9月16号上架
本期有两版封面 另一个是Leona Lewis
http://www.rollacoaster.tv.
在线阅读地址 Joe在78-80页

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Joe Jonas is back home… well, sort of.The New Jersey native is spending time across the bridge in New York City, but now he’s shy of his two brothers, leaving behind the tween-candy-pop trio that catapulted them all to young heart- throb stardom. As of late, Joe Jonas has been a band of one, venturing out on his own, taking the microphone and showcasing his debut solo effort, Fast Life. Gone is the Disney-endorsed image, the much-publicised purity rings and, most importantly, his wingmen (and siblings) Nick and Kevin Jonas. His new album has laid bare Mr. Jonas’s voice, shedding the layers of the once worldly recognised trio to a single vo- cal range, providing a soulful and infectious tonality suffused with hints of heartbreak and melancholy.
His latest sounds have been influenced by night- life and the techniques of DJs, not surprisingly for someone who just turned 22. From nights out with his friends (“Black Light” and “Fast Life”) to the soother side of Jonas’s range (“I’m Sorry”), he’s been able to expose dramatic mel- odies on his solo debut, which is infused with danceable beats.
He called upon hit-making producers like Dan- ja and Rob Knox who, collectively, have worked alongside some of his counterparts, namely Britney Spears, Leona Lewis and Rihanna. His first track release off the album, titled See No More, was co-written by Chris Brown, and was finally able to give Jonas the freedom he wanted – being able to put 100 per cent of his ideas and motives into his tracks, creating a unified moment with Mr. Joseph Jonas at the pulse.

He wanted to carve out a voice of his own, bidding adieu to the sounds associated with The Jonas Brothers and work on creating an album that showcases his singular talent, al- beit, a coming-of-age one – bridging the gap from his tweens to teens to young adulthood. He’s worked hard to create a musical journey – drawing upon sound advice he received from a lyrical and technical icon, Mick Fleetwood. “I’ve always been a huge Fleetwood Mac fan. And in the past, it always happens that I’ll be listening to an artist for a few months and then I randomly meet them – completely out of the blue,” Jonas says with an excitable grin. “It hap- pened this time in Hawaii. I was about to go golfing with my brothers and someone tapped me on the shoulder, and this tall Santa Clause- looking man with the voice of god said, ‘Hello, how are you? I’m Mick Fleetwood.’ I literally flipped out.”
But it was the following words uttered by Mr. Fleetwood that both inspired the vision and perspective of his debut album – words of wisdom that have provided guidance and reassurance to the risks he’s taken thus far. “He gave me great advice,” Jonas says. “He told me to take my fans on a journey, musically – and that’s what I’ve been trying to do. I’m always trying to change up my sound and work with artists that challenge you, and I’m getting involved with artists that I wouldn’t necessarily work with. He enforced me to take bizarre risks in order to grow both personally and musically.” He paid close attention to the beats and vibes found in nightclubs, transitioning in and out of sound-pumping venues in Los Angeles and Miami, taking close note of what songs resonated with the crowd, the tempos that got the club bumping, and the sartorial choices of young and old club-goers, which influence the mood of the venue. “We’d listen to certain DJs and see how they worked the crowd. It was so new to me.What was so cool was that the music and vibe would vary from city to city – Miami clubs and LA clubs are totally different. But with this project, my aim was to find a sound that was completely universal.”
Venturing out on his own came with skepticism and fear, but he’s learned confidence can go a long way, especially when in the throes of launching a solo career. “I used to be scared of taking risks,” Jonas states with utter confidence, “but not anymore. This album has been a huge journey for me. I’m on my own – just me.” Jonas has been spending time showcasing his latest effort, catering to a crowd of those above the legal drinking age, but diminishing the size of the audience. “I love performing in environments that cater to people over 21. I love big concerts, but I’d be happy playing at a small spot, just jamming out and having a blast.When I start doing more of my DJing, I want to learn creative ways to hide who I am. I’d like to spin at my after-parties, wearing a mask or something. There’s something that I like about blending in and being ‘normal’.”

