追風箏的矮子 追風箏的矮子
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【原创】紀念你過去 為人如此風趣 14/2/2016,一個月前我生日,一個月前alan走了。 聽著陳奕迅的活著多好開始寫這一篇文。 整整一個月,每天都在看他的新聞,感覺他一直都在。直到2月3日他下葬了,我看著他葬禮的照片,才覺得「他真的不在了」。心痛嗎?本來有。但想到如果我心痛,那Rima的心更痛。想到這點我就沒有心痛的感覺了。 我記得小時候就看HP的書,有看電影。小學的時候覺得Snape好壞,不喜歡他。但我的英文戲劇老師說 "If you hate that villain, it means the actor did a great job." 到初中的時候我忽然喜歡Alan,沒有什麼原因,就是喜歡。雖然我的英文老師是香港人,但她很British,她推薦我去看Snow Cake,看完之後就更喜歡他,同時我也開始喜歡英文。 升到高中的時候我的老師是NZ人,那時候我喜歡Alan跟Hugh Laurie,老師說推薦我去看Sense and Sensibility,因為他們兩個人都有在裡面。之後老師一直推薦Alan其他電影給我。這段時期我被他的演技吸引了,英文也進步許多了,起碼我不需要看中文字幕,有時候還可以直接看無字。 這年是大二,升到大學待人處事的方式要進步了。某些行為也變得像Alan。一直說Sorry,一直push自己去做更多更困難的事。我的興趣是行山露營。過去我一直呆在家,但升到大學我就經常去爬山,看更多的東西。愈難走的山我愈要去走。有時候走不到我想去的地點我會沮喪。Alan說 "I want to swim in both directions at once. Desire success, court failure." 這一句推動我去做很多很多的東西。 在20年的人生,所有我遇過的人都是我的老師,但Alan是最特別的,我可以從他身上拿到想學的,用在自己身上更用來影響別人。 「遊玩時 開心一點 不必掛念我  來好好給我活著 就似最初  仍然在呼吸都應該 要慶賀  如果想哭 可試試對嘉賓滿座  說個笑話 紀念我」 -To be continute-
150607【水贴】海外极限打工- 孤儿小象「父母」的日记 刚刚在大象犀牛孤儿院DSWT的官网找到两段有关无挑的日记... 节录有关无挑还有河&秀的孩子-Ngilai还有Duoptto Nursery Unit May 19, 2015 原文: There was a South Korean film crew here today filming the orphans for a show to bring awareness on poaching and the need to conserve wildlife. During the public visit Roi, Kamok, Murit, Dupotto, Mbegu and Boromoko all entertained the visitors as they engaged each other in games in the mudbath. They wallowed and rolled and sat on their buttocks sliding into the pool. 今天有南韩的拍摄团队到这里拍摄孤儿们。节目是内容是要让观众关注偷猎及保护野生动物的行动。 在公众参观期间, Roi, Kamok, Murit, Dupotto, Mbegu and Boromoko在泥浴中玩游戏,招待参观的人。他们在翻滚和滚动 ,还坐在屁(和谐)股上滑到池里。 Nursery Unit May 20,2015 原文: The South Korean film crew arrived very early this morning and filmed the orphans as they exited the stockade. Today Ngilai came down to the public visiting hour for the first time while Ndotto and Lasayen, who are feeling a little under the weather after we think eating a poisonous plant, stayed with their keepers. 南韩的拍摄团队一大清早就来到这里拍摄孤儿们,因们他们要离开这里了。 今天Ngilai 第一次参加公众参观。同时Ndotto和Lasayen需要「父母」的陪伴,因为他们吃掉有毒的植物,感到不适。 后记: 虽然看直播是韩文,但河秀这段的饲养员是用英文讲话,所以听得懂。其实我们有很多东西都是不需要用的(例如象牙,鱼翅)又或者是不需要用太多(东海的深海鱼,动物的毛皮,犀牛角)。高中念生物的时候知道一种生物绝种对一整个生境有很大的影响,看到人不断过渡捕猎的时候真的很生气又很心痛。生气是因为偷猎者没有想过如果这些动物绝种了,他们自己也活不下去,更用残忍的方法捉动物,例如 Mwashoti脚几乎被陷阱夹断。看著小象的父母被杀,自己又受重伤。虽然人类不知道他们的感受,但看到他们身上深长的伤痕,甚至连尾巴也没有,真的非常心痛。 所以平常看到没需要,或者不需要太多的东西,就不要买太多,防止偷猎的情况助长。 图一是Ngilai刚救回来的时候 图二背有蓝色膏药的是Ngilai,脚有膏药的是Mwashoti 图三是在伦敦举办的「elephent run」 Source : Sheldrick Wildlife Twitt(!!)er
Actor Robin Williams Found Dead In California Home 还记得Wilson( Robert Sean Lenoard )拍过的电影 Dead Poet Society吗? 在里面饰演老师John Keating的演员Robin Williams今天(美国时间是11号)在家里自杀 RIP and Carpe Diem (及时行乐) 新闻内容(原文) Oscar winning actor Robin Williams was found dead of an apparent suicide in his Tiburon home Monday, according to the Marin County Sheriff’s Department, CBS San Francisco reports. One of Robin Williams most iconic roles was portraying United States Air Force sergeant and disc jockey Adrian Cronauer in the film Good Morning Vietnam. Cronauer is from Pittsburgh. KDKA’s Pittsburgh Today Live had the chance to catch up with Robin Williams when he joined the show to talk about the premiere of “The Crazy Ones.” KDKA’s Kristine Sorensen spoke with Robin Williams about the show, and you see that interview here. Williams was 63, and the Marin County Sheriff’s office said a preliminary investigation shows the cause of death to be a suicide due to asphyxia. The Marin County coroner’s office said Williams was last been seen alive at home at about 10 p.m. Sunday. An emergency call from his house in Tiburon was placed to the Sheriff’s Department shortly before noon Monday. “This morning, I lost my husband and my best friend, while the world lost one of its most beloved artists and beautiful human beings. I am utterly