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“The Pride”的有关采访---怎样应对 sex scene? Did you have any hesitations about taking explicit gay roles? Hugh Dancy: No. Ben Whishaw: I think of it as a very hopeful play. It’s all about people wanting to know themselves better. Still, Ben, your character says he’s into bondage, rubber, chains. BW: Sure, I have thought about my mom seeing it. [To Dancy] Has that thought crossed your mind? HD: Oh, God, yes. But people seem convinced that after I agreed to do the play, all my agents begged me not to. It’s just not true—not really. What connections did you make between the show’s two time periods? HD: That the self-loathing in the fifties has perhaps, in some way, remained and informed some element of gay identity. So the trap that your character faces in 2008 is … BW: Still very specifically about gayness. Or his sexuality. [My character] can feel love for one person, and still have sex with strangers in parks. It’s a problem. Were you glad to see a mature Nazi fetish depiction in the script? HD: Oh, I’ve been waiting. Hugh, since you live in New York now, did you give Ben tips on what to do? HD: I did give you the address of that Qigong place on Grand Street. BW: Oh, yeah! That massage place. It was pretty good, but it could have been harder. What kind of other support do you two give each other? HD: I’ve never felt in great need of emotional support because we get on well. BW: Yeah. If you make a big kind of [whispers nervously] “We’re doing the sex scene today,” you make it a drama. But actually we’re like, “Okay, we’re gonna do the sex scene! [Claps] So pull down your pants.” You have to be matter-of-fact about it. HD: There’s a perception that in the rehearsal room, actors are always hugging each other and checking if they’re okay. I think it’s much more matter-of-fact, usually. BW: But we do sometimes hug.
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