But then it dawns on me. Most young men, barely touching their twenties, who have been at the centre of the global limelight, fawned by millions for years, don’t necessarily have both the respect and courtesy that Mr. Jonas conveys. He’s aware of his surroundings, knows his pulse in the realm of celebrity, is aware of the trepidation and criticism of his solo effort – but still retains the poise and etiquette of a seasoned professional – although barely into his twenty- something years. The word ‘normal’ clearly doesn’t resonate here.
But unlike most men who are embarking ontour in light of their debut album, Joe has been hand-picked to open for Britney Spears on the European leg of her tour, news that he announced to me, before he Tweeted his best-kept secret to the world moments after we departed each other.
“It’s a musical fantasy. It’s also an older audience and I love her new album. But I like to work. I like to keep myself busy, and something like that is a dream come true. This is absolutely insane and I’m pretty pumped”. Focus, as it appears, is the key to Jonas’s success.
Like most young men, he’s technologically connected, but has no problem ignoring his iPhone for an extended period of time, a quality hard to find, especially among our phone-in-hand generation. “I don’t think I’d have a problem putting this thing away,” he says, pointing at his mobile device. “In fact, I’ve done it before, and have no reservations”.

That being said, he switches gears, and when the conversation continues on the digital path, he gets excited like a pre-pubescent teen. “I must admit, I’m an iPhone freak. I have this DJ app that I mix songs on. It’s really fun. And I’m a big Tw1tter guy. It’s a great way to interact with my fans. I have this awesome movie-maker on my phone that I make little movies on and then Tweet them. And have you seen Hipstamatic? It’s the best camera. I try to take something every day and the images end up looking like postcards”.
But his excitement is reserved, especially when it turns to growing up. Although he isn’t afraid to walk the streets alone, in time he’s looking for privacy, especially when it comes to a place of residence. “The place I found in LA is pretty private,” he says, “but eventually, I want to find a home. My dog needs a yard; I want a pool – maybe even a jacuzzi. But luckily, where I am now, it’s pretty private.”
His goals are set high, and one day he wants to channel his inner love for the world of culinary cuisine and venture into opening his own restaurant. “Every time I go to a new city, I try to im- merse myself in the culture and try new things. If you’re ever in Los Angeles though, I have a slew of restaurants you have to check out. In fact, if you don’t, I’ll be mad.” He strong-ar***ocal spots that he endorses, and for all inquiring minds, he’s a regular patron of Street, Little Dom’s, Osteria Mamma, Mexicali, and Pace. Take his word for it.

Sound aside, he’s drawn upon a younger, more influential and artistic culture to help gain momentum on his debut disc. He’s a huge street art fan and has called upon confidante Curtis Kulig to scribe the text on the artwork of his first single, “See No More”. Kulig, known for his tag “Love Me”, which is scrawled all over New York City, has also used his penmanship skills on the cover art, showing Jonas’s grown-up movement. “His stuff is awesome. His writing just works perfectly and we started hang- ing out. Now, he’s a good friend and we try to hang every time I’m in NewYork”. So it seems, as Joe and I meet at Miss Lily’s, a Jamaican jerk hut that is co-owned by Kulig. “I love this space,” he enthuses. “The women are beautiful and the food is great. I would love to jam out in the back space one day.”
The conversation slowly turns to Michael Jackson and Amy Winehouse, two of his musical influences who recently passed away. “I was in New Orleans visiting an ex-girlfriend and I was watching TV and all of a sudden reports came on stating Michael Jackson died,” Jonas somberly states. “Then, the text messages started to flow in. Constantly. The hardest thing for me was that I didn’t get to see him perform live. It was heart-wrenching.” And Winehouse, whose demise occurred a few days before I met with Jonas, was gaining headline attention internationally. “She was such a talent. A talent gone too soon,” he says. “She died at 27, you know,” he says with a timid grin. “God, I hope I make it.” Joe’s single ‘Just In Love’ is out on October 16 and his debut solo album, Fast Life, is out on October 24. He’s supporting Britney on her UK tour in October.
Source: Rollacoaster Magazine

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