破名字真难起T 破名字真难起T
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三角初音为何成为🐘孝子——乐子人视域下三角初音行为合理性分析 摘要 本研究基于乐子人视角,聚焦《Ave Mujica》中三角初音对丰川祥子的病态迷恋行为,揭示其背后复杂的心理动因与叙事逻辑。初音的“被抛弃私生女”身份与重组家庭中的“局外人”处境共同塑造了其敏感、嫉妒与自我认同缺失的特质。她对祥子的迷恋本质上是三种心理动因的叠加:一是将祥子视为理想自我的投射,试图通过占有“幸福参照物”弥补原生家庭创伤;二是对妹妹初华及祥子的双重嫉妒,通过病态追求消解身份焦虑;三是通过扮演“悲剧女主角”维持人格认同,将负面情绪合理化为对祥子的执念。研究指出,初音行为的合理性不代表道德正当性,但其“动机-行为差分”设计使角色超越扁平化叙事,成为乐子人学派推崇的“神人大观园”观察样本。 关键词:乐子人学派、角色创伤心理学、家庭关系异化、叙事诡计、二次元角色分析 Abstract This study adopts the Lezi Ren School perspective to analyze the behavioral rationality of Triangle Hatsune’s obsessive infatuation with Toyohashi Kyoko in Ave Mujica. By integrating psychological trauma theory and narrative analysis, the research reveals how her identity as an abandoned illegitimate daughter and outsider in a remaranged family shapes her traits of hypersensitivity, jealousy, and self-identity fragmentation. Her admiration for Kyoko manifests through three overlapping psychological mechanisms: projecting Kyoko as an idealized self to compensate for familial neglect, channeling dual jealousy toward Kyoko (as a symbol of happiness) and her biological sister Triangle Hatsuho (as a "legitimate" family member), and maintaining a tragic heroine persona to rationalize negative emotions and sustain attention. The study argues that Triangle Hatsune’s actions, though morally contentious, demonstrate sophisticated character design through the deliberate creation of "motivation-behavior discrepancy," transforming her into a canonical example of the Lezi Ren School’s "divine freakshow" aesthetic. Keywords: Lezi Ren School, Character trauma psychology, Family relational alienation, Narrative paradox, Anime role analysis
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