honeybaby1020 honeybaby1020
关注数: 7 粉丝数: 187 发帖数: 24,497 关注贴吧数: 9
英语视听说课给电影配音的台词 Joey: (To Rachel) This is it! This is my category.Rachel: I know! My God! Do you have your speech?Joey: Yeah, I got my speech!Rachel: Do you got your gracious loser face?Joey: Yeah. (Does it.)Rachel: Now Joey remember, if you win you have to hug me! You hug me!Joey: Okay. Can I squeeze your ass?Rachel: On TV?! Yeah!Joey: ‘Kay! [Cut to the presenter.]The Presenter: …in the category of Favorite Returning Male Character the nominees are: John Wheeler from General Hospital (Applause), Gavin Grant from The Young and the Restless (Applause), Dunkin Harrington from Passions (Applause), and Joey Tribbiani from Days of Our Lives (Applause). And the Soapie goes to…(She opens the envelope)…Gavin Grant from The Young and the Restless!Joey: What the?! (Joey pounds the table and starts yelling at Rachel, and which is drowned out by applause. Rachel is desperately trying to tell Joey that he’s on TV right now. He finally notices and he does his gracious loser face.)Commercial Break[Scene: The 2001 Soapie Awards, the announcer is introducing the next presenter.]Announcer: Presenting the award for Favorite Supporting Actress is Joey Tribbiani from Days of Our Lives. (Applause as Joey angrily walks to the podium and eyes the trophy.)Joey: (angrily and monotone) Any one of the brilliant actresses nominated for this award tonight deserves to take it home. Unfortunately only one can. (Shakes his head in disgust.) The nominees for Best Supporting Actress are from Passions Erin Goff. (There is applause, which Joey disgustedly waits to dye out.) From One Life to Live Mary Loren Bishop (They start to applaud again, but Joey interrupts in with the rest of the nominees), from All My Children Sarah Mchann, and from Days of Our Lives Jessica Ashley. And the winner is…(Opens the envelope)…Jessica Ashley from Days of Our Lives. (Applause) Uh, unfortunately Jessica couldn’t be with us tonight so I’ll be accepting this award on her behalf. (Realizes something) And I’m sure that Jessica would like to thank my parents who always believed in me. She’d also like to thank my friends, Chandler, Monica, Ross, Phoebe, and Rachel who’s sittin’ right there! (Points at Rachel.) (The music starts and his microphone is turned off, this angers Joey again and he disgustedly exits.)[Scene: Joey and Rachel's, Joey and Rachel are entering.]Rachel: Joey! Why did we have to rush out of there so fast?!Joey: Rach we had to get out of there because, look what I won! (He whips out the award for Best Supporting Actress that he accepted for Jessica.)Rachel: Oh my God you stole her award!Joey: No-no! No, I’m accepting it on her behalf. (He puts it up above the TV to display it.)Rachel: Joey I don’t think you know what behalf means.Joey: Sure I do! It’s a verb! As in, "I behalfin’ it!"Rachel: Joey, you have got to take this back!Joey: But why?! I should’ve won one and I really want it and she didn’t even care enough to come to the thing! It could also be a Grammy.Rachel: (looking at the award) No! Joey!Joey: Come on Rach! No one saw me take it! There was a whole table full of ‘em.Rachel: Do you really want an award you didn’t win?Joey: No! I want an award I did win! But nobody’s giving me any of those! Plus—Hey Rach, if-if I put it up there (Points to the TV) right? When people come over they’ll see it and they’ll think I won it.Rachel: Joey is says Best Supporting Actress!Joey: I can scratch that right off.Rachel: Joey no, this is wrong! You have to take it back, okay? You don’t want to win an award this way. You’re very talented. And someday you’re gonna win one of these for real and that one is gonna mean something.Joey: All right!Rachel: All right? (He sets the award down.) Thank you.Joey: I’ll take it back tomorrow.Rachel: Thank you.(He goes into his room and closes the door. Rachel goes to pick it up and…)Joey: (opening his door) If I can’t have it you can’t have it! (Rachel walks away angrily.)