heartbroken,” said Williams’ wife, Susan Schneider. “On behalf of Robin’s family, we are asking for privacy during our time of profound grief. As he is remembered, it is our hope the focus will not be on Robin’s death, but on the countless moments of joy and laughter he gave to millions.” Williams had been battling severe depression recently, said Mara Buxbaum, his press representative. Just last month, he announced he was returning to a 12-step treatment program he said he needed after 18 months of nonstop work. He had sought treatment in 2006 after a relapse following 20 years of sobriety. From his breakthrough in the late 1970s as the alien in the hit TV show “Mork and Mindy,” through his standup act and such films as “Good Morning, Vietnam,” the short, barrel-chested Williams ranted and shouted as if just sprung from solitary confinement. Loud, fast and manic, he parodied everyone from John Wayne to Keith Richards, impersonating a Russian immigrant as easily as a pack of Nazi attack dogs. He was a riot in drag in “Mrs. Doubtfire,” or as a cartoon genie in “Aladdin.” He won his Academy Award in a rare but equally intense dramatic role, as an empathetic therapist in the 1997 film “Good Will Hunting.” He was no less on fire in interviews. During a 1989 chat with The Associated Press, he could barely stay seated in his hotel room, or even mention the film he was supposed to promote, as he free-associated about comedy and the cosmos. “There’s an Ice Age coming,” he said. “But the good news is there’ll be daiquiris for everyone and the Ice Capades will be everywhere. The lobster will keep for at least 100 years, that’s the good news. The Swanson dinners will last a whole millennium. The bad news is the house will basically be in Arkansas.” Following Williams on stage, Billy Crystal once observed, was like trying to top the Civil War. In a 1993 interview with the AP, Williams recalled an appearance early in his career on “The Tonight Show Starring Johnny Carson.” Bob Hope was also there. “It was interesting,” Williams said. “He was supposed to go on before me and I was supposed to follow him, and I had to go on before him because he was late. I don’t think that made him happy. I don’t think he was angry, but I don’t think he was pleased. “I had been on the road and I came out, you know, gassed, and I killed and had a great time. Hope comes out and Johnny leans over and says, ‘Robin Williams, isn’t he funny?’ Hope says, ‘Yeah, he’s wild. But you know, Johnny, it’s great to be back here with you.*” In 1992, Carson chose Williams and Bette Midler as his final guests. Like so many funnymen, Williams had dramatic ambitions. He played for tears in “Awakenings,” ”Dead Poets Society” and “What Dreams May Come,” which led New York Times critic Stephen Holden to write that he dreaded seeing the actor’s “Humpty Dumpty grin and crinkly moist eyes.” But other critics approved, and Williams won three Golden Globes, for “Good Morning, Vietnam,” ”Mrs. Doubtfire” and “The Fisher King.” His other film credits included Robert Altman’s “Popeye” (a box office bomb), Paul Mazursky’s “Moscow on the Hudson,” Steven Spielberg’s “Hook” and Woody Allen’s “Deconstructing Harry.” On stage, Williams joined fellow comedian Steve Martin in a 1988 Broadway revival of “Waiting for Godot.” More recently, he appeared in the “Night at the Museum” movies, playing President Theodore Roosevelt in the comedies in which Ben Stiller’s security guard has to contend with was figures that come alive and wreak havoc after a museum closes. The third film in the series is in post-production, according to the Internet Movie Database. In April, Fox 2000 said it was developing a sequel to “Mrs. Doubtfire” and Williams was in talks to join the production. Williams also made a short-lived return to TV last fall in CBS’ “The Crazy Ones,” a sitcom about a father-daughter ad agency team that co-starred Sarah Michelle Gellar. It was canceled after one season. “I dread the word ‘art,*” Williams said in 1989 when discussing his craft with the AP. “That’s what we used to do every night before we’d go on with ‘Waiting for Godot.’ We’d go, ‘No art. Art dies tonight.’ We’d try to give it a life, instead of making “Godot” so serious. It’s cosmic vaudeville staged by the Marquis de Sade.” His personal life was often short on laughter. He had acknowledged drug and alcohol problems in the 1970s and ’80s and was among the last to see John Belushi before the “Saturday Night Live” star died of a drug overdose in 1982. Williams announced in 2006 that he was drinking again but rebounded well enough to joke about it during his recent tour. “I went to rehab in wine country,” he said, “to keep my options open.” The following year, he told the AP that people were surprised he was no longer clean. “I fell off the wagon after 20 years and people are like, ‘Really?’ Well, yeah. It only kicks in when you really want to change,” he said. Born in Chicago in 1951, Williams would remember himself as a shy kid who got some early laughs from his mother – by mimicking his grandmother. He opened up more in high school when he joined the drama club, and he was accepted into the Juilliard Academy, where he had several classes in which he and Christopher Reeve were the only students and John Houseman was the teacher. Encouraged by Houseman to pursue comedy, Williams identified with the wildest and angriest of performers: Jonathan Winters, Lenny Bruce, Richard Pryor, George Carlin. Their acts were not warm and lovable. They were just being themselves. “You look at the world and see how scary it can be sometimes and still try to deal with the fear,” he said in 1989. “Comedy can deal with the fear and still not paralyze you or tell you that it’s going away. You say, OK, you got certain choices here, you can laugh at them and then once you’ve laughed at them and you have expunged the demon, now you can deal with them. That’s what I do when I do my act.” He unveiled Mork, the alien from the planet Ork, in an appearance on “Happy Days” and was granted his own series, which ran from 1978 to 1982 and co-starred Pam Dawber as a woman who takes in the interplanetary visitor. “I am completely and totally devastated,” Dawber said in a statement. “What more can be said?” Following his success in films, Williams often returned to television – for appearances on “Saturday Night Live,” for “Friends,” for comedy specials, for “American Idol,” where in 2008 he pretended to be a “Russian idol” who belts out a tuneless, indecipherable “My Way.” Williams could handle a script, when he felt like it, and also think on his feet. He ad-libbed in many of his films and was just as quick in person. During a media tour for “Awakenings,” when director Penny Marshall mistakenly described the film as being set in a “menstrual hospital,” instead of “mental hospital,” Williams quickly stepped in and joked, “It’s a period piece.” Winner of a Grammy in 2003 for best spoken comedy album, “Robin Williams – Live 2002,” he once likened his act to the daily jogs he took across the Golden Gate Bridge. There were times he would look over the edge, one side of him pulling back in fear, the other insisting he could fly. “You have an internal critic, an internal drive that says, ‘OK, you can do more.’ Maybe that’s what keeps you going,” Williams said. “Maybe that’s a demon. … Some people say, ‘It’s a muse.’ No, it’s not a muse! It’s a demon! DO IT YOU BASTARD!! HAHAHAHAHAHAHA!!! THE LITTLE DEMON!!”
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