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【赤子丹心】子丹FB(Nov.2014) 11月1日 分享了链接 Genre: Action/Thriller Director: Teddy Chen Cast: Donnie Yen, Charlie Yeung, Wang Baoqiang, Bai Bing, Zhang Lan-Xin, William Chan, Alex Fong, David Chiang, Deep Ng, Shi Yanneng, Louis Fan RunTime: 1 hr 40 mins Rating: PG13 (Violence) Released By: GV and Clover Films Official Website: Opening Day: 30 October 2014 Synopsis: A vicious killer (Wang Baoqiang) is going round Hong Kong killing top martial arts exponents. When convicted killer and kung fu expert, Xia (Donnie Yen) hears this, he offers to help the police catch the killer, in return for his freedom. However, the canny and lethal killer eludes them again and again. Although the latter has made it quite clear that Xia would be his ultimate challenge, Xia refuses to be drawn into a life or death duel – until the killer threatens the woman he loves most. Movie Review: As much as we love the ‘Ip Man’ star, we’ll be frank to admit that Donnie Yen needs a hit – bad. Since Peter Chan’s genre-mashing martial arts epic ‘Wu Xia’ three years ago, Yen has struggled to find a movie equal to his standing, languishing in CGi-driven farcical fare like ‘The Monkey King’ to lazily plotted modern-day cop dramas like ‘Special ID’ and most embarrassingly to a kids’ acrobatic show like ‘Iceman 3D’. Which is why his latest, which reteams him with ‘Bodyguards and Assassins’ helmer Teddy Chen, is such a huge sigh of relief for us – it packs Yen’s signature brand of hard-hitting action with a compelling narrative to be both thrilling and moving at the same time, and is indeed as good a comeback as we could have asked for. The setup isn’t complicated, and fuses the themes in a kung fu picture into a police procedural. A brief prologue which shows Yen turning himself in at the police station after killing his exponent in a fight frames the former, while the latter unfolds three years later with the emergence of a serial killer who is targeting experts in different martial arts disciplines, i.e. boxing, kicking, grappling, weaponry etc. Immediately after hearing a news report of one such victim, Yen’s martial arts instructor Mo Hahou starts a prison brawl just to get the attention of its lead investigator (Charlie Yeung), proceeding to name the others whom he claims would be next. As it turns out, Yen’s portents come true one by one, and he gets a temporary release from prison to aid in the manhunt. To be sure, there is no doubt on who that is – an unhinged psychopath called Fung Yu-sae (Wang Baoqiang) who has just lost his wife to cancer and now possesses only a murderous motivation to prove himself the best of the best. Unsurprisingly, the film builds to an ultimate challenge between Yen and Wang, the former’s motivations and the latter’s intentions more personal and intertwined than what you are likely to have thought at the start. Chan isn’t a storyteller without purpose, and none of that seems lost in Lau Ho Leung and Mak Tin Shu’s tight scripting from Chan’s own story. You can probably make a reasonable guess from one of the film’s working titles ‘Last of the Best’, which essentially hints at a lethal fight to the finish. Chan’s character-driven tale depicts Yen and Wang’s on-screen personas as two sides of the same coin, both of them highly trained pugilists tempted to use their skills to kill rather than to protect and whose personal quests for supremacy has blinded them to the consequences of getting there. It is a familiar conceit all right, but Chan’s incredibly assured direction fleshes it out convincingly. His ingenuity doesn’t quite end there; by placing such themes within the context of a modern day setting, Chan has truly accomplished a rare feat of making a contemporary martial arts movie. In fact, we’d even go as far as to say that ‘Kung Fu Jungle’ is the very embodiment of such a movie, so much so that you won’t even begin to question whether it is realistic for the characters to engage in such elaborate one-on-one fisticuffs in this day and age. The use of martial arts here makes complete and perfect sense, woven beautifully into the plotting and given a gritty down-to-earth polish that makes it all the more authentic. Chan’s aim here is also homage, and eagle-eyed fans of the genre will have a field day spotting – among others – Mang Hoi, Tony Leung Siu-Hung, Tsui Siu-Ming, Yuen Cheung Yan and Sharon Yeung in cameos. Yes, many of these stars have paved the ground on which Yen’s stature as a martial arts actor stands on, and their appearances – no matter how brief – has clearly energised Yen. His work as action director here is among his best in years, but it is probably no coincidence that he is joined by other luminaries like Yuen Bun and Tung Wai. Each kill provides an expedient setting for a quick burst of adrenaline, with trained kung fu actors like Shi Yanneng and Louis Fan in brief but memorable supporting roles that Wang challenges to a one-on-one fight to the death. No expense has been spared even in these scenes, and credit goes to production designers Dennis Chan, Albert Lee and Yip Wai-Shan for their innovative backdrops including a massive skeleton artpiece in a Kowloon arts centre, a tattoo parlour adorned with tanks of jellyfish and an (almost meta) movie studio set. Quick, clean but brutal – they pretty much establish the tone for the more elaborate setpieces to come, and it is in the latter that one is reminded why Yen is arguably the best active kung fu actor out there today. From a signature ‘one against many’ brawl in prison to a cat-and-mouse chase in and out of the stilt houses that form Lantau Island’s fishing community to an exhilarating finish along the Container Port Road leading out of the Kwai Tsing Container Terminals, Yen impresses with his speed, agility and execution. In particular, the latter ranks as one of his best in intensity and inventiveness, much better than the overlong and overindulgent climax in ‘Special ID’ and the flamboyantly messy one in ‘Iceman 3D’, especially with a wowing mid-section that sees Yen and Wang duelling with wooden poles. If Wang ever seemed an odd choice for Yen’s opponent given his filmography, the Shaolin-trained Mainland actor finally redeems himself here. This isn’t their first match-up – that ignominy goes to the atrocious ‘Iceman 3D’ – but seeing Wang fight the way he does here is truly an eye-opener, firmly putting to rest any doubts of his ability in a physically demanding role like this. Wang is also chillingly good as the snarling murderer whose hood hides a deliberately scarred face, but is equally persuasive when portraying the part of a loving husband to his dying wife. Yen’s acting is in equally fine form as an honourable man wracked by his past demons and trying to stop a monster for more personal reasons than he is willing to admit to anyone. Truth be told, we weren’t quite sold when we heard that Yen and Wang were re-teaming after ‘Iceman 3D’, and if you’re having similar reservations, we’re here to tell you that they are unfounded. ‘Kung Fu Jungle’ is a thrilling showcase of martial arts action and gripping storytelling, a shining example of a contemporary kung fu movie and an earnest and befitting tribute to a bedrock of Hong Kong cinema. Chan uses the end credits to express his gratitude to each and every one of the cast and crew, and the fact that he doesn’t even include himself into that closing reel shows his humility – and his heart in the right place.
【赤子丹心】《一个人的武林》贵阳试片会 看王宝强六块腹肌 王宝强变身连环杀手《一个人的武林》剧照 多彩贵州网讯(本网记者 陈李育) 当《人在囧途》的屌丝喜剧男王宝强练起肌肉,开始做硬汉跟功夫巨星甄子丹一决高下的时候,电影《一个人的武林》已经成功吸引了观众的注意。在今日举行的《一个人的武林》贵阳提前看片会上,粉丝蜂拥而至,无论3D现代功夫巨制还是《十月围城》原班人马这两个噱头似乎都没有高过另一个呼声——看!王宝强的腹肌!   电影《一个人的武林》是由《十月围城》导演陈德森执导,甄子丹、王宝强、杨采妮和白冰倾情出演,《十月围城》原班人马打造的现代3D功夫片。影片中,甄子丹一如既往的强悍,武功天下第一,令看惯了“咏春”的观众早已不足为奇。倒是王宝强的锐意转型,舍弃以往的搞笑路线,演绎一个变态连环杀手和甄子丹上演终极大战,吊足了观众的胃口。 一个喜剧演员忽然变身硬汉,演绎变态连环杀手,到底效果如何?提前看了试映的本网记者只能说:“王宝强也是蛮拼啦。”擒拿、腿法、剑法、拳法,王宝强全方位展现,打戏很精彩,拳拳到肉,血雨腥风,功夫毫不含糊。而王宝强为该戏练就的六块腹肌,其照片已在微博疯传,在片中也是展现无遗,怪不得试片会现场粉丝纷纷讨论“是为王宝强的腹肌而来”。 当然除了王宝强,该片还有许多亮点不得不提。《一个人的武林》是《十月围城》的导演陈德森的五年回归之作,也是由《十月围城》原班人马打造的现代3D功夫片。五年前陈德森导演的一部《十月围城》斩获香港金像奖最佳影片,五年后陈德森率原班人马再创动作江湖,从动作执导、服装设计和影片拍摄等多个方面都倾注了许多心血。影片将现代动作、悬疑、犯罪等多种吸引人的元素合为一体,打造出功夫片的新类型。全片共有7场打戏,每场打戏都是有内涵,有嚼头,而除此之外,还有很多当红知名打星在片中展露手脚。 片尾的彩蛋是该片的另一亮点。结尾彩蛋出现很多为港式功夫片做过突出贡献的前辈们,例如指导过《东邪西毒》、《陈真》的武术指导徐小明;指导过《功夫》、《武状元苏乞儿》的袁祥仁;代表作为《千机变》、《关云长》、《武侠》的严华;曾执导《风云》、《无间道》、《古惑仔》、《头文字D》的著名导演刘伟强。在影片酣畅淋漓的打戏过后,这样充溢深情的片尾彩蛋让很多人觉得十分感动。陈德森导演也透露,其实这部影片的拍摄初衷是想向中国功夫片的诸多幕后前辈致敬,相信这部由金牌班底打造同时赋予了满满情怀的影片,一定不会让影迷们失望。 究竟王宝强的六块腹肌怎样,究竟“甄宝组合”会带来怎样的精彩?10月31日,一场“既分高下,也决生死”的江湖之战热血开战。 作者: 本网记者 陈李育  编辑:袁小娟、吴蔚 主编:
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