暮春的雨 暮春的雨
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一 影集 主要作品年表-2007- Stardust -星尘-2007- Hairspray -发胶-2007- I Could Never Be Your Woman-2002-White Oleander -毒自美丽 /白色夹竹桃-2001-I Am Sam -我是山姆 - 2000 - What Lies Beneath - 危机四伏- 1999 - The Story of Us - 我们的故事- 1999 - Being John Malkovich - 傀儡人生/成为约翰马尔科维奇- 1999 - Midsummer Night's Dream, A - 仲夏夜之梦- 1999 - Deep End of the Ocean, The - 失踪时刻- 1998 - Prince of Egypt, The - 埃及王子- 1997 - Thousand Acres, A -陌上伊人- 1996 - One Fine Day - 一日钟情- 1996 - To Gillian on Her 37th Birthday - 夜未眠生死恋- 1996 - Up Close & Personal - 舍不得你(因为你爱过我)- 1995 - Dangerous Minds - 危险游戏- 1994 - Wolf - 狼人生死恋- 1993 - Age of Innocence, The - 纯真年代- 1992 - Love Field - 爱之田- 1992 - Batman Returns - 蝙蝠侠归来    - 1991 - Frankie and Johnny - 性,爱情,汉堡包- 1990 - Russia House, The - 俄罗斯大厦- 1989 - Fabulous Baker Boys, The - 一曲相思情未了- 1988 - Dangerous Liaisons - 危险关系- 1988 - Tequila Sunrise - 黎明霹雳火- 1988 - Married to the Mob - 乌龙密探摆黑帮- 1987 - Amazon Women on the Moon -月亮中的亚马逊女人- 1987 - Witches of Eastwick, The - 紫屋魔恋- 1986 - Sweet Liberty -- 1985 - Into the Night - 皇家密杀令- 1985 - Ladyhawke - 鹰女- 1983 - Scarface - 疤面煞星- 1982 - Grease 2 - 油脂小子- 1981 - Charlie Chan and the Curse of the Dragon Queen - 龙之后- 1980 - Falling in Love Again -- 1980 - Hollywood Knights, The -好莱坞骑士  
卡地亚全球明星相约宣爱日 2007年6月8日,正值中国首个“宣爱日”之际,世界顶级珠宝及腕表翘楚卡地亚和联合国儿童基金会共同发起了名为“爱在联合国儿童基金会”公益宣传活动。在北京居庸关长城的慈善活动上,卡地亚捐出来自LOVE系列销售收入的300万元善款,用于支持联合国儿童基金会的爱滋儿童服务项目。 除了中国,卡地亚还于同一天在美国、意大利、德国、澳大利亚、新加坡、马来西亚等全球超过23个国家和地区,与当地慈善机构携手相约“宣爱日”,举办了一系列公益活动,宣扬爱的讯息。 为了使公众更详细了解世界各地“宣爱日”的活动和LOVE系列产品的最新动态,卡地亚在“宣爱日”当天在全球同步推出了一个互动体验的网络平台--卡地亚LOVE网站(www.love.cartier.com)。网站提供英、法、德、西班牙、意大利语和中文等 10种语言,以极富时尚质感的互动界面,营造出丰富多彩的网络体验。整个网站共由四个部分组成,分别为“爱的故事”、“爱的画廊”、“ LOVE系列”以及“宣爱日”四个主题。其中最令人期待的就是互动场景组成的虚拟画廊,八位来自世界各地的年轻艺术家通过展示他们才华横溢的作品,表达各自对爱的感受。此外,由法国籍导演Olivier Dahan执导的黑白短片以故意缺失的故事结局,诠释了“爱无止境”的卡地亚宣言。
Interview with Constantine actor, Rachel Weisz Q: Was there any talk of the irony that Constantine went from a British setting to America? And that you are British playing American? Was there any discussion of using your normal voice? RW: Of me, personally? No. I’m an LAPD homicide detective. It would be really odd if I spoke in [British] English. No, there was no talk of that. Q: How much did you have to work on the accent? RW: I’ve done it a bunch of times, so it’s not a big deal now. Q: You’ve made a name for yourself in the Mummy films. Is that why you to do another action blockbuster? RW: I was actually looking for a comedy. I was reading romantic comedies and there just wasn’t one that really worked, and then suddenly I read this script. I’d never read the comic book. I’d never heard of the comic book. I just couldn’t get it out of my head. Something about the world that it painted and the complexity of this woman within it. I thought it was such an interesting role for a woman. And then I met [Director] Francis [Lawrence] and I was really impressed with him. I saw his music videos, which I’d seen before and hadn’t realized they were him, and I just thought he’s such a great visual stylist. He’s so intelligent and he really was interested in working with actors. It was real left of field for me, but obviously I must be interested in supernatural. The Mummy totally is more for kids. It’s more like Saturday morning TV B-movie tone. [Constantine] is much more grown-up…I was looking for a comedy, so it really wasn’t part of the plan. It wasn’t like I wanted to do a big Hollywood special effects movie. It literally came out of nowhere and I couldn’t get it out of my mind. I couldn’t bear to let anybody else play her. Q: Constantine has a definite dark side. Do you go for the dark, brooding type? RW: When I was younger, definitely. The bad boys, brooding types. Now I’m much more interested in geeks. Nice, kind, geeks. I think what’s meant to be cool, like bad boys, is just…I find it very uncool. I’m into geek culture. I think that’s where the coolness is. Q: Is there a middle ground, like a brooding geek? RW: Geeks are too cool to brood. Brooding’s kind of pretentious I think. Q: Is doing a comic book movie a good way to reach out to geeks? RW: That is genius. Yeah, I never thought of that but probably. Yeah, maybe I’ll get me some geek fans. Q: You consulted with a psychic while you researched this role. Do you believe in psychics? RW: I actually met her through somebody I know here in LA who’s quite deep into that culture. I believe that she believes that she’s psychic, this woman that I met. I don’t know, though. I can’t prove it. Q: How did meeting her affect your performance? RW: In doing research, if you meet someone who really is who you’re pretending to be…I steal. I just steal from them so I ask them questions about their childhood and about what it feels like to have a vision, what it feels like to have sight and how it’s a burden, how it’s a blessing and what it’s like to have a boyfriend and you can read their mind. I just ask them all the questions. And so then I just…steal from them, so when I’m playing the character, I’ve just gotten stolen goods from somebody else. It’s research. Like detective work. So did I believe? I believed that that was her reality. A ghost has never revealed itself to me. I’m pretty in tune with people. I can normally get a sense of what the vibes are in a room, but I can’t read somebody’s mind. It would be fun. It would be fun for about a month.
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