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【Billboard】本届奥斯卡收视报告出炉 收视人数3400万,收视率23.1%,刷新八年来最低收视纪录 Against a backdrop of controversy and protests surrounding the lack of minority nominees at this year’s Oscars, overnight ratings for Sunday’s ceremonies on ABC were down to what appears to be the show’s lowest number in eight years. In Nielsen’s metered market overnights, which include 56 of the nation’s largest markets, the 88th Annual Academy Awards averaged a still-big 23.4 household rating/36 share from 8:30 to midnight ET, down 6 percent from last year’s 25.0/38 and 16 percent below the 10-year high of 27.9/41 from two years ago. The previous low-water mark in the overnights came in 2008 when the Jon Stewart-hosted Oscars delivered a 21.9/33. That show ended up averaging 32 million viewers, which is the smallest on record, according to Nielsen. Total-viewer and demo estimates for last night’s Oscars will be released later Monday by Nielsen, but the telecast, which saw “Spotlight” win best picture and Leo DiCaprio win his first Oscar, is expected to finish in the vicinity of 34 million viewers. So, despite declines from recent years, it will easily remain television’s top-rated non-sports program of the year. Last year’s show ended up averaging its smallest audience in six years (37.26 million) and a seven-year low in the 18-49 demo (11.0 rating/29 share) — down sharply from its especially high ratings of 2014 with Ellen DeGeneres as host (43.74 million, 13.1/33 in the demo). By comparison, this month’s Grammy Awards on CBS averaged a 7.7/24 in adults 18-49 and about 25 million total viewers. Civil rights leader Al Sharpton led a boycott of Sunday’s ceremony in Los Angeles, with about 70 demonstrators marching in a rally to protest the second consecutive year of African-American actors being shut out of the major acting awards. He vowed that “this will be the last night of an all-white Oscars.” Second-time Oscar host Chris Rock got mostly good reviews for his performance last night. Chief TV critic Maureen Ryan of Variety said he made the most of his opportunities, especially with his “scathing and generally well-crafted monologue.”
【88】本届奥斯卡收视报告出炉 全美3400万人收看,收视率23.1%,八年来最低 Against a backdrop of controversy and protests surrounding the lack of minority nominees at this year’s Oscars, overnight ratings for Sunday’s ceremonies on ABC were down to what appears to be the show’s lowest number in eight years. In Nielsen’s metered market overnights, which include 56 of the nation’s largest markets, the 88th Annual Academy Awards averaged a still-big 23.4 household rating/36 share from 8:30 to midnight ET, down 6 percent from last year’s 25.0/38 and 16 percent below the 10-year high of 27.9/41 from two years ago. The previous low-water mark in the overnights came in 2008 when the Jon Stewart-hosted Oscars delivered a 21.9/33. That show ended up averaging 32 million viewers, which is the smallest on record, according to Nielsen. Total-viewer and demo estimates for last night’s Oscars will be released later Monday by Nielsen, but the telecast, which saw “Spotlight” win best picture and Leo DiCaprio win his first Oscar, is expected to finish in the vicinity of 34 million viewers. So, despite declines from recent years, it will easily remain television’s top-rated non-sports program of the year. Last year’s show ended up averaging its smallest audience in six years (37.26 million) and a seven-year low in the 18-49 demo (11.0 rating/29 share) — down sharply from its especially high ratings of 2014 with Ellen DeGeneres as host (43.74 million, 13.1/33 in the demo). By comparison, this month’s Grammy Awards on CBS averaged a 7.7/24 in adults 18-49 and about 25 million total viewers. Civil rights leader Al Sharpton led a boycott of Sunday’s ceremony in Los Angeles, with about 70 demonstrators marching in a rally to protest the second consecutive year of African-American actors being shut out of the major acting awards. He vowed that “this will be the last night of an all-white Oscars.” Second-time Oscar host Chris Rock got mostly good reviews for his performance last night. Chief TV critic Maureen Ryan of Variety said he made the most of his opportunities, especially with his “scathing and generally well-crafted monologue.”
