trying to chronicle each step of the way was challenging, because you go to some really dark places with the lyrics. Then in the next track, you’re talking about how amazing it is to meet somebody new.”
“我经历了一些起伏,”Taylor Swift如是说,她道出了过去两年的状况。随之她的事业将全新投入进她10月22日将要发行的个人四专“RED”。“叙述自己走过的每一步路也是具有挑战性的,因为往往歌词也会将你置于阴暗绝望之处。但当面对着另一首歌时,你又要去叙述遇到某人是多么美好奇妙。。。。。。。[时喜时忧,小心精神分裂]
After writing 2010′s smash Speak Now by herself, Swift veered in the opposite direction, co-writing with pop hitmakers such as Max Martin and Adele collaborator Dan Wilson. She wound up with nearly 40 potential songs; in between stops on the yearlong world tour that she wrapped in March, Swift joined her writing partners in L.A. and Nashville. “I felt like an apprentice,” Swift says. “They taught me so much about melodic sense, and they let me do what I love, which is the lyrics.”
在独立创作了2010专辑Speak Now后,她的事业迅速向反方向彻底逆转,她选择了与类似Max Martin和Adele的合作人Dan Wilson之类的流行制作人合作。她可能创作了将近40首歌,在结束为期一年的巡回演唱会后,她在今年3月份左右又整装待发了。她又回到了洛杉矶和纳什维尔,与自己的合作伙伴再聚首。她说自己感觉像是一个菜鸟,“他们教会了我很多关于旋律感的知识,他们让我做我热爱的事情,那就是写歌。”
The result is Swift’s most eclectic set ever, ranging from “State of Grace,” a howling, U2-style epic with reverb-drenched guitars, to a sweet acoustic duet with U.K. singer Ed Sheeran. Another key track even features a dubstep-inspired bass breakdown.
2012年08月29日 17点08分
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“I went through a few roller coasters,” says Taylor Swift, reflecting on her relationships over the past two years. She channeled the turmoil into her fourth studio LP, Red, out October 22nd. “Trying to chronicle each step of the way was challenging, because you go to some really dark places with the lyrics. Then in the next track, you’re talking about how amazing it is to meet somebody new.”
“我经历了一些起伏,”Taylor Swift如是说,她道出了过去两年的状况。随之她的事业将全新投入进她10月22日将要发行的个人四专“RED”。“叙述自己走过的每一步路也是具有挑战性的,因为往往歌词也会将你置于阴暗绝望之处。但当面对着另一首歌时,你又要去叙述遇到某人是多么美好奇妙。。。。。。。[时喜时忧,小心精神分裂]
After writing 2010′s smash Speak Now by herself, Swift veered in the opposite direction, co-writing with pop hitmakers such as Max Martin and Adele collaborator Dan Wilson. She wound up with nearly 40 potential songs; in between stops on the yearlong world tour that she wrapped in March, Swift joined her writing partners in L.A. and Nashville. “I felt like an apprentice,” Swift says. “They taught me so much about melodic sense, and they let me do what I love, which is the lyrics.”
在独立创作了2010专辑Speak Now后,她的事业迅速向反方向彻底逆转,她选择了与类似Max Martin和Adele的合作人Dan Wilson之类的流行制作人合作。她可能创作了将近40首歌,在结束为期一年的巡回演唱会后,她在今年3月份左右又整装待发了。她又回到了洛杉矶和纳什维尔,与自己的合作伙伴再聚首。她说自己感觉像是一个菜鸟,“他们教会了我很多关于旋律感的知识,他们让我做我热爱的事情,那就是写歌。”
The result is Swift’s most eclectic set ever, ranging from “State of Grace,” a howling, U2-style epic with reverb-drenched guitars, to a sweet acoustic duet with U.K. singer Ed Sheeran. Another key track even features a dubstep-inspired bass breakdown.