司徒琴一生 司徒琴一生
玄机手工吉他创始人制琴师
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你从来没见过为吉他的写的诗 最黯然的砂砾 Most dejected gravel 纵使大漠中最黯然的沙砾也藏着无数你未曾发觉的秘密, Even the most dejected gravel in the desert is hidden in countless secrets you have never found, 琴键虽然只有黑白,内心却丰富多彩。 Although there are only black and white keys, but the heart is rich and colorful. 世间所有的一切都是渺小,如同生命在宇宙中的一挥间。 Everything in the world is small, as life is short in the universe. 当你听到自己,一切皆为永恒。 When you hear yourself, everything is eternal. ——司徒展鸣 Devin 苦苦琢磨了这支琴的设计、名字好久。最后决定取名为砾,于是也在吉他的设计上面加入了绿松石的装饰。 I pondered the design of the piano and the name for a long time. Finally, I decided to name it gravel, so I added morado decoration in the design of the guitar.   虽然是砾,但却是及其珍贵的却又罕见的砾。另一个叫做砾的原因是因为来自玻利维亚的桑托斯真的是非常丰富的声音表现。不论是任何面板他似乎都可以有很丰富的表现。 Although it is gravel, but it is precious and rare gravel. The other reason is the morado which is from Bolivia is really a very rich voice performance. It seems to have a very rich performance no matter what kind of panel. 关于玻利维亚的桑托斯,也叫做军刀豆。 Morado in Bolivia also known as sapuva. 性能稳定,声音反射速度稍慢,但反射量很足。 这种材料现在已经很珍贵了,大树径的材料也极其难寻。并且这还是一块没有任何花纹几乎全等宽直纹的桑托斯。更重要的是这套桑托斯已经在自然环境下存放了十四年之久。当然这比起桑托斯的成材周期不算什么,因为它的成材需要300到400年,你所看到的每一条直纹都是一年。 Its Performances is stable, the sound reflection speed is slower, but the reflection is enough. This material is now very precious, the tree diameter of the material is also extremely difficult to find. And it is still a piece of no pattern. It is almost full width of the ruled morado. More importantly, this set of morado has been stored in the natural environment for fourteen years. Of course, this is nothing compared to its production cycle, because it takes 300 to 400 years, and every ruler you see is a year. 顺带提一下,哈利法塔也就是迪拜塔作为一项人所共知的工程及设计奇迹,已经在世界范围内建立起一个新时代建筑的卓越基准。这个优越也体现在其出众的内部装饰上。Fritz Kohl公司(德国)选用了290,000平方米最好的波利维亚桑托斯贴面装饰了所有的客房,走廊,电梯及电梯前厅等公共地方,做出了极度奢华,让房客体验到超五星级的豪但不失舒适的大自然风格。 Incidentally, the Khalifa tower is a well-known engineering and design miracle of Burj Dubai, which has set a great benchmark for a new era building around the world. This superiority is also reflected in its superior interior decoration. Fritz Kohl (Germany) has chosen 290,000 square meters of the best Pollysian Santos veneer decorated with all the rooms, corridors, elevators and elevators in the lobby and other public places, making it very extravagant, so that tenants experience Super five-star extravagant but without losing the natural style of comfort. 说说这只琴吧。首先所有的材料都是老料,至少都在10年以上的自然存放,甚至有一些还挺过了及其恶劣的环境。 Let us talk about this piano. First of all, all the materials are old materials, it took at least more than 10 years of natural storage, and even some have survived in harsh environment. 以下所有的选材用料,我只会解释我的做法,但不会解释原因,因为你听到的声音,就是原因。 All the following selection materials, I will only explain my approach, but will not explain the reason, because you hear the sound, that is the reason. 首先,面板采用了西提卡云杉。重点要说明这是什么样的西提卡,三个词,斧劈料,二段材,老料。如果还要加一个解释,那就是一堆这个面板里面这一块是我最喜欢的低频。 First, the panel uses the sitka spruce. The most important thing is to explain what kind of sitka it is. It is ax split material, two sections of material, the old material. If you want to add an explanation, that is a bunch of this panel which is my favorite low frequency. 音梁:使用的是欧洲云杉,不同的是这一整只琴用到的所有音梁取自同一块木料。 Sound beam: it uses the European spruce. The difference is that the whole piano used all the sound beam from the same piece of wood. 底侧板:来自玻利维亚的大师级桑托斯。 Bottom side panel: Master level morado from Bolivia. 琴颈:非洲桃花芯,你所看到的虎纹也是自然形成很少见的一种不过我的做法是将料对称切开,然后反转一半的方向,不但好看,并且让材料内在应力消除更加稳定。依然是拼接制作,因为我不喜欢一体琴颈。至于其他设计的小心思,想必当你拿起吉他的那一刻就会发现很多吧。 Neck: African peach core, you see the tiger pattern is also a natural form, but my approach is to cut the material symmetrically, and then reverse the direction of half. It is good-looking, and the material can eliminate the internal stress and become more stable. It is still stitching production. Because I do not like one neck. As for the other design, presumably you will find a lot of it when you pick up the guitar. 镶嵌:整个吉他所有的镶嵌都是木制的,包括侧面音点。除了那个绿松石是石头。 Mosaic: all the mosaic of the whole guitar is wooden, including the side of the sound points. Except that turquoise is stone. 方块的木头就是另一只和它一起诞生的吉他的边角料和他自己的边角料。 The block of wood is another corner of the guitar and his own scrap. 其他的,当你看到照片,以及弹到他的时候就会感受到了。 The others, when you see the photo, or play it you will feel it.
2000元以内所有吉他测评汇总,神分析,三观尽毁 首先,原创内容欢迎转载,只是想让更多的朋友认清事实。不过最好能告诉我一下。 如果你看完我的分析,你就会明白,吉他根本不可能是一件便宜的乐器。如果你觉得我说的不对,欢迎来辩。 我们来分析一下。这个价位的吉他。是一个什么情况哈。 首先,一支售价2000元的吉他。那么卖琴给你的经销商至少要挣1200-1000。 不要觉得经销商黑,他不挣钱卖你干嘛?这是非常正常的。几乎毫无例外。 那么接下来,这只琴的进价就是1000不到。我还是选择比较保守的数字吧,否则我怕朋友们精神受不了打击。 1000块的进价从批发商那里弄过来。批发商至少每只琴要挣300到500。 那么出厂价就按700算吧,一支面单的材料成本,就算300吧,这已经是非常好的材料了。 那么这一支吉他的好坏决定在这400元以内。首先,除去股东要分的,还有厂房费用,及其可怕的电费,耗损材料费用,还有各种乱七八糟的费用就不提了。 那么剩下的才是工人的工资。算高点。90块吧。 那我按照现在工比较好的工厂的情况再给你分析一下, 一个工厂就算30个人吧。这已经是算是***的工厂了哈。不要不信,那每个人分3块钱。 这个已经是很好的待遇了哦。因为每月只用一千只每个工人就可以挣到3000元工资。 那么在这么大产量的压迫下。你还能好好做吗?音粱只要可以用就行了,谁会管你位置有没有粘准啊?只要喷漆喷亮,好看,那么就一切万事大吉了。 另外不要以为真的有厂家直销,有钱不赚***。
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