【Billboard】Hamilton音乐剧原声带喜获RC A级高分评价 Hamilton: Original Broadway Cast Recording (Atlantic) To get value from these 142 minutes of audible libretto you must first—this is essential—buy the physical, a double-wide double-CD redolent of the early jewelbox era. Next, play both discs casually a few times, resisting the temptation to snort "This is 'rap'?" Then reserve a few hours and replay it in its entirety while following every word in booklets so cunningly designed you always know who's saying what. If after that you're not taken with how skillfully Lin-Manuel Miranda compresses 30 years of history, sell the thing—it does hog shelf space. Me, I was so gobsmacked I can now hear past its musical peculiarities. Not only isn't this hip-hop, it isn't pop, and not just because the tunes are vestigial. It's theater music in which almost everything is sung and even the spoken parts come with music, like recitative in opera. So naturally the singers are theater singers. They enunciate, hit the notes, act a little. But starting with Manuel in the title role, they don't command the sonic singularities with which pop stars beat off the competition, nor stand out like Gypsy's brassy Ethel Merman or South Pacific tomboy Mary Martin. I can't vouch for the civics-class democracy of Miranda's historical vision and, despite the digs at Jefferson and the nice plays on immigration, find him too subtle as regards slavery. (Nontrivial factoid: both Hamilton and his deadly rival Burr belonged to the New York Manumission Society.) But I can attest that the intrinsic intellectual interest he powers up here is so impressive it's exciting. And I can also report a surprising emotional bonus: two songs about love and death—"Who Lives, Who Dies, Who Tells Your Story" and, even better, the agonized, atypically melodic "It's Quiet Uptown"—that make me tear up a little. Which only happened, to repeat, because I'd read along for two and a half hours. A
【矫枉】#演员工会奖太“黑”#已登上推特趋势榜 #SAGsSoBlack# #OscarsSoWhite, meet #SAGsSoBlack. Hollywood’s acting community provided a stark contrast to the all-white acting nominees in this year’s Oscar race with Saturday’s 2016 Screen Actors Guild Awards. Idris Elba collected two solo Actor statuettes, sharing the night’s honors with other black performers Queen Latifah, Viola Davis, and Uzo Aduba. “Ladies and gentlemen, welcome to diverse TV,” said Elba, who came up to present after winning trophies for his work in the Netflix film Beasts of No Nation — which many felt was unjustly overlooked at the Academy Award nominations — and BBC TV show Luther, and right after Viola Davis won her third career SAG Award for her role in ABC’s How to Get Away With Murder. Davis, a two-time Academy Award nominee, addressed the issue in the pressroom backstage. “I think people should do what they want to do [about boycotting] the Oscars, but more importantly when they walk into a theater they need to be open to the experience of the story. I think sometimes people feel stories about people of color aren’t inclusive. They’re very much inclusive.” Aduba scored her second win for the Female Actor in a Comedy Series category for her role as Crazy Eyes in Orange Is the New Black; she returned to the stage when OITNB won its second SAG Award for Ensemble in a Comedy Series. Accepting on behalf of the cast, OITNB’s Laura Prepon pointedly said that the Netflix show’s ethnically diverse, mostly female cast “is what we talk about when we talk about diversity.” Latifah also reference the hot topic of diversity in her acceptance speech for Outstanding Performance by a Female Actor in a Television Movie or Miniseries for her role as legendary blues singer Bessie Smith on HBO’s Bessie. “Thank you, my compadres, brothers, and sisters in the struggle,” she said. Once backstage, she expanded on the issue: “The public has to continue to demand [diversity]. We’re in a capitalist society, so hopefully supply and demand will kick back in. Hopefully our business will continue to supply the demand the people are asking for … I hope we wake up and realize the old way of doing things is the old way and it’s OK to evolve … change is inevitable.”
【Billboard】Sam Hunt将和Carrie Underwood在格莱美上合唱 如题 The 58th GRAMMY Awards performance lineup has added a series of collaborations featuring current nominees and several GRAMMY newcomers, including James Bay and Tori Kelly; Andra Day and Ellie Goulding; and Sam Hunt with seven-time GRAMMY winner Carrie Underwood. These performances will mark the GRAMMY stage debuts for Bay, Day, Goulding, Hunt, and Kelly. Previously announced performers are Adele, Kendrick Lamar,Little Big Town, and The Weeknd. A special tribute to 2016 MusiCares Person of the Year Lionel Richie will highlight the GRAMMY winner's wide-ranging career. Bay is nominated for three awards: Best New Artist and Best Rock Song for "Hold Back The River," and Best Rock Album for Chaos And The Calm. Day is nominated for two awards: Best R&B Performance for "Rise Up" and Best R&B Album for Cheers To The Fall. Hunt is up for two awards: Best New Artist and Best Country Album for Montevallo. Goulding has one nomination: Best Pop Solo Performance for "Love Me Like You Do." The song is also nominated for Best Song Written For Visual Media. Kelly is nominated for Best New Artist. Underwood is nominated for Best Country Solo Performance for "Little Toy Guns." The 58th Annual GRAMMY Awards are produced by AEG Ehrlich Ventures for The Recording Academy. Ken Ehrlich is executive producer, Louis J. Horvitz is director, and David Wild and Ehrlich are the writers. Two-time GRAMMY winner LL Cool J will host Music's Biggest Night for the fifth consecutive year. Taking place at Staples Center in Los Angeles, the 58th Annual GRAMMY Awards will be broadcast live in HDTV and 5.1 surround sound on CBS on Monday, Feb. 15 at 8 p.m. ET/5 p.m. PT.
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