Blog Tribute to Andre Monday, August 28, 2006 By Joel Drucker When it comes to memories of Andre Agassi, there’s tons to be said about his visible highlights, particularly all those Grand Slam campaigns. So let’s go elsewhere. Let’s go to San Jose, to the SAP Open, an event Agassi has played virtually every year since 1990. Held indoors at the H-P Pavilion, this tournament is played on one court. Obviously, practice time is at a premium. One of my favorite Agassi memories has been watching him arrive to the court to practice prior to his evening match. He’d pull up in his limo, tumble out with Gil Reyes and walk the halls with an eager bounce. On evenings when he was less rushed or waiting for the day session to end, he’d take a few minutes to shoot the breeze with some of us tennis folk – reporters, tournament staff -- he’d known for a while. Over the years I’ve become increasingly fond of talking with Agassi about the nitty-gritty details of how the game is played. Since recreational players usually play points that last no longer than two or three shots, the tactical approach is pretty much like checkers: hit to the guy’s weak side. But with the pros it’s more like chess. To hear Agassi discuss how he’d build a point with seven to ten shots proved to me once and for all that this was a man who’d matured into consummate student of the game. Then he’d get on the practice court, waiting patiently while another peer, such as his rival Michael Chang, finished up his session. I’ve always enjoyed watching the way players interact with one another on practice courts. It reminds me of an office, with executives shuffling in and out of conference rooms, waiting in line at the employee cafeteria no matter what the rank in the organization. Agassi here was no superstar but just another ballplayer. The arena would be virtually empty, and I’d often take a seat courtside. Music would blast its way through the arena. And there would be the best forehand-backhand combo in tennis history, pounding away one drive after another, his eyes in rapt attention, his racket and body in perfect harmony. The tempo of Agassi’s balls would accelerate rapidly. This wasn’t a match cluttered with notions of outcome. It was merely the essence of tennis: one man, hitting one ball, for one moment. How lucky we are that Agassi’s moment has lasted so long. - Joel Drucker is one of the U.S.A's most respected tennis writers and commentators. Last year he interviewed Andre for an exclusive story in DEUCE Magazine. He is also the author of the book Jimmy Connors Saved My Life.
Blog Tribute to Andre Monday, August 28, 2006 By Joel Drucker When it comes to memories of Andre Agassi, there’s tons to be said about his visible highlights, particularly all those Grand Slam campaigns. So let’s go elsewhere.Let’s go to San Jose, to the SAP Open, an event Agassi has played virtually every year since 1990. Held indoors at the H-P Pavilion, this tournament is played on one court. Obviously, practice time is at a premium. One of my favorite Agassi memories has been watching him arrive to the court to practice prior to his evening match. He’d pull up in his limo, tumble out with Gil Reyes and walk the halls with an eager bounce. On evenings when he was less rushed or waiting for the day session to end, he’d take a few minutes to shoot the breeze with some of us tennis folk – reporters, tournament staff -- he’d known for a while. Over the years I’ve become increasingly fond of talking with Agassi about the nitty-gritty details of how the game is played. Since recreational players usually play points that last no longer than two or three shots, the tactical approach is pretty much like checkers: hit to the guy’s weak side. But with the pros it’s more like chess. To hear Agassi discuss how he’d build a point with seven to ten shots proved to me once and for all that this was a man who’d matured into consummate student of the game. Then he’d get on the practice court, waiting patiently while another peer, such as his rival Michael Chang, finished up his session. I’ve always enjoyed watching the way players interact with one another on practice courts. It reminds me of an office, with executives shuffling in and out of conference rooms, waiting in line at the employee cafeteria no matter what the rank in the organization. Agassi here was no superstar but just another ballplayer. The arena would be virtually empty, and I’d often take a seat courtside. Music would blast its way through the arena. And there would be the best forehand-backhand combo in tennis history, pounding away one drive after another, his eyes in rapt attention, his racket and body in perfect harmony. The tempo of Agassi’s balls would accelerate rapidly. This wasn’t a match cluttered with notions of outcome. It was merely the essence of tennis: one man, hitting one ball, for one moment. How lucky we are that Agassi’s moment has lasted so long. - Joel Drucker is one of the U.S.A's most respected tennis writers and commentators. Last year he interviewed Andre for an exclusive story in DEUCE Magazine. He is also the author of the book Jimmy Connors Saved My Life.
首页 1 2 3 4 5 6 下一页